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This is a collection of discussions on the deletion of articles related to Film. It is one of many deletion lists coordinated by WikiProject Deletion sorting. Anyone can help maintain the list on this page.

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  2. You should also tag the AfD by adding {{subst:delsort|Film|~~~~}} to it, which will inform editors that it has been listed here. You may place this tag above or below the nomination statement or at the end of the discussion thread.
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Further information
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Film

Yatra: A Musical Vlog

Yatra: A Musical Vlog (  | talk | history | protect | delete | links | watch | logs | views) – ( View AfD | edits since nomination)
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The subject lacks substantial coverage in third-party reliable sources, and there is insufficient evidence to meet WP:NFILM. GSS💬 15:10, 29 April 2024 (UTC) reply

A Quick Shave and Brush-up

A Quick Shave and Brush-up (  | talk | history | protect | delete | links | watch | logs | views) – ( View AfD | edits since nomination)
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No evidence that this is a notable film. Can be redirected to George Albert Smith (filmmaker)#Selected filmography. Fram ( talk) 07:53, 29 April 2024 (UTC) reply

A Wreck in a Gale

A Wreck in a Gale (  | talk | history | protect | delete | links | watch | logs | views) – ( View AfD | edits since nomination)
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No evidence that this 43-second film is notable, hasn't received significant attention. No good redirect target found. Fram ( talk) 07:47, 29 April 2024 (UTC) reply

  • Note: This discussion has been included in the deletion sorting lists for the following topics: Film and United Kingdom. Fram ( talk) 07:47, 29 April 2024 (UTC) reply
  • Keep: Meets WP:NFILM as I mentioned in my edit summary when I "PROD-conned" it. See the guideline. Shown at festival more than 5 years after production. - My, oh my! (Mushy Yank) 12:55, 29 April 2024 (UTC) reply
    • That line in NFILM gives only a presumption which needs to be supported by reliable sources indicating that it meets WP:GNG. A screening on a niche festival which shows more than 500 such rediscoveries each year is hardly a clear indication of importance, more of being a curio of passing interest. Fram ( talk) 13:01, 29 April 2024 (UTC) reply
      Thank you for sharing your opinion. I'll stand by my Keep, if you allow me, as I find this short clearly does meet the inclusionary criteria (not only a "line"), which is quite clear. It also proves, btw, that this short has received the "significant attention" you mentioned in your rationale. What you call a "niche festival" has indeed been a very important film event for almost 40 years. You are free to call this attention "a curio of passing interest" but the film has been screened at a very notable festival (much) more than 5 years after its production and that is, I'm afraid, a fact. - My, oh my! (Mushy Yank) 13:17, 29 April 2024 (UTC) reply
  • Delete. N:FILM says "meeting these criteria is not an absolute guarantee that Wikipedia should have a separate, stand-alone article entirely dedicated to the film," and that is true here, where there are no reliable sources to describe the notability of this film beyond its mere existence. Dclemens1971 ( talk) 13:27, 29 April 2024 (UTC) reply

Scenes on Mr. Smit's Ostrich Farm

Scenes on Mr. Smit's Ostrich Farm (  | talk | history | protect | delete | links | watch | logs | views) – ( View AfD | edits since nomination)
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No evidence of notability for this 2 minute film, just included in some websites but without significant attention (e.g. this or this). No obvious redirect target found, if there is one then redirecting is of course acceptable. Fram ( talk) 07:45, 29 April 2024 (UTC) reply

Ladysmith – Naval Brigade Dragging 4.7 Guns into Ladysmith

Ladysmith – Naval Brigade Dragging 4.7 Guns into Ladysmith (  | talk | history | protect | delete | links | watch | logs | views) – ( View AfD | edits since nomination)
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No indication that this is a notable film (well, a 31 second static shot). Apparently not only have we no idea who actually made it (just the producre), but we also don't know what is being shown according to this. Perhaps some list for this and many similar non-notable shorts may be feasible, but at the moment I don't see a good redirect target. Perhaps William Kennedy Dickson filmography, which gives an idea of the number of such ultrashort films that were made (and is clearly incomplete, as e.g. this very one isn't on that list). Fram ( talk) 07:42, 29 April 2024 (UTC) reply

List of movie theaters

List of movie theaters (  | talk | history | protect | delete | links | watch | logs | views) – ( View AfD | edits since nomination)
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This appears to be an underinclusive and unnecessary duplication of Category:Cinemas and movie theaters by country, which includes many more theaters which are not on this list. I don't believe this page is particularly useful as a stand-alone list. -- Metropolitan90 (talk) 02:46, 29 April 2024 (UTC) reply

  • Note: This discussion has been included in the list of Film-related deletion discussions. Metropolitan90 (talk) 02:55, 29 April 2024 (UTC) reply
  • Note: This discussion has been included in the list of Lists-related deletion discussions. WCQuidditch 04:32, 29 April 2024 (UTC) reply
  • Delete. This is an absurdly incomplete list. Taking France as an example, the creator seems to think that Paris is all there is in France, unaware that the oldest cinema still in operation after 125 years, is in La Ciotat ( https://edencinemalaciotat.com/le-plus-ancien-cinema-du-monde/). Similar problems apply in other countries, for example Chile, which apparently has just one cinema, though I saw Jurassic Park and The Color Purple in two different ones. Even if the list was made complete it would still be pointless. Athel cb ( talk) 15:47, 29 April 2024 (UTC) reply
    • This is obviously only a list of notable movie theaters that have articles because they are historic or otherwise significant, which is a typical criterion for SALs. It needs some clean-up and is likely missing many, but I don't think we have an article on the oldest theater in La Ciotat so of course it's not on here. Reywas92 Talk 16:22, 29 April 2024 (UTC) reply
      OK. I failed to notice the qualification "notable enough for Wikipedia articles," but it's still a ridiculous list. You are right that there is no "article on the oldest theater in La Ciotat", but there damn well should be. Athel cb ( talk) 16:43, 29 April 2024 (UTC) reply

List of IMAX venues

List of IMAX venues (  | talk | history | protect | delete | links | watch | logs | views) – ( View AfD | edits since nomination)
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This article is a case of WP:NOTDIR. The most recent AfD closed as no consensus but several of the keep arguments were effectively arguing WP:USEFUL, which is not an appropriate deletion argument. Let'srun ( talk) 19:45, 28 April 2024 (UTC) reply

Delete. [[WP:NOTDIR]] and doesn't fundamentally improve the article (or wiki as a whole) Lostsandwich ( talk) 02:47, 29 April 2024 (UTC) reply
  • Delete per above. Orientls ( talk) 07:22, 29 April 2024 (UTC) reply
  • Delete. Per nom and per my vote in the previous nomination. Having Imax accreditation is no longer considered significant as there are hundreds of venues now that hold it. Ajf773 ( talk) 10:21, 29 April 2024 (UTC) reply
  • Delete per [[WP:NOTDIR]]. At the time of the first two AfDs the two valid arguments for keeping the article were rarity and notability. Since the advent of IMAX Digital and other PLF screens this is no longer the case. Barry Wom ( talk) 11:45, 29 April 2024 (UTC) reply

A Son of Himalaya

A Son of Himalaya (  | talk | history | protect | delete | links | watch | logs | views) – ( View AfD | edits since nomination)
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fails WP:NFILM. Theroadislong ( talk) 21:09, 28 April 2024 (UTC) reply

Poseidon (fictional ship)

Poseidon (fictional ship) (  | talk | history | protect | delete | links | watch | logs | views) – ( View AfD | edits since nomination)
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Only sourced to the novel itself and the article is only plot with no real-world commentary, besides from its comparison to RMS Queen Mary. Neocorelight ( Talk) 09:25, 28 April 2024 (UTC) reply

(This discussion is) Off the Record

(This discussion is) Off the Record (  | talk | history | protect | delete | links | watch | logs | views) – ( View AfD | edits since nomination)
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Before search revealed little results outside of sources already in article ( passing mention in variety), fr-wiki article has little else to offer too. Someone should search in dutch but subject might not have another name based off filmfonds.nl source in article. (pinging Mushy Yank de-prodded) Just i yaya 13:50, 27 April 2024 (UTC) reply

  • Note: This discussion has been included in the deletion sorting lists for the following topics: Film, Police, Internet, and Netherlands. Just i yaya 13:50, 27 April 2024 (UTC) reply
  • Thanks for the ping and note. I deproDed the page because I believed that what is said in Screen Daily (although presented in an interview, and brief) + screening/nomination would make an Afd more suitable. It's probably not enough. The film/piece/project are covered partially elsewhere, but it's hard to say if the IDFA grant is significant enough or if w hat IDFA says about the film can be considered independent. There are the Variety and BDE mentions (see above and article); Yahoo News has a similar mention; there's other overage that might be judged significant and independent about the work:
  1. Then back to the algorithmic crime prevention Nirit Peled delved into. Not a futuristic AI fantasy, but something already very concrete. The latter also applies to the performance inspired by it (this conversation is) Off the Record. In front of a room full of audience, a police officer (actor Janneke Remmers, with texts from real interviews) and human rights lawyer Jelle Klaas explain both sides of this stigmatising technique. Concluding with Peled wondering where empathy has gone, and why the algorithm's checklist does not look at the children's positive traits. They have all been given a digital copy of themselves, but where have they themselves gone? At that moment, it slowly starts to become clear how we can see this beautiful animation with figures wandering across a hall-wide screen. They are people, youngsters no doubt, but all wonderfully distorted. Towards the end, one slowly comes closer and closer, and behind that bizarre, digitally animated mask I thought I could actually see a pair of children's eyes. An unexpectedly touching moment. It just makes the thought that we could all be relegated to digital files all the more oppressive. in Cultuurpeers
  2. Filmmaker Nirit Peled will introduce her extensive investigative research into the development of crime prevention algorithms in Amsterdam. Peled converts information, which is otherwise invisible, or simply incomprehensible, into narratives and images. Through her forthcoming documentary film Moeders and performative lecture Off the Record she offers a vivid account of the lived experiences and emotions of mothers whose sons have been impacted by algorithmic policing. ( Fotodok)

All in all (and maybe there's more), I'd rather keep this, but that's just me. There's no page about the artist so far. - My, oh my! (Mushy Yank) 15:43, 27 April 2024 (UTC) reply

I think the Yahoo News page duplicates the variety article I put in the nomination. I haven't seen the other two before but I don't think fotodok would be independent or significant as it appears to be from a bio of the artist.
The Cultuurpeers page looks reasonably reliable and gives a fine amount coverage. Let's see we could get another source. Just i yaya 04:22, 28 April 2024 (UTC) reply

Black Reel Award for Best Breakthrough Performance

Black Reel Award for Best Breakthrough Performance (  | talk | history | protect | delete | links | watch | logs | views) – ( View AfD | edits since nomination)
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My PROD tag was removed, so here we are. This is an older duplicate of Black Reel Award for Outstanding Breakthrough Performance. As this award was divided into two categories from 2014 to 2023, the article is also partly a duplicate of Black Reel Award for Outstanding Breakthrough Performance, Male and Black Reel Award for Outstanding Breakthrough Performance, Female. Sgubaldo ( talk) 16:39, 24 April 2024 (UTC) reply

Baakghost

Baakghost (  | talk | history | protect | delete | links | watch | logs | views) – ( View AfD | edits since nomination)
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The sources are all about Aranmanai 4, but make no mention of "Baakghost" or "Baak" (except in one source "Baak" is mentioned but it appears to be a character from Aranmanai 4." A hoax? Cleo Cooper ( talk) 06:51, 24 April 2024 (UTC) reply

A note that I have just nominated this for speedy deletion, even the IMDb doesn't exist for this "film". Cleo Cooper ( talk) 06:54, 24 April 2024 (UTC) reply
Note: This discussion has been included in the deletion sorting lists for the following topics: Film and India. WCQuidditch 10:46, 24 April 2024 (UTC) reply
  • Redirect to Aranmanai 4, unless this version differs significantly. See my comment on TP (where I contested G3) - My, oh my! (Mushy Yank) 14:23, 24 April 2024 (UTC) (Comment edited after I removed the CSD tag from the page) reply
    Good catch, I also support redirect. Cleo Cooper ( talk) 20:10, 24 April 2024 (UTC) reply
  • Delete: Baakghost is incorrect; it is Baak. Kailash29792 (talk) 07:33, 25 April 2024 (UTC) reply
    Yes, that is right, I forgot to mention that; but the content/subject being the said film, I find it is fairer, so as to be able to keep page history and credits, to rename after it's kept as redirect, than to plainly delete. That's what is generally done when the title of an Afded article appears to be incorrect. But thanks. - My, oh my! (Mushy Yank) 11:34, 25 April 2024 (UTC) reply
  • Delete This article is totally unnecessary. Grabup ( talk) 15:57, 25 April 2024 (UTC) reply
  • Delete, but move the poster to the other article if possible. Looks cool. ( 141.132.22.10 ( talk) 08:13, 27 April 2024 (UTC)) reply

Knightquest

Knightquest (  | talk | history | protect | delete | links | watch | logs | views) – ( View AfD | edits since nomination)
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I don't think this meets WP:NFILM / WP:GNG. Kept at 2006 AfD, but standards were considerably lower then. Boleyn ( talk) 08:58, 23 April 2024 (UTC) reply

Delete - Fails WP:NFILM. There's a paragraph in this The Weekly Standard article: [1], doesn't count as significant coverage. -- Mika1h ( talk) 14:02, 23 April 2024 (UTC) reply

A Buddy Story

A Buddy Story (  | talk | history | protect | delete | links | watch | logs | views) – ( View AfD | edits since nomination)
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Found zero evidence of notability myself. Mushy Yank added a Variety article which mentions the film, but only very briefly, so I don't take it for much. And even then, if that's all there is then I don't see why this should've been dePRODded in the first place. QuietHere ( talk | contributions) 13:08, 22 April 2024 (UTC) reply

  • Weak delete doesn't seem to meet WP:NF. It was missing from two of the cast's filmography tables so I added it in, noticed that Elizabeth Moss and Torah Feldshuh have both made more recent films that don't have articles so unless anyone can find better independent sources I don't think this needs an entry. Orange sticker ( talk) 15:30, 25 April 2024 (UTC) reply

Relisted to generate a more thorough discussion and clearer consensus.
Please add new comments below this notice. Thanks, Hey man im josh ( talk) 15:47, 29 April 2024 (UTC) reply

List of Power Sphera Universe media

List of Power Sphera Universe media (  | talk | history | protect | delete | links | watch | logs | views) – ( View AfD | edits since nomination)
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Reviewed during NPP. This is basically a catalog of a particular company's products. AFD nomination per no GNG sourcing of the topic per se and numerous wp:not issues. North8000 ( talk) 22:01, 20 April 2024 (UTC) reply

  • Keep: This is not a catalog of a particular company's products and I have added more sources. Someonewhoisusinginternet ( talk) 08:22, 26 April 2024 (UTC) reply

Relisted to generate a more thorough discussion and clearer consensus.
Please add new comments below this notice. Thanks, Liz Read! Talk! 23:07, 27 April 2024 (UTC) reply

International Online Film Critics' Poll

International Online Film Critics' Poll (  | talk | history | protect | delete | links | watch | logs | views) – ( View AfD | edits since nomination)
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Listicle with minimal coverage (and what it does get is from blog-type websites rather than any major news source). Violates MOS:FILMACCOLADES, specifically the sentence 'Awards bestowed by web-only entities are not generally included'. Survived an AfD in 2013 that was marred by WP:SPA activity. Sgubaldo ( talk) 16:05, 19 April 2024 (UTC) reply

  • Note: This discussion has been included in the deletion sorting lists for the following topics: Film, Awards, and Internet. Sgubaldo ( talk) 16:05, 19 April 2024 (UTC) reply
  • Delete. NN. We don't have an article on the organisation "International Online Film Critics", so I don't know why we'd have an article on their poll. Desertarun ( talk) 16:23, 26 April 2024 (UTC) reply

Relisted to generate a more thorough discussion and clearer consensus.
Relisting comment: Ineligible for soft deletion.
Please add new comments below this notice. Thanks, plicit 23:58, 26 April 2024 (UTC) reply

The following discussion is an archived debate of the proposed deletion of the article below. Please do not modify it. Subsequent comments should be made on the appropriate discussion page (such as the article's talk page or in a deletion review). No further edits should be made to this page.

The result was keep. ( non-admin closure)Geschichte ( talk) 14:54, 29 April 2024 (UTC) reply

Attack of the 5 Ft. 2 In. Women

Attack of the 5 Ft. 2 In. Women (  | talk | history | protect | delete | links | watch | logs | views) – ( View AfD | edits since nomination)
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Nothing in the article or my BEFORE suggests this meets WP:GNG (or WP:NFILM). Nothing in GBooks or GScholar (well, one mention in a German book?). Maybe there is some coverage in National Lampoon (magazine) ( September/October 1994), but it is a parody magazine, so not sure if it is reliable, and even if there is something there, GNG requires multiple sources (so at least one more). Can anyone find anything to rescue this - or failing that, suggest a valid redirect target? Piotr Konieczny aka Prokonsul Piotrus| reply here 01:38, 16 April 2024 (UTC) reply

Hello Piotrus, I should think that even if the National Lampoon is a satirical magazine, it is significant coverage. - My, oh my! (Mushy Yank) 22:20, 16 April 2024 (UTC) Forget what I said, it's obviously a primary source....- My, oh my! (Mushy Yank) 22:26, 16 April 2024 (UTC) reply

*Note: This discussion has been included in the deletion sorting lists for the following topics: Television and United States of America. Piotr Konieczny aka Prokonsul Piotrus| reply here 01:38, 16 April 2024 (UTC) reply

Relisted to generate a more thorough discussion and clearer consensus.
Relisting comment: A review of newly found sources would be helpful. What would the redirect target article be?
Please add new comments below this notice. Thanks, Liz Read! Talk! 01:20, 23 April 2024 (UTC) reply

CommentDelete There are just two significant articles on this movie (that I can find). One is a full paragraph in TV Guide from 8/20/1994. The other is the LA Times article, which is genuinely substantial. This movie gets continued brief mentions in video guides, but almost nothing else. Hard to see this coming even close to meeting WP:NFILM Oblivy ( talk) 03:49, 23 April 2024 (UTC) reply
@ Oblivy Did you look at the sources found above? And are the sources you found oline and linkable for others to review? Piotr Konieczny aka Prokonsul Piotrus| reply here 04:48, 23 April 2024 (UTC) reply
@ Piotrus sorry I just did. The Entertainment Tonight article is lengthy, but I don't know if it counts towards the nationally known critics factor. The TV guide article is paywalled above but another TV guide article from the same date is here [2]. The video guides are available at archive.org. Oblivy ( talk) 04:59, 23 April 2024 (UTC) reply
@ Oblivy Playing the devil's advocate (since I am the nom), I think that we have enough sources to show this meets GNG with SIGCOV, although I did not access your sources (but coverage in LA Time, which you call substantial, is pretty good). I'll ping User:Cunard in case he can locate it and quote it/link it. Piotr Konieczny aka Prokonsul Piotrus| reply here 05:07, 23 April 2024 (UTC) reply
FYI, LA times is source #3. Oblivy ( talk) 05:09, 23 April 2024 (UTC) reply
Changed my vote to comment. There's little of substance except in that short period of 1994, but Cunard brought the sources. There's a common sense reading of GNG that could easily prevail here and I'd be fine with keeping the article. Oblivy ( talk) 11:20, 28 April 2024 (UTC) reply
  • Keep per the significant coverage in multiple independent reliable sources.
    1. Bell, Miles (1994-08-19). "'Attack of 5'2'' Women'". The Hollywood Reporter. Vol. 333, no. 30. pp. 12, 16. ProQuest  2362086371.

      The review notes: "Julie Brown casts a long, amusing shadow in Showtime's head-strongly dumb "National Lam- poon's Attack of the 5'2" Women," an umbrella title for two films. The kicky pair of satires within spoof two of the media's recent bete noir bad girls, skater-agitator Tonya Harding and impromptu surgeon Lorena Bobbitt, whose fictional counterparts are both played by Brown. Yes, nothing is sacred and all bets are off as "Attack" goes on the offensive, seizing the public personas of Harding and Bobbitt to transmit a picture of cheesy, pulp aspirations, where fame and lame are interchangeable and mass communications is the twisted funnel through which rattles the news. ... Ah, but an instant before this, the missus learns that her recently repaired hubby has been cheating again. Ouch! Sophomoric and crude, and way too long, "Attack" manages to play as a fun-dumb damning of the media-rama."

    2. Hiltbrand, David (1994-08-22). "National Lampoon's Attack of the 5 ft.2 Women". People. Vol. 42, no. 8. p. 12. EBSCOhost  9408227615.

      The review notes: "In this daffy double-header, Julie Brown spoofs two of last year's tabloid inamoratas. First, in an utterly unruly farce, she plays Tonya Hardly. The chain-smoking, asthma-atomizer-sucking, overweight skater is consumed with jealously for her competitor Nancy Cardigan (Khrystyne Haje). ... While this pair of infamous headline-generators present perfect targets for Brown's raucous, ribald satire, the fact is that both episodes seem a little dated already. Nothing goes stale faster than a juicy tabloid scandal. Grade: B+"

    3. Schwarzbaum, Lisa (1994-08-19). "Feminine High Jinks". Entertainment Weekly. No. 236. p. 46. EBSCOhost  9408227610.

      The review notes: "In NATIONAL LAMPOON'S ATTACK OF THE 5'2" WOMEN (Showtime, Sunday, 8-9:30 p.m.), the very funny, very brazen star of Medusa: Dare to Be Truthful, the wicked 1991 parody of Madonna's Truth or Dare parody, sinks her fangs into two notorious women of recent headlines, figure skater Tonya Harding and spouse mutilator Lorena Bobbitt, and doesn't let go. As she did in Medusa, Brown ... sticks closely to the original text; in this case, her text is the chronology of Harding's bumbling plot to sideline her hated rival, Nancy Kerrigan, and Bobbitt's bumbling plan to sideline her hated husband, John Wayne Bobbitt. ... That Attack of the 5'2" Women flags is due to its length--90 minutes is a hell of a long way to go for two jokes--as well as to the datedness of its situations. There are no two recent, overreported media stories richer for comedy by and about women than those of Harding and Bobbitt, and, consequently, we've already seen and heard a heap. This quarry is too easy. In the name of comedy sisterhood, Julie Brown should lace up her bustier and work at a tougher assignment--say, whipping sketch comedy into shape. She TV: C+ At-tack of the 5'2" Women: B-. "

    4. Willman, Chris (1994-08-20). "TV Reviews : '5 Ft. 2 Women' Doesn't Measure Up as Timely Satire". Los Angeles Times. Archived from the original on 2024-04-28. Retrieved 2024-04-28.

      The review ntoes: "For, though everyone would recognize John Wayne Bobbitt (or Juan Wayne, as his wife calls him here) as the funnier figure from his subsequent deadpan attempts to cash in on his celebrity, Brown hogs the comedy in this half with her Venezuelan accent and a macha swagger that doesn’t quite square with anyone’s worst picture of the real Lorena. As a targetless spoof, it’s, well, satirically challenged."

    5. Taylor, Jonathan (1994-08-19). "He Never Give Me Orgasm: The Lenora Babbitt Story". Variety. Archived from the original on 2024-04-28. Retrieved 2024-04-28.

      The review notes: "Brown’s brilliant Madonna satire, “Medusa: Dare to Be Truthful,” and her campy novelty hit songs like “Homecoming Queen’s Got a Gun” point to her obvious skill. But “Attack of the 5’2″ Women” comes off no better than a latter-day National Lampoon, where the philosophy has descended to the point where anything is allowed, and it would be good if at least some of it were funny."

    6. Mendoza, Manuel (1994-08-21). "Tonya-Lorena sendup is a mean-spirited letdown". The Dallas Morning News. Archived from the original on 2024-04-28. Retrieved 2024-04-28.

      The review notes: "The humor in "Tonya: The Battle of Wounded Knee" and "He Never Give Me Orgasm: The Lenora Babbitt Story" is broad - Ms. Harding's behind, for instance, is the target of many a joke. And the panting media, perfect prey, escape virtually unscathed. Ms. Brown plays both women as conniving, clueless and exceedingly tacky. The adjectives "gross" and "cheap" also come to mind - for example, when, in trying to attract "Juan Wayne," Ms. Babbitt licks a jukebox. Meanwhile, "Tonya Hardly" cuts her pizza with her skates, while her ditzy competitor "Nancy Cardigan" endorses pork with the line, "It's really neat." Attack of the 5 Ft. 2 Women isn't."

    7. Richmond, Ray (1994-08-19). "Television - HBO 'Enemy' Remake Wages Uphill Battle". Daily News of Los Angeles. Archived from the original on 2024-04-28. Retrieved 2024-04-28.

      The review notes: "This elevation of tackiness to an art form is what we get from Julie Brown in "National Lampoon's Attack of the 5 Ft. 2 Women," a rousing 90- minute double feature of rude, crude and lewd that premieres at 8 p.m. Sunday on Showtime. Brown portrays Harding (called Tonya Hardly here) and Bobbitt (Lenora Babbitt for these purposes) in a pair of satires that prove as side-splitting as they are over-the-top. ... "Attack of the 5 Ft. 2 Women" is undeniably sophomoric stuff. Yet it's often so funny you have trouble catching your breath."

    8. Laurence, Robert P. (1994-08-18). "Tawdry events turn into comedies - Harding, Bobbitt inspire outrageous minimovies". The San Diego Union-Tribune. Archived from the original on 2024-04-28. Retrieved 2024-04-28.

      The review notes: "Under the umbrella title, "National Lampoon's Attack of the 5 Ft. 2 Women," Brown presents "Tonya: The Battle of Wounded Knee" and "He Never Gave Me Orgasm: The Lenora Babbitt Story." ... Her method is simple. Beginning with stories we all know, she takes each somewhere beyond the truth, twisting here, adding there, being careful to offend just about everybody at one time or another. And yes, both are very funny -- if you're not the sort to be easily outraged."

    There is sufficient coverage in reliable sources to allow National Lampoon's Attack of the 5 Ft. 2 In. Women to pass Wikipedia:Notability#General notability guideline, which requires "significant coverage in reliable sources that are independent of the subject".

    Cunard ( talk) 10:14, 28 April 2024 (UTC) reply

  • Keep in view of the multiple reliable sources coverage identified above by Cunard and other editors earlier in the discussion that together shows a pass of WP:GNG so that deletion is unnecessary in my view, Atlantic306 ( talk) 21:14, 28 April 2024 (UTC) reply
The above discussion is preserved as an archive of the debate. Please do not modify it. Subsequent comments should be made on the appropriate discussion page (such as the article's talk page or in a deletion review). No further edits should be made to this page.

Oliyum Oliyum

Oliyum Oliyum (  | talk | history | protect | delete | links | watch | logs | views) – ( View AfD | edits since nomination)
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Undersourced. Tagged for notability for over a decade. Kailash29792 (talk) 14:55, 15 April 2024 (UTC) reply

Relisted to generate a more thorough discussion and clearer consensus.
Please add new comments below this notice. Thanks, North America 1000 16:37, 22 April 2024 (UTC) reply

Kunguma Kodu

Kunguma Kodu (  | talk | history | protect | delete | links | watch | logs | views) – ( View AfD | edits since nomination)
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Yet one of many articles created in a spree by Rajeshbieee in violation of WP:NOTDATABASE. Although this film has a notable hero, I can't find third-party sources. Kailash29792 (talk) 05:55, 10 April 2024 (UTC) reply

  • Note: This discussion has been included in the deletion sorting lists for the following topics: Film and India. '''[[ User:CanonNi]]''' ( talk| contribs) 10:22, 10 April 2024 (UTC) reply
  • Delete or Redirect to List of Tamil films of 1988. Simple search did not show any reliable sources with any coverage enough to warranty a page. Film can be viewed on YouTube and we know it is there but reliable sources are not available. This is mostly the case with less known or forgotten films. The sources on the page do not have any coverage and are unreliable. RangersRus ( talk) 14:16, 10 April 2024 (UTC) reply
  • Redirect to V. Azhagappan#Filmography: or to the list mentioned. Not opposed to keep if sources are presented (opposed to deletion). - My, oh my! (Mushy Yank) 21:27, 10 April 2024 (UTC) reply

Relisted to generate a more thorough discussion and clearer consensus.
Please add new comments below this notice. Thanks, Liz Read! Talk! 07:46, 17 April 2024 (UTC) reply

  • Withdraw: The article is still undersourced, but kudos to Srivin for adding more sources. Kailash29792 (talk) 10:13, 23 April 2024 (UTC) reply
  • Delete. I reviewed the refs added and they don't support notability. They are just listings or such. Desertarun ( talk) 09:44, 24 April 2024 (UTC) reply

Relisted to generate a more thorough discussion and clearer consensus.
Relisting comment: Relisting. This is an unusual AFD discussion as the nomination has been withdrawn but there is more support for Deletion than Keeping the article. Please review recent improvements to the article that have occurred over the past two days.
Please add new comments below this notice. Thanks, Liz Read! Talk! 23:24, 24 April 2024 (UTC) reply

Monsters (2004 film)

Monsters (2004 film) (  | talk | history | protect | delete | links | watch | logs | views) – ( View AfD | edits since nomination)
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Completely unsourced article about a short film. The attempted notability claim here is that it won an award at a minor film festival, but WP:NFILM does not just indiscriminately accept every single film festival award on earth as a notability-locking award -- that only goes to major internationally prominent film festivals such as Cannes, Berlin, Venice, Toronto or Sundance whose awards get broadly reported by the media as news, because even the award itself has to meet the notability criteria for awards before it can make its winners notable for winning it. But the award claim here is unsourced, and the article isn't citing any other sources for anything else either. Bearcat ( talk) 20:48, 9 April 2024 (UTC) reply

  • Note: This discussion has been included in the deletion sorting lists for the following topics: Film and United Kingdom. Bearcat ( talk) 20:48, 9 April 2024 (UTC) reply
  • Delete: I can't find anything. It's entirely possible that there are sources that aren't online, but I can't really find anything to firmly argue that either. That leaves us with the sole claim of this winning an award at BUFF. I would argue that the award would give the film some notability, just not enough to keep on that basis alone. BUFF is a notable film festival, but not notable or major enough to be on the level that is expected of the award criteria for NFILM. It's not a slam against BUFF - most film festivals aren't at that level. If someone can produce a couple of good sources (as well as one for the award) then I'm open to changing my opinion. ReaderofthePack(formerly Tokyogirl79) (。◕‿◕。) 15:53, 11 April 2024 (UTC) reply
  • Keep. There are reviews from The Guardian and Film Threat [4] [5]. Although both of the other sources are direct interviews, the Film Threat source goes into detail about the film's reception and what the director feels he should change if he had the chance to retake the film. What do you think about the new sourcing @ Bearcat: @ ReaderofthePack:? DareshMohan ( talk) 04:29, 16 April 2024 (UTC) reply
That's definitely on the right track, but I'd still need to see proper reliable sourcing (i.e. not the self-published website of the film's own distributor) for the award claims before I was prepared to withdraw this from discussion entirely — an award has to be one that gets covered by the media (i.e. passes GNG in its own right) in order to gain the privilege of making its winners notable for winning it, so award wins have to be sourced to media coverage to prove that the award is notable in the first place. Bearcat ( talk) 17:29, 16 April 2024 (UTC) reply

Relisted to generate a more thorough discussion and clearer consensus.
Please add new comments below this notice. Thanks, Liz Read! Talk! 22:28, 16 April 2024 (UTC) reply

  • Delete: Audience award at a film festival doesn't seem to meet film notability. The rest seems to be local coverage, of a hometown hero-type coverage. I don't see anything written about this short film otherwise. Oaktree b ( talk) 23:24, 16 April 2024 (UTC) reply
  • Comment Couldn't source the audience award. Sourced the other award based on [6]. @ Oaktree b: @ Bearcat: If two reviews (the Guardian one is a capsule review) doesn't add notability, then this article can be deleted. DareshMohan ( talk) 02:04, 19 April 2024 (UTC) reply
That's not a reliable source either. We need to see real media, not blogs. Bearcat ( talk) 15:37, 19 April 2024 (UTC) reply
  • I'm striking my delete vote. I suppose if pressed I'd consider this a week keep based on the two reviews, but I'm not really satisfied enough to say that officially. Here's my argument as to why I removed the delete:
So far, there's no definitive judgment based on review length. The reason why is that review length doesn't automatically mean that something is of good or bad quality. Every time someone tries, the argument centers back on one central point: what makes a review a review is that the journalist forms an opinion or judgment on the film, which can be done in just a few sentences. It doesn't help that there are lengthier reviews out there that tend to discuss general things (or navel gaze) for a few paragraphs, then use the final one to give the actual opinion/judgment. There's also the outlet to consider, because a capsule review from a nationally known paper like The Guardian is going to be more impressive than if my local paper, which has at most half the circulation of TG, were to review the same short film. It's not a knock against my local paper, just that the higher circulation means that TG is presumably going to be more discerning because they have a larger audience. (IE, more mainstream publications are more likely to focus on mainstream stuff whereas a smaller paper could review something off the wall because there's potentially less red tape and so on.)
It's pretty rare that short films get reviews at all and when they do, the length is usually short because they're going to be watching it with a batch of other stuff at a film festival or packaged with a full-length movie. It's rare that a short film is the sole focus, because there's a bit of risk in covering short films.
So my next focus then is whether or not the article will be anything other than a paragraph of content. I do see two interviews on there and while sure, they're primary, they can still be used to expand the article and give it at least somewhat more encyclopedic value. We could probably improve the production section to be more than a big quote and we could also add a release section. I see that it was given a re-release at a 2020 film festival, the Lyon Festival Hallucinations Collectives, so that's definitely something. I suppose that last bit could qualify as a bit of notability but one would need to find sourcing and honestly, I never feel comfortable arguing for a keep that way unless it's at a very notable festival or the institution holding the festival or retrospective are very notable. This is close, but it still feels pretty weak. ReaderofthePack(formerly Tokyogirl79) (。◕‿◕。) 15:55, 22 April 2024 (UTC) reply
Is the director notable? A good alternative might be to create an article for the director and summarize this there. ReaderofthePack(formerly Tokyogirl79) (。◕‿◕。) 15:56, 22 April 2024 (UTC) reply
Oh, he has an article: Robert Morgan (filmmaker). Maybe just summarize the release and production there? ReaderofthePack(formerly Tokyogirl79) (。◕‿◕。) 15:57, 22 April 2024 (UTC) reply
Actually, I've greatly improved the article. It looks fairly proper now. I wouldn't mind this being kept. ReaderofthePack(formerly Tokyogirl79) (。◕‿◕。) 16:37, 22 April 2024 (UTC) reply

Relisted to generate a more thorough discussion and clearer consensus.
Please add new comments below this notice. Thanks, Liz Read! Talk! 23:03, 23 April 2024 (UTC) reply

  • Keep: All in all, coverage and nomination seem to show it might be notable. A redirect to the director seems warranted anyway. - My, oh my! (Mushy Yank) 14:01, 25 April 2024 (UTC) reply
From Wikipedia, the free encyclopedia

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Film

Yatra: A Musical Vlog

Yatra: A Musical Vlog (  | talk | history | protect | delete | links | watch | logs | views) – ( View AfD | edits since nomination)
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The subject lacks substantial coverage in third-party reliable sources, and there is insufficient evidence to meet WP:NFILM. GSS💬 15:10, 29 April 2024 (UTC) reply

A Quick Shave and Brush-up

A Quick Shave and Brush-up (  | talk | history | protect | delete | links | watch | logs | views) – ( View AfD | edits since nomination)
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No evidence that this is a notable film. Can be redirected to George Albert Smith (filmmaker)#Selected filmography. Fram ( talk) 07:53, 29 April 2024 (UTC) reply

A Wreck in a Gale

A Wreck in a Gale (  | talk | history | protect | delete | links | watch | logs | views) – ( View AfD | edits since nomination)
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No evidence that this 43-second film is notable, hasn't received significant attention. No good redirect target found. Fram ( talk) 07:47, 29 April 2024 (UTC) reply

  • Note: This discussion has been included in the deletion sorting lists for the following topics: Film and United Kingdom. Fram ( talk) 07:47, 29 April 2024 (UTC) reply
  • Keep: Meets WP:NFILM as I mentioned in my edit summary when I "PROD-conned" it. See the guideline. Shown at festival more than 5 years after production. - My, oh my! (Mushy Yank) 12:55, 29 April 2024 (UTC) reply
    • That line in NFILM gives only a presumption which needs to be supported by reliable sources indicating that it meets WP:GNG. A screening on a niche festival which shows more than 500 such rediscoveries each year is hardly a clear indication of importance, more of being a curio of passing interest. Fram ( talk) 13:01, 29 April 2024 (UTC) reply
      Thank you for sharing your opinion. I'll stand by my Keep, if you allow me, as I find this short clearly does meet the inclusionary criteria (not only a "line"), which is quite clear. It also proves, btw, that this short has received the "significant attention" you mentioned in your rationale. What you call a "niche festival" has indeed been a very important film event for almost 40 years. You are free to call this attention "a curio of passing interest" but the film has been screened at a very notable festival (much) more than 5 years after its production and that is, I'm afraid, a fact. - My, oh my! (Mushy Yank) 13:17, 29 April 2024 (UTC) reply
  • Delete. N:FILM says "meeting these criteria is not an absolute guarantee that Wikipedia should have a separate, stand-alone article entirely dedicated to the film," and that is true here, where there are no reliable sources to describe the notability of this film beyond its mere existence. Dclemens1971 ( talk) 13:27, 29 April 2024 (UTC) reply

Scenes on Mr. Smit's Ostrich Farm

Scenes on Mr. Smit's Ostrich Farm (  | talk | history | protect | delete | links | watch | logs | views) – ( View AfD | edits since nomination)
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No evidence of notability for this 2 minute film, just included in some websites but without significant attention (e.g. this or this). No obvious redirect target found, if there is one then redirecting is of course acceptable. Fram ( talk) 07:45, 29 April 2024 (UTC) reply

Ladysmith – Naval Brigade Dragging 4.7 Guns into Ladysmith

Ladysmith – Naval Brigade Dragging 4.7 Guns into Ladysmith (  | talk | history | protect | delete | links | watch | logs | views) – ( View AfD | edits since nomination)
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No indication that this is a notable film (well, a 31 second static shot). Apparently not only have we no idea who actually made it (just the producre), but we also don't know what is being shown according to this. Perhaps some list for this and many similar non-notable shorts may be feasible, but at the moment I don't see a good redirect target. Perhaps William Kennedy Dickson filmography, which gives an idea of the number of such ultrashort films that were made (and is clearly incomplete, as e.g. this very one isn't on that list). Fram ( talk) 07:42, 29 April 2024 (UTC) reply

List of movie theaters

List of movie theaters (  | talk | history | protect | delete | links | watch | logs | views) – ( View AfD | edits since nomination)
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This appears to be an underinclusive and unnecessary duplication of Category:Cinemas and movie theaters by country, which includes many more theaters which are not on this list. I don't believe this page is particularly useful as a stand-alone list. -- Metropolitan90 (talk) 02:46, 29 April 2024 (UTC) reply

  • Note: This discussion has been included in the list of Film-related deletion discussions. Metropolitan90 (talk) 02:55, 29 April 2024 (UTC) reply
  • Note: This discussion has been included in the list of Lists-related deletion discussions. WCQuidditch 04:32, 29 April 2024 (UTC) reply
  • Delete. This is an absurdly incomplete list. Taking France as an example, the creator seems to think that Paris is all there is in France, unaware that the oldest cinema still in operation after 125 years, is in La Ciotat ( https://edencinemalaciotat.com/le-plus-ancien-cinema-du-monde/). Similar problems apply in other countries, for example Chile, which apparently has just one cinema, though I saw Jurassic Park and The Color Purple in two different ones. Even if the list was made complete it would still be pointless. Athel cb ( talk) 15:47, 29 April 2024 (UTC) reply
    • This is obviously only a list of notable movie theaters that have articles because they are historic or otherwise significant, which is a typical criterion for SALs. It needs some clean-up and is likely missing many, but I don't think we have an article on the oldest theater in La Ciotat so of course it's not on here. Reywas92 Talk 16:22, 29 April 2024 (UTC) reply
      OK. I failed to notice the qualification "notable enough for Wikipedia articles," but it's still a ridiculous list. You are right that there is no "article on the oldest theater in La Ciotat", but there damn well should be. Athel cb ( talk) 16:43, 29 April 2024 (UTC) reply

List of IMAX venues

List of IMAX venues (  | talk | history | protect | delete | links | watch | logs | views) – ( View AfD | edits since nomination)
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This article is a case of WP:NOTDIR. The most recent AfD closed as no consensus but several of the keep arguments were effectively arguing WP:USEFUL, which is not an appropriate deletion argument. Let'srun ( talk) 19:45, 28 April 2024 (UTC) reply

Delete. [[WP:NOTDIR]] and doesn't fundamentally improve the article (or wiki as a whole) Lostsandwich ( talk) 02:47, 29 April 2024 (UTC) reply
  • Delete per above. Orientls ( talk) 07:22, 29 April 2024 (UTC) reply
  • Delete. Per nom and per my vote in the previous nomination. Having Imax accreditation is no longer considered significant as there are hundreds of venues now that hold it. Ajf773 ( talk) 10:21, 29 April 2024 (UTC) reply
  • Delete per [[WP:NOTDIR]]. At the time of the first two AfDs the two valid arguments for keeping the article were rarity and notability. Since the advent of IMAX Digital and other PLF screens this is no longer the case. Barry Wom ( talk) 11:45, 29 April 2024 (UTC) reply

A Son of Himalaya

A Son of Himalaya (  | talk | history | protect | delete | links | watch | logs | views) – ( View AfD | edits since nomination)
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fails WP:NFILM. Theroadislong ( talk) 21:09, 28 April 2024 (UTC) reply

Poseidon (fictional ship)

Poseidon (fictional ship) (  | talk | history | protect | delete | links | watch | logs | views) – ( View AfD | edits since nomination)
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Only sourced to the novel itself and the article is only plot with no real-world commentary, besides from its comparison to RMS Queen Mary. Neocorelight ( Talk) 09:25, 28 April 2024 (UTC) reply

(This discussion is) Off the Record

(This discussion is) Off the Record (  | talk | history | protect | delete | links | watch | logs | views) – ( View AfD | edits since nomination)
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Before search revealed little results outside of sources already in article ( passing mention in variety), fr-wiki article has little else to offer too. Someone should search in dutch but subject might not have another name based off filmfonds.nl source in article. (pinging Mushy Yank de-prodded) Just i yaya 13:50, 27 April 2024 (UTC) reply

  • Note: This discussion has been included in the deletion sorting lists for the following topics: Film, Police, Internet, and Netherlands. Just i yaya 13:50, 27 April 2024 (UTC) reply
  • Thanks for the ping and note. I deproDed the page because I believed that what is said in Screen Daily (although presented in an interview, and brief) + screening/nomination would make an Afd more suitable. It's probably not enough. The film/piece/project are covered partially elsewhere, but it's hard to say if the IDFA grant is significant enough or if w hat IDFA says about the film can be considered independent. There are the Variety and BDE mentions (see above and article); Yahoo News has a similar mention; there's other overage that might be judged significant and independent about the work:
  1. Then back to the algorithmic crime prevention Nirit Peled delved into. Not a futuristic AI fantasy, but something already very concrete. The latter also applies to the performance inspired by it (this conversation is) Off the Record. In front of a room full of audience, a police officer (actor Janneke Remmers, with texts from real interviews) and human rights lawyer Jelle Klaas explain both sides of this stigmatising technique. Concluding with Peled wondering where empathy has gone, and why the algorithm's checklist does not look at the children's positive traits. They have all been given a digital copy of themselves, but where have they themselves gone? At that moment, it slowly starts to become clear how we can see this beautiful animation with figures wandering across a hall-wide screen. They are people, youngsters no doubt, but all wonderfully distorted. Towards the end, one slowly comes closer and closer, and behind that bizarre, digitally animated mask I thought I could actually see a pair of children's eyes. An unexpectedly touching moment. It just makes the thought that we could all be relegated to digital files all the more oppressive. in Cultuurpeers
  2. Filmmaker Nirit Peled will introduce her extensive investigative research into the development of crime prevention algorithms in Amsterdam. Peled converts information, which is otherwise invisible, or simply incomprehensible, into narratives and images. Through her forthcoming documentary film Moeders and performative lecture Off the Record she offers a vivid account of the lived experiences and emotions of mothers whose sons have been impacted by algorithmic policing. ( Fotodok)

All in all (and maybe there's more), I'd rather keep this, but that's just me. There's no page about the artist so far. - My, oh my! (Mushy Yank) 15:43, 27 April 2024 (UTC) reply

I think the Yahoo News page duplicates the variety article I put in the nomination. I haven't seen the other two before but I don't think fotodok would be independent or significant as it appears to be from a bio of the artist.
The Cultuurpeers page looks reasonably reliable and gives a fine amount coverage. Let's see we could get another source. Just i yaya 04:22, 28 April 2024 (UTC) reply

Black Reel Award for Best Breakthrough Performance

Black Reel Award for Best Breakthrough Performance (  | talk | history | protect | delete | links | watch | logs | views) – ( View AfD | edits since nomination)
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My PROD tag was removed, so here we are. This is an older duplicate of Black Reel Award for Outstanding Breakthrough Performance. As this award was divided into two categories from 2014 to 2023, the article is also partly a duplicate of Black Reel Award for Outstanding Breakthrough Performance, Male and Black Reel Award for Outstanding Breakthrough Performance, Female. Sgubaldo ( talk) 16:39, 24 April 2024 (UTC) reply

Baakghost

Baakghost (  | talk | history | protect | delete | links | watch | logs | views) – ( View AfD | edits since nomination)
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The sources are all about Aranmanai 4, but make no mention of "Baakghost" or "Baak" (except in one source "Baak" is mentioned but it appears to be a character from Aranmanai 4." A hoax? Cleo Cooper ( talk) 06:51, 24 April 2024 (UTC) reply

A note that I have just nominated this for speedy deletion, even the IMDb doesn't exist for this "film". Cleo Cooper ( talk) 06:54, 24 April 2024 (UTC) reply
Note: This discussion has been included in the deletion sorting lists for the following topics: Film and India. WCQuidditch 10:46, 24 April 2024 (UTC) reply
  • Redirect to Aranmanai 4, unless this version differs significantly. See my comment on TP (where I contested G3) - My, oh my! (Mushy Yank) 14:23, 24 April 2024 (UTC) (Comment edited after I removed the CSD tag from the page) reply
    Good catch, I also support redirect. Cleo Cooper ( talk) 20:10, 24 April 2024 (UTC) reply
  • Delete: Baakghost is incorrect; it is Baak. Kailash29792 (talk) 07:33, 25 April 2024 (UTC) reply
    Yes, that is right, I forgot to mention that; but the content/subject being the said film, I find it is fairer, so as to be able to keep page history and credits, to rename after it's kept as redirect, than to plainly delete. That's what is generally done when the title of an Afded article appears to be incorrect. But thanks. - My, oh my! (Mushy Yank) 11:34, 25 April 2024 (UTC) reply
  • Delete This article is totally unnecessary. Grabup ( talk) 15:57, 25 April 2024 (UTC) reply
  • Delete, but move the poster to the other article if possible. Looks cool. ( 141.132.22.10 ( talk) 08:13, 27 April 2024 (UTC)) reply

Knightquest

Knightquest (  | talk | history | protect | delete | links | watch | logs | views) – ( View AfD | edits since nomination)
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I don't think this meets WP:NFILM / WP:GNG. Kept at 2006 AfD, but standards were considerably lower then. Boleyn ( talk) 08:58, 23 April 2024 (UTC) reply

Delete - Fails WP:NFILM. There's a paragraph in this The Weekly Standard article: [1], doesn't count as significant coverage. -- Mika1h ( talk) 14:02, 23 April 2024 (UTC) reply

A Buddy Story

A Buddy Story (  | talk | history | protect | delete | links | watch | logs | views) – ( View AfD | edits since nomination)
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Found zero evidence of notability myself. Mushy Yank added a Variety article which mentions the film, but only very briefly, so I don't take it for much. And even then, if that's all there is then I don't see why this should've been dePRODded in the first place. QuietHere ( talk | contributions) 13:08, 22 April 2024 (UTC) reply

  • Weak delete doesn't seem to meet WP:NF. It was missing from two of the cast's filmography tables so I added it in, noticed that Elizabeth Moss and Torah Feldshuh have both made more recent films that don't have articles so unless anyone can find better independent sources I don't think this needs an entry. Orange sticker ( talk) 15:30, 25 April 2024 (UTC) reply

Relisted to generate a more thorough discussion and clearer consensus.
Please add new comments below this notice. Thanks, Hey man im josh ( talk) 15:47, 29 April 2024 (UTC) reply

List of Power Sphera Universe media

List of Power Sphera Universe media (  | talk | history | protect | delete | links | watch | logs | views) – ( View AfD | edits since nomination)
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Reviewed during NPP. This is basically a catalog of a particular company's products. AFD nomination per no GNG sourcing of the topic per se and numerous wp:not issues. North8000 ( talk) 22:01, 20 April 2024 (UTC) reply

  • Keep: This is not a catalog of a particular company's products and I have added more sources. Someonewhoisusinginternet ( talk) 08:22, 26 April 2024 (UTC) reply

Relisted to generate a more thorough discussion and clearer consensus.
Please add new comments below this notice. Thanks, Liz Read! Talk! 23:07, 27 April 2024 (UTC) reply

International Online Film Critics' Poll

International Online Film Critics' Poll (  | talk | history | protect | delete | links | watch | logs | views) – ( View AfD | edits since nomination)
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Listicle with minimal coverage (and what it does get is from blog-type websites rather than any major news source). Violates MOS:FILMACCOLADES, specifically the sentence 'Awards bestowed by web-only entities are not generally included'. Survived an AfD in 2013 that was marred by WP:SPA activity. Sgubaldo ( talk) 16:05, 19 April 2024 (UTC) reply

  • Note: This discussion has been included in the deletion sorting lists for the following topics: Film, Awards, and Internet. Sgubaldo ( talk) 16:05, 19 April 2024 (UTC) reply
  • Delete. NN. We don't have an article on the organisation "International Online Film Critics", so I don't know why we'd have an article on their poll. Desertarun ( talk) 16:23, 26 April 2024 (UTC) reply

Relisted to generate a more thorough discussion and clearer consensus.
Relisting comment: Ineligible for soft deletion.
Please add new comments below this notice. Thanks, plicit 23:58, 26 April 2024 (UTC) reply

The following discussion is an archived debate of the proposed deletion of the article below. Please do not modify it. Subsequent comments should be made on the appropriate discussion page (such as the article's talk page or in a deletion review). No further edits should be made to this page.

The result was keep. ( non-admin closure)Geschichte ( talk) 14:54, 29 April 2024 (UTC) reply

Attack of the 5 Ft. 2 In. Women

Attack of the 5 Ft. 2 In. Women (  | talk | history | protect | delete | links | watch | logs | views) – ( View AfD | edits since nomination)
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Nothing in the article or my BEFORE suggests this meets WP:GNG (or WP:NFILM). Nothing in GBooks or GScholar (well, one mention in a German book?). Maybe there is some coverage in National Lampoon (magazine) ( September/October 1994), but it is a parody magazine, so not sure if it is reliable, and even if there is something there, GNG requires multiple sources (so at least one more). Can anyone find anything to rescue this - or failing that, suggest a valid redirect target? Piotr Konieczny aka Prokonsul Piotrus| reply here 01:38, 16 April 2024 (UTC) reply

Hello Piotrus, I should think that even if the National Lampoon is a satirical magazine, it is significant coverage. - My, oh my! (Mushy Yank) 22:20, 16 April 2024 (UTC) Forget what I said, it's obviously a primary source....- My, oh my! (Mushy Yank) 22:26, 16 April 2024 (UTC) reply

*Note: This discussion has been included in the deletion sorting lists for the following topics: Television and United States of America. Piotr Konieczny aka Prokonsul Piotrus| reply here 01:38, 16 April 2024 (UTC) reply

Relisted to generate a more thorough discussion and clearer consensus.
Relisting comment: A review of newly found sources would be helpful. What would the redirect target article be?
Please add new comments below this notice. Thanks, Liz Read! Talk! 01:20, 23 April 2024 (UTC) reply

CommentDelete There are just two significant articles on this movie (that I can find). One is a full paragraph in TV Guide from 8/20/1994. The other is the LA Times article, which is genuinely substantial. This movie gets continued brief mentions in video guides, but almost nothing else. Hard to see this coming even close to meeting WP:NFILM Oblivy ( talk) 03:49, 23 April 2024 (UTC) reply
@ Oblivy Did you look at the sources found above? And are the sources you found oline and linkable for others to review? Piotr Konieczny aka Prokonsul Piotrus| reply here 04:48, 23 April 2024 (UTC) reply
@ Piotrus sorry I just did. The Entertainment Tonight article is lengthy, but I don't know if it counts towards the nationally known critics factor. The TV guide article is paywalled above but another TV guide article from the same date is here [2]. The video guides are available at archive.org. Oblivy ( talk) 04:59, 23 April 2024 (UTC) reply
@ Oblivy Playing the devil's advocate (since I am the nom), I think that we have enough sources to show this meets GNG with SIGCOV, although I did not access your sources (but coverage in LA Time, which you call substantial, is pretty good). I'll ping User:Cunard in case he can locate it and quote it/link it. Piotr Konieczny aka Prokonsul Piotrus| reply here 05:07, 23 April 2024 (UTC) reply
FYI, LA times is source #3. Oblivy ( talk) 05:09, 23 April 2024 (UTC) reply
Changed my vote to comment. There's little of substance except in that short period of 1994, but Cunard brought the sources. There's a common sense reading of GNG that could easily prevail here and I'd be fine with keeping the article. Oblivy ( talk) 11:20, 28 April 2024 (UTC) reply
  • Keep per the significant coverage in multiple independent reliable sources.
    1. Bell, Miles (1994-08-19). "'Attack of 5'2'' Women'". The Hollywood Reporter. Vol. 333, no. 30. pp. 12, 16. ProQuest  2362086371.

      The review notes: "Julie Brown casts a long, amusing shadow in Showtime's head-strongly dumb "National Lam- poon's Attack of the 5'2" Women," an umbrella title for two films. The kicky pair of satires within spoof two of the media's recent bete noir bad girls, skater-agitator Tonya Harding and impromptu surgeon Lorena Bobbitt, whose fictional counterparts are both played by Brown. Yes, nothing is sacred and all bets are off as "Attack" goes on the offensive, seizing the public personas of Harding and Bobbitt to transmit a picture of cheesy, pulp aspirations, where fame and lame are interchangeable and mass communications is the twisted funnel through which rattles the news. ... Ah, but an instant before this, the missus learns that her recently repaired hubby has been cheating again. Ouch! Sophomoric and crude, and way too long, "Attack" manages to play as a fun-dumb damning of the media-rama."

    2. Hiltbrand, David (1994-08-22). "National Lampoon's Attack of the 5 ft.2 Women". People. Vol. 42, no. 8. p. 12. EBSCOhost  9408227615.

      The review notes: "In this daffy double-header, Julie Brown spoofs two of last year's tabloid inamoratas. First, in an utterly unruly farce, she plays Tonya Hardly. The chain-smoking, asthma-atomizer-sucking, overweight skater is consumed with jealously for her competitor Nancy Cardigan (Khrystyne Haje). ... While this pair of infamous headline-generators present perfect targets for Brown's raucous, ribald satire, the fact is that both episodes seem a little dated already. Nothing goes stale faster than a juicy tabloid scandal. Grade: B+"

    3. Schwarzbaum, Lisa (1994-08-19). "Feminine High Jinks". Entertainment Weekly. No. 236. p. 46. EBSCOhost  9408227610.

      The review notes: "In NATIONAL LAMPOON'S ATTACK OF THE 5'2" WOMEN (Showtime, Sunday, 8-9:30 p.m.), the very funny, very brazen star of Medusa: Dare to Be Truthful, the wicked 1991 parody of Madonna's Truth or Dare parody, sinks her fangs into two notorious women of recent headlines, figure skater Tonya Harding and spouse mutilator Lorena Bobbitt, and doesn't let go. As she did in Medusa, Brown ... sticks closely to the original text; in this case, her text is the chronology of Harding's bumbling plot to sideline her hated rival, Nancy Kerrigan, and Bobbitt's bumbling plan to sideline her hated husband, John Wayne Bobbitt. ... That Attack of the 5'2" Women flags is due to its length--90 minutes is a hell of a long way to go for two jokes--as well as to the datedness of its situations. There are no two recent, overreported media stories richer for comedy by and about women than those of Harding and Bobbitt, and, consequently, we've already seen and heard a heap. This quarry is too easy. In the name of comedy sisterhood, Julie Brown should lace up her bustier and work at a tougher assignment--say, whipping sketch comedy into shape. She TV: C+ At-tack of the 5'2" Women: B-. "

    4. Willman, Chris (1994-08-20). "TV Reviews : '5 Ft. 2 Women' Doesn't Measure Up as Timely Satire". Los Angeles Times. Archived from the original on 2024-04-28. Retrieved 2024-04-28.

      The review ntoes: "For, though everyone would recognize John Wayne Bobbitt (or Juan Wayne, as his wife calls him here) as the funnier figure from his subsequent deadpan attempts to cash in on his celebrity, Brown hogs the comedy in this half with her Venezuelan accent and a macha swagger that doesn’t quite square with anyone’s worst picture of the real Lorena. As a targetless spoof, it’s, well, satirically challenged."

    5. Taylor, Jonathan (1994-08-19). "He Never Give Me Orgasm: The Lenora Babbitt Story". Variety. Archived from the original on 2024-04-28. Retrieved 2024-04-28.

      The review notes: "Brown’s brilliant Madonna satire, “Medusa: Dare to Be Truthful,” and her campy novelty hit songs like “Homecoming Queen’s Got a Gun” point to her obvious skill. But “Attack of the 5’2″ Women” comes off no better than a latter-day National Lampoon, where the philosophy has descended to the point where anything is allowed, and it would be good if at least some of it were funny."

    6. Mendoza, Manuel (1994-08-21). "Tonya-Lorena sendup is a mean-spirited letdown". The Dallas Morning News. Archived from the original on 2024-04-28. Retrieved 2024-04-28.

      The review notes: "The humor in "Tonya: The Battle of Wounded Knee" and "He Never Give Me Orgasm: The Lenora Babbitt Story" is broad - Ms. Harding's behind, for instance, is the target of many a joke. And the panting media, perfect prey, escape virtually unscathed. Ms. Brown plays both women as conniving, clueless and exceedingly tacky. The adjectives "gross" and "cheap" also come to mind - for example, when, in trying to attract "Juan Wayne," Ms. Babbitt licks a jukebox. Meanwhile, "Tonya Hardly" cuts her pizza with her skates, while her ditzy competitor "Nancy Cardigan" endorses pork with the line, "It's really neat." Attack of the 5 Ft. 2 Women isn't."

    7. Richmond, Ray (1994-08-19). "Television - HBO 'Enemy' Remake Wages Uphill Battle". Daily News of Los Angeles. Archived from the original on 2024-04-28. Retrieved 2024-04-28.

      The review notes: "This elevation of tackiness to an art form is what we get from Julie Brown in "National Lampoon's Attack of the 5 Ft. 2 Women," a rousing 90- minute double feature of rude, crude and lewd that premieres at 8 p.m. Sunday on Showtime. Brown portrays Harding (called Tonya Hardly here) and Bobbitt (Lenora Babbitt for these purposes) in a pair of satires that prove as side-splitting as they are over-the-top. ... "Attack of the 5 Ft. 2 Women" is undeniably sophomoric stuff. Yet it's often so funny you have trouble catching your breath."

    8. Laurence, Robert P. (1994-08-18). "Tawdry events turn into comedies - Harding, Bobbitt inspire outrageous minimovies". The San Diego Union-Tribune. Archived from the original on 2024-04-28. Retrieved 2024-04-28.

      The review notes: "Under the umbrella title, "National Lampoon's Attack of the 5 Ft. 2 Women," Brown presents "Tonya: The Battle of Wounded Knee" and "He Never Gave Me Orgasm: The Lenora Babbitt Story." ... Her method is simple. Beginning with stories we all know, she takes each somewhere beyond the truth, twisting here, adding there, being careful to offend just about everybody at one time or another. And yes, both are very funny -- if you're not the sort to be easily outraged."

    There is sufficient coverage in reliable sources to allow National Lampoon's Attack of the 5 Ft. 2 In. Women to pass Wikipedia:Notability#General notability guideline, which requires "significant coverage in reliable sources that are independent of the subject".

    Cunard ( talk) 10:14, 28 April 2024 (UTC) reply

  • Keep in view of the multiple reliable sources coverage identified above by Cunard and other editors earlier in the discussion that together shows a pass of WP:GNG so that deletion is unnecessary in my view, Atlantic306 ( talk) 21:14, 28 April 2024 (UTC) reply
The above discussion is preserved as an archive of the debate. Please do not modify it. Subsequent comments should be made on the appropriate discussion page (such as the article's talk page or in a deletion review). No further edits should be made to this page.

Oliyum Oliyum

Oliyum Oliyum (  | talk | history | protect | delete | links | watch | logs | views) – ( View AfD | edits since nomination)
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Undersourced. Tagged for notability for over a decade. Kailash29792 (talk) 14:55, 15 April 2024 (UTC) reply

Relisted to generate a more thorough discussion and clearer consensus.
Please add new comments below this notice. Thanks, North America 1000 16:37, 22 April 2024 (UTC) reply

Kunguma Kodu

Kunguma Kodu (  | talk | history | protect | delete | links | watch | logs | views) – ( View AfD | edits since nomination)
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Yet one of many articles created in a spree by Rajeshbieee in violation of WP:NOTDATABASE. Although this film has a notable hero, I can't find third-party sources. Kailash29792 (talk) 05:55, 10 April 2024 (UTC) reply

  • Note: This discussion has been included in the deletion sorting lists for the following topics: Film and India. '''[[ User:CanonNi]]''' ( talk| contribs) 10:22, 10 April 2024 (UTC) reply
  • Delete or Redirect to List of Tamil films of 1988. Simple search did not show any reliable sources with any coverage enough to warranty a page. Film can be viewed on YouTube and we know it is there but reliable sources are not available. This is mostly the case with less known or forgotten films. The sources on the page do not have any coverage and are unreliable. RangersRus ( talk) 14:16, 10 April 2024 (UTC) reply
  • Redirect to V. Azhagappan#Filmography: or to the list mentioned. Not opposed to keep if sources are presented (opposed to deletion). - My, oh my! (Mushy Yank) 21:27, 10 April 2024 (UTC) reply

Relisted to generate a more thorough discussion and clearer consensus.
Please add new comments below this notice. Thanks, Liz Read! Talk! 07:46, 17 April 2024 (UTC) reply

  • Withdraw: The article is still undersourced, but kudos to Srivin for adding more sources. Kailash29792 (talk) 10:13, 23 April 2024 (UTC) reply
  • Delete. I reviewed the refs added and they don't support notability. They are just listings or such. Desertarun ( talk) 09:44, 24 April 2024 (UTC) reply

Relisted to generate a more thorough discussion and clearer consensus.
Relisting comment: Relisting. This is an unusual AFD discussion as the nomination has been withdrawn but there is more support for Deletion than Keeping the article. Please review recent improvements to the article that have occurred over the past two days.
Please add new comments below this notice. Thanks, Liz Read! Talk! 23:24, 24 April 2024 (UTC) reply

Monsters (2004 film)

Monsters (2004 film) (  | talk | history | protect | delete | links | watch | logs | views) – ( View AfD | edits since nomination)
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Completely unsourced article about a short film. The attempted notability claim here is that it won an award at a minor film festival, but WP:NFILM does not just indiscriminately accept every single film festival award on earth as a notability-locking award -- that only goes to major internationally prominent film festivals such as Cannes, Berlin, Venice, Toronto or Sundance whose awards get broadly reported by the media as news, because even the award itself has to meet the notability criteria for awards before it can make its winners notable for winning it. But the award claim here is unsourced, and the article isn't citing any other sources for anything else either. Bearcat ( talk) 20:48, 9 April 2024 (UTC) reply

  • Note: This discussion has been included in the deletion sorting lists for the following topics: Film and United Kingdom. Bearcat ( talk) 20:48, 9 April 2024 (UTC) reply
  • Delete: I can't find anything. It's entirely possible that there are sources that aren't online, but I can't really find anything to firmly argue that either. That leaves us with the sole claim of this winning an award at BUFF. I would argue that the award would give the film some notability, just not enough to keep on that basis alone. BUFF is a notable film festival, but not notable or major enough to be on the level that is expected of the award criteria for NFILM. It's not a slam against BUFF - most film festivals aren't at that level. If someone can produce a couple of good sources (as well as one for the award) then I'm open to changing my opinion. ReaderofthePack(formerly Tokyogirl79) (。◕‿◕。) 15:53, 11 April 2024 (UTC) reply
  • Keep. There are reviews from The Guardian and Film Threat [4] [5]. Although both of the other sources are direct interviews, the Film Threat source goes into detail about the film's reception and what the director feels he should change if he had the chance to retake the film. What do you think about the new sourcing @ Bearcat: @ ReaderofthePack:? DareshMohan ( talk) 04:29, 16 April 2024 (UTC) reply
That's definitely on the right track, but I'd still need to see proper reliable sourcing (i.e. not the self-published website of the film's own distributor) for the award claims before I was prepared to withdraw this from discussion entirely — an award has to be one that gets covered by the media (i.e. passes GNG in its own right) in order to gain the privilege of making its winners notable for winning it, so award wins have to be sourced to media coverage to prove that the award is notable in the first place. Bearcat ( talk) 17:29, 16 April 2024 (UTC) reply

Relisted to generate a more thorough discussion and clearer consensus.
Please add new comments below this notice. Thanks, Liz Read! Talk! 22:28, 16 April 2024 (UTC) reply

  • Delete: Audience award at a film festival doesn't seem to meet film notability. The rest seems to be local coverage, of a hometown hero-type coverage. I don't see anything written about this short film otherwise. Oaktree b ( talk) 23:24, 16 April 2024 (UTC) reply
  • Comment Couldn't source the audience award. Sourced the other award based on [6]. @ Oaktree b: @ Bearcat: If two reviews (the Guardian one is a capsule review) doesn't add notability, then this article can be deleted. DareshMohan ( talk) 02:04, 19 April 2024 (UTC) reply
That's not a reliable source either. We need to see real media, not blogs. Bearcat ( talk) 15:37, 19 April 2024 (UTC) reply
  • I'm striking my delete vote. I suppose if pressed I'd consider this a week keep based on the two reviews, but I'm not really satisfied enough to say that officially. Here's my argument as to why I removed the delete:
So far, there's no definitive judgment based on review length. The reason why is that review length doesn't automatically mean that something is of good or bad quality. Every time someone tries, the argument centers back on one central point: what makes a review a review is that the journalist forms an opinion or judgment on the film, which can be done in just a few sentences. It doesn't help that there are lengthier reviews out there that tend to discuss general things (or navel gaze) for a few paragraphs, then use the final one to give the actual opinion/judgment. There's also the outlet to consider, because a capsule review from a nationally known paper like The Guardian is going to be more impressive than if my local paper, which has at most half the circulation of TG, were to review the same short film. It's not a knock against my local paper, just that the higher circulation means that TG is presumably going to be more discerning because they have a larger audience. (IE, more mainstream publications are more likely to focus on mainstream stuff whereas a smaller paper could review something off the wall because there's potentially less red tape and so on.)
It's pretty rare that short films get reviews at all and when they do, the length is usually short because they're going to be watching it with a batch of other stuff at a film festival or packaged with a full-length movie. It's rare that a short film is the sole focus, because there's a bit of risk in covering short films.
So my next focus then is whether or not the article will be anything other than a paragraph of content. I do see two interviews on there and while sure, they're primary, they can still be used to expand the article and give it at least somewhat more encyclopedic value. We could probably improve the production section to be more than a big quote and we could also add a release section. I see that it was given a re-release at a 2020 film festival, the Lyon Festival Hallucinations Collectives, so that's definitely something. I suppose that last bit could qualify as a bit of notability but one would need to find sourcing and honestly, I never feel comfortable arguing for a keep that way unless it's at a very notable festival or the institution holding the festival or retrospective are very notable. This is close, but it still feels pretty weak. ReaderofthePack(formerly Tokyogirl79) (。◕‿◕。) 15:55, 22 April 2024 (UTC) reply
Is the director notable? A good alternative might be to create an article for the director and summarize this there. ReaderofthePack(formerly Tokyogirl79) (。◕‿◕。) 15:56, 22 April 2024 (UTC) reply
Oh, he has an article: Robert Morgan (filmmaker). Maybe just summarize the release and production there? ReaderofthePack(formerly Tokyogirl79) (。◕‿◕。) 15:57, 22 April 2024 (UTC) reply
Actually, I've greatly improved the article. It looks fairly proper now. I wouldn't mind this being kept. ReaderofthePack(formerly Tokyogirl79) (。◕‿◕。) 16:37, 22 April 2024 (UTC) reply

Relisted to generate a more thorough discussion and clearer consensus.
Please add new comments below this notice. Thanks, Liz Read! Talk! 23:03, 23 April 2024 (UTC) reply

  • Keep: All in all, coverage and nomination seem to show it might be notable. A redirect to the director seems warranted anyway. - My, oh my! (Mushy Yank) 14:01, 25 April 2024 (UTC) reply

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