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The contents of the Bibliography of Yasujirō Ozu page were merged into Yasujirō Ozu on 3 May 2021. For the contribution history and old versions of the redirected page, please see its history; for the discussion at that location, see its talk page. |
A fact from this article was featured on Wikipedia's Main Page in the On this day section on December 12, 2017. |
I would argue that this article is heavily influenced by Donald Richie's opinions concerning "mono no aware," which has been argued against by Bordwell, Kiju and Daisuke Miyao. Often this "zen buddhism" filming gives the wrong impression of Ozu, and can be seen as "orientalizing." More differing arguments and interpretations about subjects such as the low camera height and long-held shots of objects should be included in the next revision. Quotations can be found in the books that are listed as references, but I can supply them if help is needed. 209.2.51.215 19:30, 28 March 2007 (UTC)jason
"His predominant theme of the disintegration of the traditional family under modern pressures became even more pronounced in his later works, as he personally felt that postwar society had a corrupting influence on morality. This is especially shown in Tokyo Monogatari, which also uses another common element found in many of Ozu's films – negligent relatives who do not fulfill their duties and obligations to the family."
This entire paragraph is baseless speculation, and really should be either heavily edited or removed. Forweg 16:24, 11 October 2007 (UTC)
There is an interesting discussion on Akira Kurosawa's talk page about Public Domain, (asserting that Kurosawa's work is not in PD), and it speculates that Ozu's work might be. Can anybody confirm of deny this? BeShaMo ( talk) 17:40, 12 January 2008 (UTC)
The "Legacy" section is too POV (see WP:NPOV). For example: "This style of filmmaking produced quiet and thoughtful films of rare beauty and elegance." I'll try to get around to fixing it up myself. -- The Fwanksta ( talk) 01:52, 15 March 2009 (UTC)
I'm reasonably sure that Kagamijishi is not a good transliteration of 菊五郎の鏡獅子. — Tamfang ( talk) 06:23, 11 March 2011 (UTC)
Let's not add any more directors to the list of diverse directors, it is getting a bit ridiculous. JoshuSasori ( talk) 04:37, 17 July 2012 (UTC)
The JMDB puts him as a producer of Bloody Spear at Mount Fuji but article does not mention it. Any inputs???? JoshuSasori ( talk) 03:05, 23 August 2012 (UTC)
Regarding the wikiproject box assessment at the top of this page, I think this article is better than C-class. I would like to request reassessment. Thank you. NotYourFathersOldsmobile ( talk) 05:39, 28 September 2015 (UTC)
Judging using the first version available, [1],
He did not use sound until 1936 or colour stock until 1958. His personal shot was one taken from only three or so feet from the ground, a viewpoint of a person on a tatami. He was also strongly in favour of static camerawork and careful composition where no single actor would dominate a scene.
I've marked this as "Use British English". NotYourFathersOldsmobile ( talk) 09:03, 11 March 2016 (UTC)
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This
level-4 vital article is rated C-class on Wikipedia's
content assessment scale. It is of interest to the following WikiProjects: | |||||||||||||||||||||||||||||||
|
The contents of the Bibliography of Yasujirō Ozu page were merged into Yasujirō Ozu on 3 May 2021. For the contribution history and old versions of the redirected page, please see its history; for the discussion at that location, see its talk page. |
A fact from this article was featured on Wikipedia's Main Page in the On this day section on December 12, 2017. |
I would argue that this article is heavily influenced by Donald Richie's opinions concerning "mono no aware," which has been argued against by Bordwell, Kiju and Daisuke Miyao. Often this "zen buddhism" filming gives the wrong impression of Ozu, and can be seen as "orientalizing." More differing arguments and interpretations about subjects such as the low camera height and long-held shots of objects should be included in the next revision. Quotations can be found in the books that are listed as references, but I can supply them if help is needed. 209.2.51.215 19:30, 28 March 2007 (UTC)jason
"His predominant theme of the disintegration of the traditional family under modern pressures became even more pronounced in his later works, as he personally felt that postwar society had a corrupting influence on morality. This is especially shown in Tokyo Monogatari, which also uses another common element found in many of Ozu's films – negligent relatives who do not fulfill their duties and obligations to the family."
This entire paragraph is baseless speculation, and really should be either heavily edited or removed. Forweg 16:24, 11 October 2007 (UTC)
There is an interesting discussion on Akira Kurosawa's talk page about Public Domain, (asserting that Kurosawa's work is not in PD), and it speculates that Ozu's work might be. Can anybody confirm of deny this? BeShaMo ( talk) 17:40, 12 January 2008 (UTC)
The "Legacy" section is too POV (see WP:NPOV). For example: "This style of filmmaking produced quiet and thoughtful films of rare beauty and elegance." I'll try to get around to fixing it up myself. -- The Fwanksta ( talk) 01:52, 15 March 2009 (UTC)
I'm reasonably sure that Kagamijishi is not a good transliteration of 菊五郎の鏡獅子. — Tamfang ( talk) 06:23, 11 March 2011 (UTC)
Let's not add any more directors to the list of diverse directors, it is getting a bit ridiculous. JoshuSasori ( talk) 04:37, 17 July 2012 (UTC)
The JMDB puts him as a producer of Bloody Spear at Mount Fuji but article does not mention it. Any inputs???? JoshuSasori ( talk) 03:05, 23 August 2012 (UTC)
Regarding the wikiproject box assessment at the top of this page, I think this article is better than C-class. I would like to request reassessment. Thank you. NotYourFathersOldsmobile ( talk) 05:39, 28 September 2015 (UTC)
Judging using the first version available, [1],
He did not use sound until 1936 or colour stock until 1958. His personal shot was one taken from only three or so feet from the ground, a viewpoint of a person on a tatami. He was also strongly in favour of static camerawork and careful composition where no single actor would dominate a scene.
I've marked this as "Use British English". NotYourFathersOldsmobile ( talk) 09:03, 11 March 2016 (UTC)
Hello fellow Wikipedians,
I have just modified one external link on Yasujirō Ozu. Please take a moment to review my edit. If you have any questions, or need the bot to ignore the links, or the page altogether, please visit this simple FaQ for additional information. I made the following changes:
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https://www.cjspubs.lsa.umich.edu/electronic/facultyseries/list/series/ozu.phpWhen you have finished reviewing my changes, you may follow the instructions on the template below to fix any issues with the URLs.
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After February 2018, "External links modified" talk page sections are no longer generated or monitored by InternetArchiveBot. No special action is required regarding these talk page notices, other than
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have permission to delete these "External links modified" talk page sections if they want to de-clutter talk pages, but see the
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Cheers.— InternetArchiveBot ( Report bug) 14:19, 6 December 2017 (UTC)