The political drama Danton's Death (Dantons Tod, completed and published in 1835) by
Georg Büchner (died
1837), is first performed, at the Belle-Alliance-Theater in
Berlin by the Vereins Neue Freie Volksbühne.[1]
Early October –
Beatrix Potter's self-illustrated children's book The Tale of Peter Rabbit (originally published privately a year earlier) appears in its first trade edition with
Frederick Warne & Co in London. It sells 28,000 copies by the end of the year.[7]
^"Thousands March At Funeral of Emile Zola: Municipal Guards Line the Route to Preserve Order. Dreyfus Attends After All, Is Unnoticed by the Crowd – Mme. Zola Gave Him Back His Promise to Stay Away – Very Little Disorder". The New York Times. 1902-10-06.
^Stanislavsky, Constantin (1924). My Life in Art. London: Geoffrey Bles. pp. 400–403, 577.
^Cernat, Paul (2007). Avangarda românească și complexul periferiei: primul val. Bucharest: Cartea Românească. p. 15.
^Richardson, Angelique (2002). The new woman in fiction and in fact: fin-de-siècle feminisms. Basingstoke, Hampshire; New York: Palgrave Macmillan, in association with Institute for English Studies, University of London. p. 75.
ISBN9781349656035.
^Catalog of the Theatre and Drama Collections. G. K. Hall. 1967. p. 980.
^Alan Goble (1999). The Complete Index to Literary Sources in Film. Walter de Gruyter. p. 111.
^Claude Schumacher; Glynne W. Wickham; John Northam, eds. (1996). Naturalism and Symbolism in European Theatre 1850-1918. Cambridge University Press. p. 218.
^Robert, Price (1971). "Catherwood, Mary Hartwell". In James, Edward T. (ed.). Notable American Women, 1607-1950: A Biographical Dictionary. Vol. 1. p. 308.
ISBN978-0-67462-734-5.
The political drama Danton's Death (Dantons Tod, completed and published in 1835) by
Georg Büchner (died
1837), is first performed, at the Belle-Alliance-Theater in
Berlin by the Vereins Neue Freie Volksbühne.[1]
Early October –
Beatrix Potter's self-illustrated children's book The Tale of Peter Rabbit (originally published privately a year earlier) appears in its first trade edition with
Frederick Warne & Co in London. It sells 28,000 copies by the end of the year.[7]
^"Thousands March At Funeral of Emile Zola: Municipal Guards Line the Route to Preserve Order. Dreyfus Attends After All, Is Unnoticed by the Crowd – Mme. Zola Gave Him Back His Promise to Stay Away – Very Little Disorder". The New York Times. 1902-10-06.
^Stanislavsky, Constantin (1924). My Life in Art. London: Geoffrey Bles. pp. 400–403, 577.
^Cernat, Paul (2007). Avangarda românească și complexul periferiei: primul val. Bucharest: Cartea Românească. p. 15.
^Richardson, Angelique (2002). The new woman in fiction and in fact: fin-de-siècle feminisms. Basingstoke, Hampshire; New York: Palgrave Macmillan, in association with Institute for English Studies, University of London. p. 75.
ISBN9781349656035.
^Catalog of the Theatre and Drama Collections. G. K. Hall. 1967. p. 980.
^Alan Goble (1999). The Complete Index to Literary Sources in Film. Walter de Gruyter. p. 111.
^Claude Schumacher; Glynne W. Wickham; John Northam, eds. (1996). Naturalism and Symbolism in European Theatre 1850-1918. Cambridge University Press. p. 218.
^Robert, Price (1971). "Catherwood, Mary Hartwell". In James, Edward T. (ed.). Notable American Women, 1607-1950: A Biographical Dictionary. Vol. 1. p. 308.
ISBN978-0-67462-734-5.