Rank
|
Page title
|
Views
|
Daily average
|
Assessment
|
Importance
|
1
|
Thomas Jefferson
|
197,809
|
6,593
|
B
|
Mid
|
2
|
Oscar Wilde
|
151,848
|
5,061
|
GA
|
Low
|
3
|
Friedrich Nietzsche
|
150,399
|
5,013
|
B
|
High
|
4
|
Andy Warhol
|
138,317
|
4,610
|
B
|
Mid
|
5
|
Leo Tolstoy
|
122,176
|
4,072
|
B
|
Mid
|
6
|
Aristotle
|
116,059
|
3,868
|
GA
|
High
|
7
|
Plato
|
111,021
|
3,700
|
B
|
High
|
8
|
Ayn Rand
|
102,096
|
3,403
|
GA
|
Mid
|
9
|
Baroque
|
97,340
|
3,244
|
C
|
Low
|
10
|
Uncanny valley
|
78,312
|
2,610
|
B
|
Low
|
11
|
Immanuel Kant
|
73,933
|
2,464
|
C
|
High
|
12
|
Romanticism
|
69,527
|
2,317
|
C
|
High
|
13
|
Johann Wolfgang von Goethe
|
68,231
|
2,274
|
B
|
Mid
|
14
|
Marquis de Sade
|
66,030
|
2,201
|
B
|
Mid
|
15
|
Georg Wilhelm Friedrich Hegel
|
54,841
|
1,828
|
GA
|
High
|
16
|
Søren Kierkegaard
|
50,356
|
1,678
|
B
|
High
|
17
|
Bauhaus
|
50,080
|
1,669
|
B
|
Low
|
18
|
Arthur Schopenhauer
|
49,953
|
1,665
|
B
|
High
|
19
|
Model (person)
|
49,640
|
1,654
|
C
|
Low
|
20
|
Art
|
47,024
|
1,567
|
B
|
High
|
21
|
Postmodernism
|
46,671
|
1,555
|
C
|
Mid
|
22
|
Dada
|
45,760
|
1,525
|
B
|
Low
|
23
|
Slavoj Žižek
|
45,226
|
1,507
|
B
|
High
|
24
|
Eye of Providence
|
44,892
|
1,496
|
C
|
Low
|
25
|
Impressionism
|
44,678
|
1,489
|
C
|
Low
|
26
|
John Ruskin
|
43,510
|
1,450
|
B
|
Low
|
27
|
David Hume
|
43,167
|
1,438
|
B
|
High
|
28
|
Surrealism
|
41,978
|
1,399
|
B
|
Low
|
29
|
Avant-garde
|
39,911
|
1,330
|
C
|
Low
|
30
|
Sexual attraction
|
38,754
|
1,291
|
C
|
Low
|
31
|
Aesthetics
|
38,143
|
1,271
|
C
|
High
|
32
|
Martin Heidegger
|
36,848
|
1,228
|
C
|
High
|
33
|
Ptolemy
|
36,657
|
1,221
|
B
|
Mid
|
34
|
Edmund Burke
|
35,474
|
1,182
|
B
|
Mid
|
35
|
Wabi-sabi
|
34,836
|
1,161
|
C
|
Low
|
36
|
Susan Sontag
|
33,993
|
1,133
|
B
|
Mid
|
37
|
Modernism
|
33,100
|
1,103
|
B
|
High
|
38
|
Objectivism
|
33,026
|
1,100
|
B
|
Mid
|
39
|
Semiotics
|
31,842
|
1,061
|
C
|
Mid
|
40
|
Kitsch
|
31,020
|
1,034
|
C
|
Mid
|
41
|
Physical attractiveness
|
29,715
|
990
|
B
|
Mid
|
42
|
Umberto Eco
|
29,566
|
985
|
B
|
Mid
|
43
|
Cubism
|
29,446
|
981
|
B
|
Low
|
44
|
Eroticism
|
27,213
|
907
|
C
|
Low
|
45
|
Samuel Taylor Coleridge
|
27,191
|
906
|
C
|
Low
|
46
|
Harlem Renaissance
|
26,458
|
881
|
B
|
Low
|
47
|
Expressionism
|
25,977
|
865
|
C
|
Low
|
48
|
John Dewey
|
24,481
|
816
|
B
|
High
|
49
|
Pragmatism
|
24,477
|
815
|
B
|
High
|
50
|
Comedy
|
24,016
|
800
|
C
|
Mid
|
51
|
Arts and Crafts movement
|
23,670
|
789
|
B
|
Low
|
52
|
Neoclassicism
|
22,852
|
761
|
C
|
Low
|
53
|
Punk subculture
|
22,253
|
741
|
Start
|
Low
|
54
|
Jacques Lacan
|
22,245
|
741
|
B
|
High
|
55
|
Gilles Deleuze
|
21,745
|
724
|
B
|
High
|
56
|
Futurism
|
20,966
|
698
|
B
|
Low
|
57
|
Creativity
|
20,529
|
684
|
B
|
High
|
58
|
Retrofuturism
|
20,473
|
682
|
B
|
Low
|
59
|
Pop art
|
19,003
|
633
|
C
|
Low
|
60
|
Symbolism (arts)
|
18,400
|
613
|
C
|
Low
|
61
|
Walter Benjamin
|
18,285
|
609
|
B
|
Mid
|
62
|
Kawaii
|
18,154
|
605
|
C
|
Low
|
63
|
Theodor W. Adorno
|
18,093
|
603
|
C
|
High
|
64
|
Pastiche
|
18,060
|
602
|
Start
|
Low
|
65
|
Marshall McLuhan
|
17,937
|
597
|
B
|
Mid
|
66
|
Design
|
17,708
|
590
|
C
|
Low
|
67
|
Fine art
|
17,383
|
579
|
C
|
Mid
|
68
|
Fluxus
|
17,111
|
570
|
Start
|
Low
|
69
|
Catharsis
|
16,924
|
564
|
C
|
High
|
70
|
Irony
|
16,553
|
551
|
C
|
Mid
|
71
|
Patanjali
|
16,416
|
547
|
C
|
High
|
72
|
Roger Scruton
|
16,063
|
535
|
B
|
Mid
|
73
|
Friedrich Schiller
|
15,883
|
529
|
C
|
Mid
|
74
|
Aestheticism
|
15,847
|
528
|
Start
|
Low
|
75
|
Post-Impressionism
|
15,650
|
521
|
C
|
Low
|
76
|
Roland Barthes
|
15,467
|
515
|
C
|
Mid
|
77
|
Minimalism
|
15,236
|
507
|
C
|
Mid
|
78
|
Simulacrum
|
14,891
|
496
|
Start
|
Low
|
79
|
Jonathan Edwards (theologian)
|
14,813
|
493
|
B
|
Low
|
80
|
Herbert Marcuse
|
14,767
|
492
|
B
|
Mid
|
81
|
Georges Bataille
|
14,611
|
487
|
C
|
Mid
|
82
|
Escapism
|
13,849
|
461
|
Start
|
Low
|
83
|
Abstract expressionism
|
13,570
|
452
|
C
|
Low
|
84
|
Humour
|
13,497
|
449
|
C
|
Mid
|
85
|
Literary criticism
|
13,379
|
445
|
Start
|
Mid
|
86
|
History of music
|
13,333
|
444
|
B
|
Low
|
87
|
The Death of the Author
|
13,170
|
439
|
Start
|
Low
|
88
|
The Doors of Perception
|
13,001
|
433
|
B
|
Low
|
89
|
Sturm und Drang
|
12,735
|
424
|
C
|
Low
|
90
|
Beauty
|
12,535
|
417
|
C
|
Mid
|
91
|
Decadent movement
|
12,069
|
402
|
Start
|
Low
|
92
|
Plotinus
|
11,472
|
382
|
C
|
High
|
93
|
Denis Diderot
|
11,308
|
376
|
C
|
Mid
|
94
|
Symposium (Plato)
|
11,063
|
368
|
C
|
High
|
95
|
Essentialism
|
10,917
|
363
|
Start
|
Mid
|
96
|
Psychoanalytic theory
|
10,861
|
362
|
C
|
High
|
97
|
George Santayana
|
10,795
|
359
|
C
|
Mid
|
98
|
Poetics (Aristotle)
|
10,784
|
359
|
C
|
High
|
99
|
Suspension of disbelief
|
10,766
|
358
|
C
|
Low
|
100
|
Classicism
|
10,524
|
350
|
Start
|
Mid
|
101
|
Decadence
|
10,173
|
339
|
C
|
Low
|
102
|
Conceptual art
|
10,041
|
334
|
C
|
Low
|
103
|
Paradigm
|
9,834
|
327
|
Start
|
High
|
104
|
Mimesis
|
9,811
|
327
|
Start
|
Low
|
105
|
Philistinism
|
9,698
|
323
|
Start
|
Low
|
106
|
György Lukács
|
9,530
|
317
|
C
|
Mid
|
107
|
Retro style
|
9,299
|
309
|
C
|
Low
|
108
|
De Stijl
|
9,242
|
308
|
C
|
Low
|
109
|
Feminine beauty ideal
|
9,209
|
306
|
Start
|
Mid
|
110
|
Constructivism (art)
|
8,954
|
298
|
B
|
Low
|
111
|
Musica universalis
|
8,878
|
295
|
C
|
Low
|
112
|
Imagination
|
8,852
|
295
|
Start
|
Mid
|
113
|
Ensō
|
8,824
|
294
|
C
|
Low
|
114
|
Sandhi
|
8,819
|
293
|
Start
|
Low
|
115
|
Art for art's sake
|
8,793
|
293
|
Start
|
Low
|
116
|
Sublime (philosophy)
|
8,771
|
292
|
C
|
Mid
|
117
|
Giorgio Vasari
|
8,707
|
290
|
C
|
Mid
|
118
|
Grotesque
|
8,559
|
285
|
C
|
Low
|
119
|
Anagnorisis
|
8,391
|
279
|
Start
|
Low
|
120
|
Mimetic theory
|
8,305
|
276
|
Start
|
Low
|
121
|
Nicholas Roerich
|
8,124
|
270
|
B
|
Mid
|
122
|
Kokoro
|
8,092
|
269
|
C
|
Low
|
123
|
Chinoiserie
|
8,087
|
269
|
C
|
Mid
|
124
|
Didacticism
|
8,073
|
269
|
Start
|
Low
|
125
|
The World as Will and Representation
|
8,030
|
267
|
B
|
High
|
126
|
Form follows function
|
7,856
|
261
|
C
|
Low
|
127
|
Hudson River School
|
7,848
|
261
|
C
|
Low
|
128
|
Johann Gottlieb Fichte
|
7,797
|
259
|
C
|
High
|
129
|
Eclecticism
|
7,786
|
259
|
C
|
Mid
|
130
|
Artist
|
7,721
|
257
|
Start
|
Mid
|
131
|
The Work of Art in the Age of Mechanical Reproduction
|
7,630
|
254
|
C
|
Mid
|
132
|
Mikhail Bakhtin
|
7,626
|
254
|
B
|
Mid
|
133
|
Suprematism
|
7,565
|
252
|
Start
|
Low
|
134
|
Work of art
|
7,559
|
251
|
Start
|
Mid
|
135
|
Rasa (aesthetics)
|
7,478
|
249
|
Start
|
Low
|
136
|
Phonaesthetics
|
7,394
|
246
|
C
|
Low
|
137
|
Periods in Western art history
|
7,319
|
243
|
List
|
Low
|
138
|
Rhyme
|
7,247
|
241
|
C
|
Low
|
139
|
Academic art
|
7,166
|
238
|
C
|
Low
|
140
|
On the Genealogy of Morality
|
7,151
|
238
|
Start
|
High
|
141
|
Terry Eagleton
|
7,037
|
234
|
C
|
Mid
|
142
|
Hamartia
|
6,994
|
233
|
C
|
Low
|
143
|
Joseph Beuys
|
6,959
|
231
|
B
|
Low
|
144
|
Art movement
|
6,959
|
231
|
Start
|
Low
|
145
|
Friedrich Wilhelm Joseph Schelling
|
6,955
|
231
|
C
|
High
|
146
|
Postmodern art
|
6,949
|
231
|
B
|
Low
|
147
|
Neo-expressionism
|
6,859
|
228
|
Start
|
Low
|
148
|
Fredric Jameson
|
6,810
|
227
|
C
|
Mid
|
149
|
American Craftsman
|
6,805
|
226
|
Start
|
Low
|
150
|
Historicism
|
6,766
|
225
|
C
|
Mid
|
151
|
Interpersonal attraction
|
6,759
|
225
|
C
|
Low
|
152
|
Disgust
|
6,727
|
224
|
Start
|
Low
|
153
|
Theories of humor
|
6,716
|
223
|
Start
|
Mid
|
154
|
Post-irony
|
6,660
|
222
|
Stub
|
Low
|
155
|
Novalis
|
6,632
|
221
|
GA
|
Mid
|
156
|
Johann Gottfried Herder
|
6,456
|
215
|
C
|
Mid
|
157
|
Zef
|
6,433
|
214
|
Start
|
Low
|
158
|
Michael Oakeshott
|
6,356
|
211
|
C
|
Low
|
159
|
Maximalism
|
6,323
|
210
|
Start
|
Low
|
160
|
Metanarrative
|
6,264
|
208
|
C
|
Mid
|
161
|
André Malraux
|
6,233
|
207
|
B
|
Low
|
162
|
Feminist literary criticism
|
6,162
|
205
|
Start
|
Low
|
163
|
Acquired taste
|
6,145
|
204
|
Start
|
Low
|
164
|
Mathematics and art
|
6,105
|
203
|
GA
|
Mid
|
165
|
Ekphrasis
|
6,079
|
202
|
C
|
Mid
|
166
|
Ludwig Feuerbach
|
6,043
|
201
|
C
|
Mid
|
167
|
Human physical appearance
|
6,009
|
200
|
Start
|
Low
|
168
|
Algernon Charles Swinburne
|
6,009
|
200
|
C
|
Low
|
169
|
Cuteness
|
5,992
|
199
|
Start
|
Low
|
170
|
Axiology
|
5,988
|
199
|
Start
|
Mid
|
171
|
Film criticism
|
5,821
|
194
|
Start
|
Low
|
172
|
Primitivism
|
5,794
|
193
|
C
|
Low
|
173
|
Social realism
|
5,743
|
191
|
Start
|
Low
|
174
|
Experience machine
|
5,629
|
187
|
Start
|
Low
|
175
|
Musicology
|
5,602
|
186
|
C
|
Low
|
176
|
Japanese aesthetics
|
5,559
|
185
|
C
|
Low
|
177
|
I. A. Richards
|
5,526
|
184
|
C
|
Mid
|
178
|
José Ortega y Gasset
|
5,520
|
184
|
C
|
Low
|
179
|
Op art
|
5,461
|
182
|
Start
|
Low
|
180
|
Photorealism
|
5,408
|
180
|
B
|
Low
|
181
|
Either/Or
|
5,385
|
179
|
C
|
High
|
182
|
List of sitcoms known for negative reception
|
5,346
|
178
|
List
|
Low
|
183
|
Jean-François Lyotard
|
5,330
|
177
|
B
|
Mid
|
184
|
Romantic literature in English
|
5,323
|
177
|
C
|
Low
|
185
|
Cool (aesthetic)
|
5,200
|
173
|
B
|
Low
|
186
|
Mathematical beauty
|
5,168
|
172
|
Start
|
Low
|
187
|
Moses Mendelssohn
|
5,108
|
170
|
C
|
Mid
|
188
|
Applied arts
|
5,105
|
170
|
Start
|
Low
|
189
|
Jacques Maritain
|
5,067
|
168
|
C
|
Mid
|
190
|
Henri Lefebvre
|
5,053
|
168
|
C
|
Mid
|
191
|
Empire style
|
5,000
|
166
|
C
|
Low
|
192
|
Friedrich Schleiermacher
|
4,964
|
165
|
B
|
Mid
|
193
|
History of painting
|
4,926
|
164
|
C
|
Low
|
194
|
Distancing effect
|
4,896
|
163
|
Start
|
Low
|
195
|
Northrop Frye
|
4,838
|
161
|
C
|
Low
|
196
|
New Objectivity
|
4,834
|
161
|
Start
|
Low
|
197
|
Abhinavagupta
|
4,773
|
159
|
B
|
Low
|
198
|
Hans-Georg Gadamer
|
4,604
|
153
|
C
|
High
|
199
|
Gaze
|
4,542
|
151
|
Start
|
Mid
|
200
|
Life imitating art
|
4,526
|
150
|
Stub
|
Low
|
201
|
Mirror stage
|
4,494
|
149
|
C
|
Mid
|
202
|
Tragic hero
|
4,413
|
147
|
Start
|
Low
|
203
|
Chinese ideals of female beauty
|
4,389
|
146
|
Start
|
Low
|
204
|
Ananda Coomaraswamy
|
4,334
|
144
|
C
|
Mid
|
205
|
Gotthold Ephraim Lessing
|
4,304
|
143
|
C
|
Mid
|
206
|
Jefferson–Hemings controversy
|
4,245
|
141
|
B
|
Low
|
207
|
Anamorphosis
|
4,225
|
140
|
Start
|
Mid
|
208
|
Nabis (art)
|
4,181
|
139
|
Start
|
Low
|
209
|
Rhetoric (Aristotle)
|
4,045
|
134
|
C
|
Mid
|
210
|
Barbizon School
|
3,996
|
133
|
Start
|
Low
|
211
|
Stuckism
|
3,974
|
132
|
GA
|
Low
|
212
|
Neo-romanticism
|
3,953
|
131
|
Start
|
Low
|
213
|
Style (visual arts)
|
3,913
|
130
|
Start
|
High
|
214
|
Benedetto Croce
|
3,907
|
130
|
C
|
Mid
|
215
|
Color field
|
3,881
|
129
|
B
|
Low
|
216
|
Judgement
|
3,835
|
127
|
Start
|
Low
|
217
|
Superflat
|
3,775
|
125
|
Start
|
Low
|
218
|
Formalism (literature)
|
3,772
|
125
|
Start
|
Low
|
219
|
Film theory
|
3,731
|
124
|
Start
|
Mid
|
220
|
Walter Pater
|
3,707
|
123
|
B
|
Mid
|
221
|
Épater la bourgeoisie
|
3,678
|
122
|
Stub
|
Low
|
222
|
Criticism of postmodernism
|
3,590
|
119
|
Start
|
Low
|
223
|
Notes on "Camp"
|
3,579
|
119
|
Start
|
Low
|
224
|
Orphism (art)
|
3,492
|
116
|
C
|
Low
|
225
|
Against Interpretation
|
3,477
|
115
|
Start
|
Low
|
226
|
Capitalist realism
|
3,460
|
115
|
C
|
Low
|
227
|
American Realism
|
3,460
|
115
|
Start
|
Low
|
228
|
Jean Anthelme Brillat-Savarin
|
3,426
|
114
|
GA
|
Low
|
229
|
Surrealist automatism
|
3,385
|
112
|
C
|
Low
|
230
|
Shin-hanga
|
3,376
|
112
|
C
|
Low
|
231
|
On the Sublime
|
3,359
|
111
|
C
|
Mid
|
232
|
Picturesque
|
3,296
|
109
|
B
|
Low
|
233
|
Peripeteia
|
3,273
|
109
|
C
|
Low
|
234
|
Roger Fry
|
3,210
|
107
|
C
|
Low
|
235
|
Applause
|
3,183
|
106
|
Start
|
Low
|
236
|
Violence in art
|
3,132
|
104
|
C
|
Low
|
237
|
Mathematics and architecture
|
3,116
|
103
|
GA
|
Mid
|
238
|
Enneads
|
3,091
|
103
|
Start
|
Mid
|
239
|
Neoplasticism
|
3,083
|
102
|
C
|
Low
|
240
|
Critique of Judgment
|
3,072
|
102
|
C
|
High
|
241
|
Unattractiveness
|
3,070
|
102
|
Start
|
Low
|
242
|
Kinetic art
|
3,058
|
101
|
Start
|
Low
|
243
|
Friedrich Schlegel
|
3,012
|
100
|
Start
|
Low
|
244
|
Exoticism
|
2,995
|
99
|
Start
|
Low
|
245
|
Michel Onfray
|
2,935
|
97
|
C
|
Low
|
246
|
Clive Bell
|
2,933
|
97
|
Start
|
Mid
|
247
|
Ars Poetica (Horace)
|
2,932
|
97
|
C
|
Low
|
248
|
Historicism (art)
|
2,921
|
97
|
Stub
|
Mid
|
249
|
Arte Povera
|
2,853
|
95
|
Start
|
Low
|
250
|
Supervenience
|
2,796
|
93
|
B
|
Mid
|
251
|
Metaphysical painting
|
2,794
|
93
|
Start
|
Low
|
252
|
Shibui
|
2,791
|
93
|
Start
|
Low
|
253
|
Ashcan School
|
2,767
|
92
|
Start
|
Low
|
254
|
Women in music
|
2,765
|
92
|
C
|
Low
|
255
|
Anti-art
|
2,763
|
92
|
Start
|
Low
|
256
|
Kenneth Burke
|
2,731
|
91
|
C
|
Low
|
257
|
Literary reception of The Lord of the Rings
|
2,700
|
90
|
GA
|
Low
|
258
|
Aesthetic taste
|
2,691
|
89
|
Start
|
High
|
259
|
Maurice Blanchot
|
2,666
|
88
|
Start
|
Mid
|
260
|
A Mathematician's Apology
|
2,612
|
87
|
C
|
Low
|
261
|
The Sublime Object of Ideology
|
2,600
|
86
|
Stub
|
Low
|
262
|
Hubert Dreyfus
|
2,572
|
85
|
Start
|
Mid
|
263
|
Baroque Revival architecture
|
2,569
|
85
|
Start
|
Low
|
264
|
Ernst Gombrich
|
2,565
|
85
|
Start
|
Mid
|
265
|
Why I Want to Fuck Ronald Reagan
|
2,564
|
85
|
Start
|
Low
|
266
|
Black Arts Movement
|
2,556
|
85
|
C
|
Low
|
267
|
On Photography
|
2,540
|
84
|
Start
|
Low
|
268
|
A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful
|
2,520
|
84
|
Start
|
Low
|
269
|
Neo-Dada
|
2,519
|
83
|
Stub
|
Low
|
270
|
Weimar Classicism
|
2,488
|
82
|
Start
|
Low
|
271
|
Definition of music
|
2,485
|
82
|
Start
|
Low
|
272
|
Paul de Man
|
2,485
|
82
|
C
|
Low
|
273
|
Aestheticization of politics
|
2,452
|
81
|
Start
|
Low
|
274
|
Iki (aesthetics)
|
2,421
|
80
|
Start
|
Low
|
275
|
R. G. Collingwood
|
2,409
|
80
|
C
|
Mid
|
276
|
Clement Greenberg
|
2,400
|
80
|
C
|
Mid
|
277
|
José Vasconcelos
|
2,384
|
79
|
C
|
Mid
|
278
|
Art criticism
|
2,354
|
78
|
B
|
Mid
|
279
|
Fact–value distinction
|
2,321
|
77
|
Start
|
High
|
280
|
Classic
|
2,294
|
76
|
Start
|
Low
|
281
|
Regionalism (art)
|
2,291
|
76
|
Start
|
Low
|
282
|
Theory of art
|
2,275
|
75
|
Start
|
Mid
|
283
|
Classificatory disputes about art
|
2,261
|
75
|
Start
|
High
|
284
|
Anatomy of Criticism
|
2,249
|
74
|
Start
|
Mid
|
285
|
Vernon Lee
|
2,199
|
73
|
C
|
Low
|
286
|
Postmodernism, or, the Cultural Logic of Late Capitalism
|
2,196
|
73
|
Stub
|
Mid
|
287
|
Postmodern music
|
2,189
|
72
|
C
|
Low
|
288
|
John Hospers
|
2,189
|
72
|
C
|
Low
|
289
|
Feminist film theory
|
2,178
|
72
|
C
|
Low
|
290
|
Anandavardhana
|
2,167
|
72
|
Start
|
Low
|
291
|
Postminimalism
|
2,140
|
71
|
Start
|
Low
|
292
|
Zaum
|
2,113
|
70
|
Start
|
Low
|
293
|
Post-romanticism
|
2,112
|
70
|
Start
|
Low
|
294
|
Paul Virilio
|
2,107
|
70
|
C
|
Mid
|
295
|
Artistic inspiration
|
2,062
|
68
|
C
|
Mid
|
296
|
Pierre Bayle
|
2,061
|
68
|
C
|
Mid
|
297
|
Mingei
|
2,060
|
68
|
C
|
Low
|
298
|
High modernism
|
2,039
|
67
|
C
|
Low
|
299
|
Neuroesthetics
|
2,034
|
67
|
Start
|
Mid
|
300
|
Erwin Panofsky
|
2,030
|
67
|
C
|
Mid
|
301
|
Representation (arts)
|
2,030
|
67
|
B
|
Mid
|
302
|
Paul Rée
|
2,026
|
67
|
Start
|
Low
|
303
|
Lyrical abstraction
|
2,024
|
67
|
Start
|
Low
|
304
|
Poshlost
|
2,007
|
66
|
Start
|
Low
|
305
|
Formalism (art)
|
1,977
|
65
|
Start
|
Low
|
306
|
Elegance
|
1,976
|
65
|
C
|
Low
|
307
|
Arthur Danto
|
1,969
|
65
|
Start
|
Mid
|
308
|
Hierarchy of genres
|
1,967
|
65
|
Start
|
Low
|
309
|
Conceptualism
|
1,955
|
65
|
C
|
Low
|
310
|
Thomas Reid
|
1,924
|
64
|
C
|
Mid
|
311
|
History of aesthetics
|
1,888
|
62
|
C
|
High
|
312
|
Lettrism
|
1,877
|
62
|
C
|
Low
|
313
|
Proletkult
|
1,860
|
62
|
B
|
Low
|
314
|
Stanley Cavell
|
1,858
|
61
|
C
|
Mid
|
315
|
Mimesis: The Representation of Reality in Western Literature
|
1,850
|
61
|
C
|
Low
|
316
|
What Is Art?
|
1,841
|
61
|
C
|
Low
|
317
|
Importance
|
1,840
|
61
|
B
|
Mid
|
318
|
August Wilhelm Schlegel
|
1,831
|
61
|
C
|
Mid
|
319
|
Grotesque body
|
1,808
|
60
|
Start
|
Low
|
320
|
Formalism (philosophy)
|
1,794
|
59
|
Start
|
Low
|
321
|
Aesthetic Realism
|
1,787
|
59
|
C
|
Mid
|
322
|
Vissarion Belinsky
|
1,785
|
59
|
Start
|
Low
|
323
|
Notability
|
1,784
|
59
|
Start
|
Mid
|
324
|
Luminism (American art style)
|
1,774
|
59
|
Start
|
Low
|
325
|
Sophistication
|
1,742
|
58
|
Start
|
Low
|
326
|
Imagination age
|
1,723
|
57
|
C
|
Low
|
327
|
Tsang Lap Chuen
|
1,718
|
57
|
C
|
Low
|
328
|
Directoire style
|
1,708
|
56
|
Start
|
Low
|
329
|
Camera Lucida (book)
|
1,695
|
56
|
Start
|
Low
|
330
|
Ecstasy (philosophy)
|
1,681
|
56
|
Stub
|
Low
|
331
|
Neo-Futurists
|
1,678
|
55
|
Start
|
Low
|
332
|
Art as Experience
|
1,677
|
55
|
Start
|
Mid
|
333
|
Indian aesthetics
|
1,665
|
55
|
Start
|
Low
|
334
|
Phonestheme
|
1,664
|
55
|
Start
|
Low
|
335
|
The Story of Art
|
1,640
|
54
|
Stub
|
Mid
|
336
|
Russian symbolism
|
1,605
|
53
|
C
|
Mid
|
337
|
Artistic freedom
|
1,587
|
52
|
B
|
Low
|
338
|
Purism
|
1,578
|
52
|
Stub
|
Low
|
339
|
Alexander Gottlieb Baumgarten
|
1,548
|
51
|
Start
|
Mid
|
340
|
Hamid Dabashi
|
1,534
|
51
|
B
|
Low
|
341
|
Sully Prudhomme
|
1,489
|
49
|
Start
|
Low
|
342
|
Francis Hutcheson (philosopher)
|
1,484
|
49
|
C
|
Mid
|
343
|
Neomodern
|
1,484
|
49
|
Start
|
Low
|
344
|
Late modernism
|
1,481
|
49
|
B
|
Low
|
345
|
Nelson Goodman
|
1,474
|
49
|
Start
|
Mid
|
346
|
Anthony Ashley-Cooper, 3rd Earl of Shaftesbury
|
1,451
|
48
|
B
|
Mid
|
347
|
Harmonices Mundi
|
1,448
|
48
|
Start
|
Low
|
348
|
Cellar door (phrase)
|
1,445
|
48
|
Redirect
|
NA
|
349
|
Aesthetics of music
|
1,431
|
47
|
Start
|
Low
|
350
|
Arthur Schopenhauer's aesthetics
|
1,418
|
47
|
C
|
Mid
|
351
|
Susanne Langer
|
1,416
|
47
|
C
|
Mid
|
352
|
Johann Friedrich Herbart
|
1,415
|
47
|
C
|
Mid
|
353
|
Crystal Cubism
|
1,366
|
45
|
B
|
Low
|
354
|
Feminist art
|
1,362
|
45
|
Start
|
Low
|
355
|
Zeami Motokiyo
|
1,341
|
44
|
C
|
Mid
|
356
|
Elaine Scarry
|
1,340
|
44
|
Start
|
Low
|
357
|
Hurufiyya movement
|
1,327
|
44
|
B
|
Low
|
358
|
The Origin of the Work of Art
|
1,322
|
44
|
C
|
Mid
|
359
|
Chinese musicology
|
1,318
|
43
|
B
|
Low
|
360
|
The Dialogic Imagination
|
1,294
|
43
|
C
|
Low
|
361
|
Joseph Kosuth
|
1,292
|
43
|
C
|
Low
|
362
|
The New Criterion
|
1,292
|
43
|
Start
|
Low
|
363
|
John Maeda
|
1,286
|
42
|
Start
|
Low
|
364
|
Practical philosophy
|
1,283
|
42
|
Stub
|
Low
|
365
|
Process art
|
1,283
|
42
|
Start
|
Low
|
366
|
Art manifesto
|
1,282
|
42
|
C
|
Mid
|
367
|
Romantic realism
|
1,280
|
42
|
C
|
Low
|
368
|
Motoori Norinaga
|
1,232
|
41
|
Start
|
Low
|
369
|
Nefer
|
1,230
|
41
|
Start
|
Low
|
370
|
Bracha L. Ettinger
|
1,225
|
40
|
B
|
Low
|
371
|
Painterliness
|
1,219
|
40
|
Start
|
Low
|
372
|
Georg Brandes
|
1,213
|
40
|
C
|
Low
|
373
|
Philosophy of music
|
1,207
|
40
|
C
|
Mid
|
374
|
Marxist aesthetics
|
1,203
|
40
|
Stub
|
Mid
|
375
|
Panic Movement
|
1,192
|
39
|
Stub
|
Low
|
376
|
Schopenhauer
|
1,184
|
39
|
Redirect
|
NA
|
377
|
Miyabi
|
1,163
|
38
|
Start
|
Low
|
378
|
Sound poetry
|
1,139
|
37
|
Start
|
Low
|
379
|
Giovanni Papini
|
1,139
|
37
|
C
|
Low
|
380
|
Rudolf Arnheim
|
1,125
|
37
|
B
|
Low
|
381
|
Kitsch movement
|
1,115
|
37
|
Start
|
Low
|
382
|
Authenticity in art
|
1,098
|
36
|
Start
|
Low
|
383
|
Early life and career of Thomas Jefferson
|
1,079
|
35
|
C
|
Low
|
384
|
William K. Wimsatt
|
1,078
|
35
|
Start
|
Low
|
385
|
The Sense of Beauty
|
1,077
|
35
|
Start
|
Low
|
386
|
Artistic merit
|
1,076
|
35
|
Start
|
Mid
|
387
|
Ridiculous
|
1,072
|
35
|
Start
|
Low
|
388
|
Richard Meltzer
|
1,067
|
35
|
Start
|
Low
|
389
|
Hans Pfitzner
|
1,059
|
35
|
Start
|
Low
|
390
|
Artforum
|
1,056
|
35
|
Start
|
Low
|
391
|
John Silber
|
1,050
|
35
|
Start
|
Low
|
392
|
Essentially contested concept
|
1,048
|
34
|
B
|
Low
|
393
|
Visual literacy
|
1,045
|
34
|
Start
|
Low
|
394
|
Florentine painting
|
1,035
|
34
|
C
|
Low
|
395
|
Max Black
|
1,027
|
34
|
Start
|
Mid
|
396
|
History of the concept of creativity
|
1,011
|
33
|
Start
|
Low
|
397
|
Objectivism (Ayn Rand)
|
1,001
|
33
|
Redirect
|
NA
|
398
|
Symbolism
|
994
|
33
|
Disambig
|
NA
|
399
|
Line of beauty
|
991
|
33
|
Stub
|
Low
|
400
|
Punk visual art
|
990
|
33
|
Start
|
Low
|
401
|
Michel Henry
|
976
|
32
|
B
|
Low
|
402
|
Psychology of art
|
975
|
32
|
Start
|
Low
|
403
|
Ludwig Tieck
|
957
|
31
|
Start
|
Low
|
404
|
Yūsuf Balasaguni
|
956
|
31
|
Stub
|
Mid
|
405
|
Auto-destructive art
|
955
|
31
|
Start
|
Low
|
406
|
Daniel-Henry Kahnweiler
|
937
|
31
|
Start
|
Low
|
407
|
Noël Carroll
|
923
|
30
|
Stub
|
Low
|
408
|
Hypermodernity
|
916
|
30
|
Start
|
Low
|
409
|
Aleksandar Lilov
|
907
|
30
|
Start
|
Low
|
410
|
Todd McGowan
|
902
|
30
|
Start
|
Low
|
411
|
Art car
|
897
|
29
|
Start
|
Low
|
412
|
Classical Realism
|
878
|
29
|
Start
|
Low
|
413
|
Soviet nonconformist art
|
852
|
28
|
C
|
Low
|
414
|
Self-portraiture
|
847
|
28
|
C
|
Low
|
415
|
Nicholas Wolterstorff
|
842
|
28
|
Start
|
Low
|
416
|
Papunya Tula
|
828
|
27
|
Start
|
Low
|
417
|
Mode (literature)
|
819
|
27
|
C
|
Low
|
418
|
Romanticism in philosophy
|
813
|
27
|
Start
|
Low
|
419
|
Eduard Hanslick
|
792
|
26
|
Start
|
Low
|
420
|
Avant-Garde and Kitsch
|
785
|
26
|
Start
|
Low
|
421
|
Béla Balázs
|
784
|
26
|
Start
|
Low
|
422
|
Lectures on Aesthetics
|
780
|
26
|
Stub
|
Mid
|
423
|
Bernard Bosanquet (philosopher)
|
767
|
25
|
C
|
Mid
|
424
|
Eli Siegel
|
765
|
25
|
B
|
Mid
|
425
|
Visual rhetoric
|
729
|
24
|
B
|
Low
|
426
|
Roman Ingarden
|
726
|
24
|
Start
|
Low
|
427
|
Victor Cousin
|
722
|
24
|
B
|
Low
|
428
|
List of French artistic movements
|
716
|
23
|
List
|
Low
|
429
|
Cyborg art
|
710
|
23
|
Start
|
Low
|
430
|
Post-conceptual art
|
683
|
22
|
C
|
Low
|
431
|
Souleymane Bachir Diagne
|
679
|
22
|
C
|
Low
|
432
|
Feminist art movement
|
670
|
22
|
Start
|
Low
|
433
|
Henry Home, Lord Kames
|
661
|
22
|
C
|
Mid
|
434
|
Hugh Kenner
|
654
|
21
|
C
|
Low
|
435
|
Tetsuro Watsuji
|
652
|
21
|
Start
|
Mid
|
436
|
Observations on the Feeling of the Beautiful and Sublime
|
651
|
21
|
C
|
Mid
|
437
|
Bay Area Figurative Movement
|
647
|
21
|
Start
|
Low
|
438
|
The Critic as Artist
|
640
|
21
|
Stub
|
Low
|
439
|
Inner Experience
|
629
|
20
|
Start
|
Mid
|
440
|
Depiction
|
627
|
20
|
C
|
Mid
|
441
|
Aesthetic emotions
|
625
|
20
|
Start
|
High
|
442
|
History of hermeneutics
|
620
|
20
|
Start
|
Low
|
443
|
Richard Wollheim
|
618
|
20
|
Start
|
Mid
|
444
|
Ptolemy's intense diatonic scale
|
617
|
20
|
C
|
Low
|
445
|
Funk art
|
616
|
20
|
Start
|
Low
|
446
|
List of aestheticians
|
615
|
20
|
List
|
Mid
|
447
|
Arts criticism
|
611
|
20
|
Stub
|
Mid
|
448
|
Theological aesthetics
|
608
|
20
|
Start
|
Low
|
449
|
Philosophy of design
|
608
|
20
|
Stub
|
Low
|
450
|
Tim Dean
|
602
|
20
|
Start
|
Low
|
451
|
Vittorio Hösle
|
602
|
20
|
C
|
Low
|
452
|
Community art
|
591
|
19
|
Start
|
Low
|
453
|
André Leroi-Gourhan
|
588
|
19
|
Start
|
Low
|
454
|
Neo-pop
|
584
|
19
|
Stub
|
Low
|
455
|
Denis Dutton
|
578
|
19
|
C
|
Mid
|
456
|
The Analysis of Beauty
|
575
|
19
|
Start
|
Low
|
457
|
Institutional Critique
|
574
|
19
|
Start
|
Low
|
458
|
Tudor Vianu
|
570
|
19
|
Start
|
Low
|
459
|
Paradox of fiction
|
565
|
18
|
C
|
Low
|
460
|
Paragone
|
560
|
18
|
Start
|
Low
|
461
|
Hippias Major
|
556
|
18
|
C
|
Mid
|
462
|
Dramatism
|
552
|
18
|
C
|
Low
|
463
|
Heroic realism
|
551
|
18
|
Start
|
Low
|
464
|
Adam Müller
|
548
|
18
|
C
|
Low
|
465
|
Humor research
|
545
|
18
|
Start
|
Mid
|
466
|
Coolhunting
|
538
|
17
|
Start
|
Low
|
467
|
Artistic integrity
|
537
|
17
|
C
|
Low
|
468
|
Philosophy of architecture
|
533
|
17
|
B
|
Low
|
469
|
Matthew Lipman
|
532
|
17
|
Stub
|
Low
|
470
|
Coleridge's theory of life
|
528
|
17
|
C
|
Low
|
471
|
The Literature of Exhaustion
|
521
|
17
|
Stub
|
Low
|
472
|
Alexander Nehamas
|
517
|
17
|
Start
|
Low
|
473
|
Unity in variety
|
514
|
17
|
C
|
Low
|
474
|
Outline of aesthetics
|
513
|
17
|
List
|
Low
|
475
|
Sara Danius
|
513
|
17
|
C
|
Low
|
476
|
Phonocentrism
|
512
|
17
|
Start
|
Low
|
477
|
Les Automatistes
|
499
|
16
|
Stub
|
Low
|
478
|
Charles Stevenson (philosopher)
|
496
|
16
|
Start
|
Mid
|
479
|
Vyacheslav Ivanov (poet)
|
493
|
16
|
C
|
Low
|
480
|
Dionysian imitatio
|
492
|
16
|
Stub
|
Low
|
481
|
Philosophy of film
|
484
|
16
|
Start
|
Mid
|
482
|
Aesthetic interpretation
|
479
|
15
|
Start
|
High
|
483
|
Stella Kramrisch
|
476
|
15
|
C
|
Low
|
484
|
Knave of Diamonds (arts association)
|
474
|
15
|
Stub
|
Low
|
485
|
Applied aesthetics
|
463
|
15
|
Start
|
Mid
|
486
|
The Romantic Manifesto
|
462
|
15
|
C
|
Low
|
487
|
Steven Shaviro
|
460
|
15
|
Start
|
Low
|
488
|
Pennsylvania Impressionism
|
453
|
15
|
Stub
|
Low
|
489
|
Systematic musicology
|
453
|
15
|
Start
|
Low
|
490
|
Levels of adequacy
|
452
|
15
|
Start
|
Low
|
491
|
Zoosemiotics
|
449
|
14
|
Start
|
Low
|
492
|
Wiener Moderne
|
443
|
14
|
Start
|
Low
|
493
|
Hypermodernism (art)
|
440
|
14
|
Start
|
Low
|
494
|
Monroe Beardsley
|
426
|
14
|
Stub
|
Low
|
495
|
New musicology
|
424
|
14
|
Start
|
Low
|
496
|
October (journal)
|
422
|
14
|
Start
|
Low
|
497
|
Kendall Walton
|
420
|
14
|
C
|
Low
|
498
|
Unitary urbanism
|
416
|
13
|
Start
|
Low
|
499
|
Medium specificity
|
413
|
13
|
Stub
|
Low
|
500
|
Cynical realism
|
412
|
13
|
Stub
|
Low
|
501
|
Moresque
|
411
|
13
|
Start
|
Low
|
502
|
Richard Shusterman
|
408
|
13
|
B
|
Low
|
503
|
György Lukács bibliography
|
408
|
13
|
List
|
Mid
|
504
|
Albert Caraco
|
408
|
13
|
Start
|
Low
|
505
|
Theodor Lipps
|
407
|
13
|
C
|
Low
|
506
|
Hypergraphy
|
403
|
13
|
C
|
Low
|
507
|
Aleksei Losev
|
400
|
13
|
Start
|
Low
|
508
|
Władysław Tatarkiewicz
|
399
|
13
|
Start
|
Low
|
509
|
Shūzō Kuki
|
398
|
13
|
Start
|
Low
|
510
|
Sean Dorrance Kelly
|
396
|
13
|
Start
|
Low
|
511
|
Neo-conceptual art
|
392
|
13
|
C
|
Low
|
512
|
Brian Boyd
|
388
|
12
|
Start
|
Low
|
513
|
Jesse Prinz
|
388
|
12
|
Stub
|
Mid
|
514
|
Carl Dahlhaus
|
387
|
12
|
B
|
Low
|
515
|
Figuration Libre
|
385
|
12
|
Stub
|
Low
|
516
|
Yabo
|
379
|
12
|
Stub
|
Low
|
517
|
Ludomusicology
|
378
|
12
|
Start
|
Low
|
518
|
Romanticism in Scotland
|
376
|
12
|
GA
|
Low
|
519
|
Dieter Henrich
|
374
|
12
|
Start
|
Mid
|
520
|
Epic and Novel
|
374
|
12
|
Start
|
Low
|
521
|
Danube school
|
366
|
12
|
C
|
Low
|
522
|
Feminist art movement in the United States
|
362
|
12
|
Start
|
Low
|
523
|
John Anderson (philosopher)
|
362
|
12
|
C
|
Low
|
524
|
Francesco de Sanctis
|
361
|
12
|
Stub
|
Low
|
525
|
Jean Grenier
|
358
|
11
|
Stub
|
Low
|
526
|
Nkiru Nzegwu
|
358
|
11
|
Stub
|
Low
|
527
|
Vladimir Odoyevsky
|
356
|
11
|
Start
|
Low
|
528
|
The Differend
|
356
|
11
|
Stub
|
Low
|
529
|
Utamakura
|
355
|
11
|
Start
|
Mid
|
530
|
Absurd
|
355
|
11
|
Disambig
|
NA
|
531
|
Liu Xiaofeng (academic)
|
354
|
11
|
Start
|
Low
|
532
|
Magnificence (history of ideas)
|
340
|
11
|
Start
|
Low
|
533
|
Birmingham Set
|
336
|
11
|
Start
|
Low
|
534
|
Medium essentialism
|
332
|
11
|
B
|
Low
|
535
|
Methexis
|
331
|
11
|
Stub
|
Low
|
536
|
Paul Guyer
|
329
|
10
|
Stub
|
Low
|
537
|
Medieval aesthetics
|
324
|
10
|
C
|
Low
|
538
|
Timeline of German idealism
|
316
|
10
|
Stub
|
Low
|
539
|
Metarealism
|
305
|
10
|
Start
|
Low
|
540
|
Du "Cubisme"
|
305
|
10
|
B
|
Low
|
541
|
Four Dissertations
|
304
|
10
|
Stub
|
Low
|
542
|
Michael Tanner
|
299
|
9
|
Stub
|
Low
|
543
|
Abstract illusionism
|
298
|
9
|
Stub
|
Low
|
544
|
Ancient aesthetics
|
297
|
9
|
Start
|
Low
|
545
|
Irrealism (the arts)
|
296
|
9
|
Start
|
Low
|
546
|
George Dickie (philosopher)
|
296
|
9
|
Stub
|
Low
|
547
|
Linguistic film theory
|
294
|
9
|
Stub
|
Low
|
548
|
Languages of Art
|
290
|
9
|
Stub
|
Low
|
549
|
The Oldest Systematic Program of German Idealism
|
289
|
9
|
Stub
|
Low
|
550
|
African aesthetic
|
284
|
9
|
Start
|
Mid
|
551
|
Wilhelm Heinrich Wackenroder
|
281
|
9
|
Start
|
Low
|
552
|
Digital sublime
|
281
|
9
|
Start
|
Low
|
553
|
Northwest School (art)
|
278
|
9
|
C
|
Low
|
554
|
Natural design
|
278
|
9
|
Stub
|
Low
|
555
|
Douglas Moggach
|
277
|
9
|
C
|
Low
|
556
|
Li Zehou
|
277
|
9
|
Start
|
Low
|
557
|
Léonce Rosenberg
|
275
|
9
|
C
|
Low
|
558
|
Street poster art
|
274
|
9
|
Start
|
Low
|
559
|
Stephen Davies (philosopher)
|
274
|
9
|
Start
|
Low
|
560
|
Karl Rosenkranz
|
272
|
9
|
Start
|
Low
|
561
|
Michael J. Shapiro
|
271
|
9
|
Start
|
Low
|
562
|
Jan Mukařovský
|
270
|
9
|
Start
|
Low
|
563
|
Friedrich Theodor Vischer
|
269
|
8
|
Start
|
Low
|
564
|
Joseph Margolis
|
268
|
8
|
C
|
Low
|
565
|
Imagines (work by Philostratus)
|
259
|
8
|
Stub
|
Low
|
566
|
Imitation (art)
|
257
|
8
|
Stub
|
Low
|
567
|
Beuron Art School
|
255
|
8
|
Start
|
Low
|
568
|
The Cubist Painters, Aesthetic Meditations
|
255
|
8
|
B
|
Low
|
569
|
Moscow Conceptualists
|
250
|
8
|
Stub
|
Low
|
570
|
Antwerp school
|
250
|
8
|
Start
|
Low
|
571
|
Marshall McLuhan bibliography
|
246
|
8
|
List
|
Low
|
572
|
Processing fluency theory of aesthetic pleasure
|
246
|
8
|
Start
|
Low
|
573
|
Cultural depictions of Thomas Jefferson
|
245
|
8
|
Start
|
Low
|
574
|
Irrealism (philosophy)
|
240
|
8
|
Start
|
Mid
|
575
|
Daniel Kolak
|
239
|
7
|
Start
|
Low
|
576
|
Psychic distance
|
236
|
7
|
Start
|
Mid
|
577
|
Morris Weitz
|
235
|
7
|
C
|
Mid
|
578
|
Johannes Volkelt
|
234
|
7
|
Stub
|
Low
|
579
|
Aesthetics of nature
|
232
|
7
|
Start
|
Low
|
580
|
Fernando González (writer)
|
231
|
7
|
C
|
Low
|
581
|
Nikolas Kompridis
|
231
|
7
|
C
|
Low
|
582
|
Essays, Moral, Political, and Literary
|
227
|
7
|
Stub
|
Low
|
583
|
The Literary Mind and the Carving of Dragons
|
226
|
7
|
Start
|
Mid
|
584
|
Edward Bullough
|
226
|
7
|
C
|
Mid
|
585
|
Iain Thomson
|
226
|
7
|
Stub
|
Low
|
586
|
Luigi Pareyson
|
223
|
7
|
Stub
|
Low
|
587
|
Taruho Inagaki
|
217
|
7
|
Stub
|
Low
|
588
|
Superfiction
|
215
|
7
|
Start
|
Low
|
589
|
Aesthetics of science
|
215
|
7
|
Stub
|
Low
|
590
|
Art theory
|
214
|
7
|
Redirect
|
NA
|
591
|
François Zourabichvili
|
213
|
7
|
Start
|
Low
|
592
|
Ontopoetics
|
209
|
6
|
C
|
Low
|
593
|
Yuriko Saito
|
208
|
6
|
Start
|
Low
|
594
|
Edmund Gurney
|
207
|
6
|
Start
|
Low
|
595
|
Tom Cohen
|
207
|
6
|
Stub
|
Low
|
596
|
Max Dessoir
|
206
|
6
|
Stub
|
Low
|
597
|
Henri Focillon
|
206
|
6
|
Stub
|
Low
|
598
|
Max Bense
|
206
|
6
|
Start
|
Low
|
599
|
Charles Batteux
|
205
|
6
|
Start
|
Low
|
600
|
Artistic revolution
|
204
|
6
|
Start
|
Low
|
601
|
Mikhail Lifshitz
|
204
|
6
|
C
|
Low
|
602
|
Robert Vischer
|
204
|
6
|
Stub
|
Low
|
603
|
Stephen Mumford
|
203
|
6
|
C
|
Low
|
604
|
Rotation method
|
203
|
6
|
Stub
|
Low
|
605
|
Claire Colebrook
|
203
|
6
|
Start
|
Mid
|
606
|
Thierry de Duve
|
202
|
6
|
Stub
|
Low
|
607
|
Roger de Piles
|
200
|
6
|
Start
|
Low
|
608
|
Christine Buci-Glucksmann
|
199
|
6
|
Start
|
Low
|
609
|
Paul Mattick Jr.
|
197
|
6
|
Stub
|
Low
|
610
|
Peter Kivy
|
196
|
6
|
Stub
|
Low
|
611
|
La Maison Cubiste
|
196
|
6
|
B
|
Low
|
612
|
Akira Asada
|
193
|
6
|
Stub
|
Low
|
613
|
Formal balance
|
191
|
6
|
Stub
|
Low
|
614
|
Lydia Goehr
|
190
|
6
|
Start
|
Low
|
615
|
Liu Xie
|
188
|
6
|
Stub
|
Low
|
616
|
Jerrold Levinson
|
187
|
6
|
Start
|
Low
|
617
|
Stephen Pepper
|
185
|
6
|
Start
|
Mid
|
618
|
Philosophy in a New Key
|
185
|
6
|
Stub
|
Low
|
619
|
Theodor W. Adorno bibliography
|
185
|
6
|
List
|
Mid
|
620
|
Metabasis paradox
|
185
|
6
|
C
|
Low
|
621
|
Feminist aesthetics
|
184
|
6
|
C
|
Low
|
622
|
Neo-primitivism
|
183
|
6
|
Redirect
|
NA
|
623
|
Truth claim (photography)
|
183
|
6
|
Start
|
Low
|
624
|
Acharya Vamana
|
183
|
6
|
Stub
|
Low
|
625
|
Margaret MacDonald (philosopher)
|
182
|
6
|
C
|
Low
|
626
|
Paul Crowther
|
180
|
6
|
Start
|
Low
|
627
|
Aesthetic relativism
|
177
|
5
|
Stub
|
High
|
628
|
Poet as legislator
|
174
|
5
|
Start
|
Low
|
629
|
Roger North (biographer)
|
173
|
5
|
Start
|
Low
|
630
|
Elegant
|
171
|
5
|
Redirect
|
NA
|
631
|
Andrew Bowie (philosopher)
|
169
|
5
|
Start
|
Low
|
632
|
Albrecht Wellmer
|
165
|
5
|
Start
|
Low
|
633
|
Thorsten Botz-Bornstein
|
165
|
5
|
Stub
|
Low
|
634
|
Emanuele Tesauro
|
163
|
5
|
B
|
Low
|
635
|
James Tartaglia
|
162
|
5
|
Start
|
Low
|
636
|
Gernot Böhme
|
161
|
5
|
Stub
|
Low
|
637
|
Black Artists Group
|
160
|
5
|
Stub
|
Low
|
638
|
Gregory Currie
|
157
|
5
|
Start
|
Low
|
639
|
Jerry Farber
|
154
|
5
|
Start
|
Low
|
640
|
Biographical fallacy
|
147
|
4
|
Start
|
Low
|
641
|
Peter Lamarque
|
147
|
4
|
Start
|
Low
|
642
|
Art and Scholasticism
|
144
|
4
|
Stub
|
Low
|
643
|
Index of aesthetics articles
|
141
|
4
|
List
|
High
|
644
|
Social information processing
|
141
|
4
|
Stub
|
Low
|
645
|
Stroganov school
|
140
|
4
|
Stub
|
Low
|
646
|
Albert (short story)
|
140
|
4
|
Stub
|
Low
|
647
|
Decadentism
|
139
|
4
|
Redirect
|
Low
|
648
|
Lectures and Conversations on Aesthetics, Psychology, and Religious Belief
|
139
|
4
|
Stub
|
Low
|
649
|
Ásta Kristjana Sveinsdóttir
|
138
|
4
|
Stub
|
Low
|
650
|
Art and morality
|
137
|
4
|
Start
|
Mid
|
651
|
Peter Trawny
|
136
|
4
|
Start
|
Low
|
652
|
Mario Perniola
|
134
|
4
|
C
|
Low
|
653
|
Karl Ameriks
|
133
|
4
|
Stub
|
Low
|
654
|
Tomonobu Imamichi
|
130
|
4
|
Start
|
Low
|
655
|
New York Figurative Expressionism
|
128
|
4
|
Start
|
Low
|
656
|
Curt John Ducasse
|
127
|
4
|
Stub
|
Low
|
657
|
Jody Azzouni
|
125
|
4
|
Stub
|
Low
|
658
|
Solomiia Pavlychko
|
125
|
4
|
Start
|
Low
|
659
|
Hubert Damisch
|
123
|
4
|
Stub
|
Low
|
660
|
On the Aesthetic Education of Man
|
123
|
4
|
Redirect
|
Low
|
661
|
Critical Essays (Orwell)
|
122
|
4
|
Start
|
Low
|
662
|
Rodolphe Gasché
|
121
|
4
|
Start
|
Low
|
663
|
Bill Martin (philosopher)
|
120
|
4
|
Stub
|
Low
|
664
|
Karl Wilhelm Ferdinand Solger
|
119
|
3
|
Start
|
Low
|
665
|
Wolfgang Fritz Haug
|
119
|
3
|
Start
|
Low
|
666
|
Frank Sibley (philosopher)
|
116
|
3
|
Start
|
Low
|
667
|
Isaac Passy
|
115
|
3
|
Stub
|
Low
|
668
|
Georg Friedrich Meier
|
115
|
3
|
Stub
|
Low
|
669
|
Adolfo Sánchez Vázquez
|
114
|
3
|
Stub
|
Low
|
670
|
Les Plasticiens
|
114
|
3
|
Start
|
Low
|
671
|
Valentin Feldman
|
112
|
3
|
Start
|
Low
|
672
|
Carlin Romano
|
110
|
3
|
Start
|
Low
|
673
|
Daya Krishna
|
107
|
3
|
Stub
|
Low
|
674
|
François Hemsterhuis
|
106
|
3
|
Start
|
Low
|
675
|
Georg Anton Friedrich Ast
|
105
|
3
|
Start
|
Low
|
676
|
David Prall
|
105
|
3
|
Start
|
Low
|
677
|
The Range of Reason
|
105
|
3
|
Stub
|
Mid
|
678
|
The Papers of Thomas Jefferson
|
105
|
3
|
Start
|
Low
|
679
|
Elisabeth Camp
|
103
|
3
|
C
|
Low
|
680
|
Ronald Paulson
|
102
|
3
|
Start
|
Low
|
681
|
Peter Goldie
|
102
|
3
|
Stub
|
Low
|
682
|
Female epic
|
102
|
3
|
Start
|
Low
|
683
|
Heinrich Gustav Hotho
|
101
|
3
|
Stub
|
Low
|
684
|
Virgil Aldrich
|
101
|
3
|
Start
|
Low
|
685
|
Adversarial Design
|
101
|
3
|
Start
|
Low
|
686
|
Jeremy J. Shapiro
|
100
|
3
|
Start
|
Low
|
687
|
Déprimisme
|
100
|
3
|
Stub
|
Low
|
688
|
Antonio Caso Andrade
|
100
|
3
|
Start
|
Mid
|
689
|
On Grace and Dignity
|
100
|
3
|
Stub
|
Low
|
690
|
Christopher Janaway
|
98
|
3
|
Stub
|
Low
|
691
|
Timothy Binkley
|
98
|
3
|
Stub
|
Low
|
692
|
Suspense fiction
|
98
|
3
|
Redirect
|
Low
|
693
|
Musical historicism
|
97
|
3
|
Start
|
Low
|
694
|
Institutional theory of art
|
97
|
3
|
Redirect
|
NA
|
695
|
David Carrier
|
97
|
3
|
Start
|
Low
|
696
|
John Rajchman
|
96
|
3
|
Stub
|
Low
|
697
|
Metaphysical aesthetics
|
95
|
3
|
C
|
Low
|
698
|
Fabienne Brugère
|
95
|
3
|
C
|
Low
|
699
|
Lessons on the Analytic of the Sublime
|
93
|
3
|
Stub
|
Mid
|
700
|
Louis Mink
|
92
|
3
|
Start
|
Low
|
701
|
Theodor Mundt
|
91
|
3
|
Start
|
Low
|
702
|
Alexander Gerard
|
91
|
3
|
Start
|
Low
|
703
|
What is a Masterpiece?
|
91
|
3
|
Start
|
Low
|
704
|
Spanish Eclecticism
|
90
|
3
|
Start
|
Low
|
705
|
Philip Wheelwright
|
90
|
3
|
Start
|
Low
|
706
|
The Journal of Aesthetics and Art Criticism
|
90
|
3
|
Stub
|
Low
|
707
|
Predrag Finci
|
89
|
2
|
Stub
|
Low
|
708
|
Ivan Soll
|
88
|
2
|
C
|
Low
|
709
|
Nadežda Čačinovič
|
88
|
2
|
Start
|
Low
|
710
|
Calvin Seerveld
|
86
|
2
|
Start
|
Low
|
711
|
Ivan Sviták
|
85
|
2
|
Start
|
Low
|
712
|
Abstract Imagists
|
84
|
2
|
Start
|
Low
|
713
|
Albert Hofstadter
|
79
|
2
|
Start
|
Low
|
714
|
Julius von Kirchmann
|
78
|
2
|
Stub
|
Low
|
715
|
Stupid (art movement)
|
76
|
2
|
Stub
|
Low
|
716
|
Visual ethics
|
76
|
2
|
Start
|
Low
|
717
|
Valentin Asmus (philosopher)
|
76
|
2
|
Start
|
Low
|
718
|
Panait Cerna
|
76
|
2
|
GA
|
Low
|
719
|
Geoffrey Galt Harpham
|
76
|
2
|
Stub
|
Low
|
720
|
Lev Kreft
|
76
|
2
|
Stub
|
Low
|
721
|
Herbert Morris (philosopher)
|
76
|
2
|
Stub
|
Low
|
722
|
The Longing for Less
|
76
|
2
|
Stub
|
Low
|
723
|
Rapture (aesthetics)
|
74
|
2
|
C
|
Low
|
724
|
Martin Foss
|
73
|
2
|
C
|
Low
|
725
|
Emily Brady
|
73
|
2
|
Stub
|
Low
|
726
|
Dadaglobe
|
72
|
2
|
B
|
Low
|
727
|
Al-Bu'd al-Wahad
|
72
|
2
|
C
|
Low
|
728
|
Literary merit
|
71
|
2
|
Redirect
|
Mid
|
729
|
Kunstreligion
|
70
|
2
|
Stub
|
Low
|
730
|
Philosophy and Literature
|
69
|
2
|
Stub
|
Low
|
731
|
Modular constructivism
|
69
|
2
|
Start
|
Low
|
732
|
Communication aesthetics
|
69
|
2
|
Start
|
Low
|
733
|
Aesthetic of Ugliness
|
69
|
2
|
Stub
|
Low
|
734
|
Vasily Seseman
|
69
|
2
|
Start
|
Low
|
735
|
Colin Radford
|
68
|
2
|
Stub
|
Low
|
736
|
Margret Grebowicz
|
68
|
2
|
Start
|
Low
|
737
|
Peter Serracino Inglott
|
67
|
2
|
Start
|
Low
|
738
|
Antanas Andrijauskas
|
66
|
2
|
Start
|
Low
|
739
|
Larry Shiner
|
66
|
2
|
Stub
|
Low
|
740
|
Giovanna Borradori
|
64
|
2
|
Stub
|
Low
|
741
|
List of art critics
|
64
|
2
|
List
|
Low
|
742
|
Karl Wilhelm Ramler
|
63
|
2
|
Stub
|
Low
|
743
|
Ewa Ziarek
|
63
|
2
|
Start
|
Low
|
744
|
Peter Lunenfeld
|
62
|
2
|
Start
|
Low
|
745
|
Volker Gerhardt
|
62
|
2
|
Stub
|
Low
|
746
|
American Society for Aesthetics
|
60
|
2
|
Stub
|
Low
|
747
|
Anna Tumarkin
|
60
|
2
|
B
|
Low
|
748
|
Masakazu Nakai
|
59
|
1
|
Stub
|
Low
|
749
|
José María Valverde
|
59
|
1
|
C
|
Low
|
750
|
Attractiveness
|
58
|
1
|
Redirect
|
NA
|
751
|
Michael Sprinker
|
56
|
1
|
Stub
|
Low
|
752
|
James M. Edie
|
56
|
1
|
Start
|
Low
|
753
|
Norbert-Bertrand Barbe
|
56
|
1
|
Start
|
Low
|
754
|
Cultura (journal)
|
56
|
1
|
Stub
|
Low
|
755
|
Robert Hopkins (philosopher)
|
56
|
1
|
Stub
|
Low
|
756
|
Art Deco in Durban
|
55
|
1
|
Start
|
Low
|
757
|
List of culturally linked qualities of music
|
54
|
1
|
List
|
Low
|
758
|
Catherine Perret
|
53
|
1
|
Stub
|
Low
|
759
|
Aloys Hirt
|
52
|
1
|
Start
|
Low
|
760
|
Rachida Triki
|
52
|
1
|
Start
|
Low
|
761
|
British Society of Aesthetics
|
52
|
1
|
Stub
|
Low
|
762
|
Thomas Munro (art historian)
|
51
|
1
|
Start
|
Mid
|
763
|
Inconnu Independent Art Group
|
50
|
1
|
Stub
|
Low
|
764
|
Melvin Rader
|
50
|
1
|
C
|
Low
|
765
|
Yiannis Psychopedis
|
49
|
1
|
Stub
|
Low
|
766
|
British Journal of Aesthetics
|
49
|
1
|
Stub
|
Low
|
767
|
Charles Lalo
|
49
|
1
|
Stub
|
Low
|
768
|
Ticio Escobar
|
49
|
1
|
C
|
Low
|
769
|
Rocío Orsi
|
49
|
1
|
Start
|
Low
|
770
|
John P. Anton
|
48
|
1
|
Stub
|
Low
|
771
|
Josefina Ayerza
|
48
|
1
|
Stub
|
Low
|
772
|
Elisabeth Schellekens
|
48
|
1
|
Stub
|
Low
|
773
|
Arnór Hannibalsson
|
48
|
1
|
Stub
|
Low
|
774
|
Federico Ferrari
|
48
|
1
|
Start
|
Low
|
775
|
Aesthetic absolutism
|
48
|
1
|
Start
|
High
|
776
|
Richard Eldridge
|
48
|
1
|
Stub
|
Low
|
777
|
Leonid Stolovich
|
47
|
1
|
Start
|
Low
|
778
|
D. I. Suchianu
|
47
|
1
|
B
|
Low
|
779
|
Ernst von Lasaulx
|
46
|
1
|
C
|
Low
|
780
|
Journal of Philosophy of Education
|
46
|
1
|
Stub
|
Low
|
781
|
Marcus Steinweg
|
46
|
1
|
Stub
|
Low
|
782
|
Eastern Group of Painters
|
45
|
1
|
Stub
|
Low
|
783
|
Ruth L. Saw
|
45
|
1
|
Start
|
Low
|
784
|
Léon Dumont
|
44
|
1
|
Start
|
Low
|
785
|
Julius Moravcsik
|
44
|
1
|
Start
|
Low
|
786
|
Dumitru D. Roșca
|
43
|
1
|
Stub
|
Low
|
787
|
Stephen David Ross
|
43
|
1
|
Stub
|
Low
|
788
|
Jacqueline Lichtenstein
|
43
|
1
|
Start
|
Low
|
789
|
Gloria Feman Orenstein
|
43
|
1
|
C
|
Low
|
790
|
Rachel Zuckert
|
42
|
1
|
Stub
|
Low
|
791
|
Józef Kremer
|
41
|
1
|
Start
|
Low
|
792
|
Dual-character concept
|
41
|
1
|
Stub
|
Low
|
793
|
James Creed Meredith
|
40
|
1
|
Start
|
Low
|
794
|
George Lansing Raymond
|
40
|
1
|
Start
|
Low
|
795
|
Warren Shibles
|
40
|
1
|
Stub
|
Low
|
796
|
Bernhard Alexander
|
40
|
1
|
Start
|
Low
|
797
|
Carmel Berkson
|
40
|
1
|
Stub
|
Low
|
798
|
Michael Krausz
|
39
|
1
|
Start
|
Low
|
799
|
Hermann Theodor Hettner
|
38
|
1
|
B
|
Low
|
800
|
Eddy Zemach
|
38
|
1
|
Stub
|
Low
|
801
|
Encyclopedia of Aesthetics
|
37
|
1
|
Start
|
Low
|
802
|
Caroline Joan S. Picart
|
37
|
1
|
C
|
Low
|
803
|
Charles Sirato
|
37
|
1
|
Start
|
Low
|
804
|
Art of murder
|
35
|
1
|
Disambig
|
NA
|
805
|
Helen Knight
|
35
|
1
|
Start
|
Low
|
806
|
Jovan Došenović
|
35
|
1
|
Start
|
Low
|
807
|
Daniel O. Nathan
|
35
|
1
|
Stub
|
Low
|
808
|
Dewitt H. Parker
|
34
|
1
|
Stub
|
Low
|
809
|
Alejandro Deustua
|
34
|
1
|
Stub
|
Low
|
810
|
Cynthia Nielsen
|
33
|
1
|
C
|
Low
|
811
|
Presentationism
|
32
|
1
|
Stub
|
Low
|
812
|
Second-order simulacra
|
32
|
1
|
Redirect
|
Low
|
813
|
Viktor Bychkov (philosopher)
|
32
|
1
|
C
|
Low
|
814
|
Galen Johnson
|
31
|
1
|
Stub
|
Low
|
815
|
Laurent Gervereau
|
31
|
1
|
Start
|
Low
|
816
|
Arto Haapala
|
30
|
1
|
Stub
|
Low
|
817
|
Max Loreau
|
30
|
1
|
Start
|
Low
|
818
|
Quirino Principe
|
29
|
0
|
Start
|
Low
|
819
|
RAAAF
|
29
|
0
|
Start
|
Low
|
820
|
Richard Müller-Freienfels
|
28
|
0
|
Stub
|
Low
|
821
|
Stephen H. Watson
|
28
|
0
|
Stub
|
Low
|
822
|
Curtis L. Carter
|
27
|
0
|
Stub
|
Low
|
823
|
Heinrich Lützeler
|
27
|
0
|
Start
|
Low
|
824
|
International Association of Empirical Aesthetics
|
24
|
0
|
Start
|
Low
|
825
|
Giuseppe Di Giacomo
|
24
|
0
|
Start
|
Low
|
826
|
Karl Heinrich Heydenreich
|
23
|
0
|
Stub
|
Low
|
827
|
John Mueller Anderson
|
23
|
0
|
Stub
|
Low
|
828
|
Zinaida Ignatyeva
|
22
|
0
|
Stub
|
Low
|
829
|
Nelson Thomas Potter Jr.
|
22
|
0
|
Start
|
Low
|
830
|
Rafaël Pividal
|
22
|
0
|
Start
|
Low
|
831
|
Jerry Balmuth
|
21
|
0
|
Start
|
Low
|
832
|
Tasos Zembylas
|
20
|
0
|
Stub
|
Low
|
833
|
Madeleine Doran
|
19
|
0
|
Stub
|
Low
|
834
|
International Society for Philosophy of Music Education
|
19
|
0
|
Stub
|
Low
|
835
|
Yacouba Konaté
|
19
|
0
|
Start
|
Low
|
836
|
Carl Günther Ludovici
|
19
|
0
|
C
|
Low
|
837
|
Aesthetic Theory: Essential Texts
|
19
|
0
|
Stub
|
Low
|
838
|
Menachem Brinker
|
19
|
0
|
Start
|
Low
|
839
|
Georg Mehlis
|
18
|
0
|
Stub
|
Low
|
840
|
Philippe Nys
|
18
|
0
|
Start
|
Low
|
841
|
Jill Marsden (scholar)
|
17
|
0
|
Stub
|
Low
|
842
|
Rupert Lodge
|
17
|
0
|
Stub
|
Low
|
843
|
Michel Guiomar
|
17
|
0
|
Stub
|
Low
|
844
|
Theodor Wilhelm Danzel
|
17
|
0
|
Stub
|
Low
|
845
|
Ferdinand Gotthelf Hand
|
16
|
0
|
Start
|
Low
|
846
|
Lonergan Institute
|
15
|
0
|
Stub
|
Low
|
847
|
Milan Damnjanović (philosopher)
|
15
|
0
|
Stub
|
Low
|
848
|
Formalesque
|
15
|
0
|
Start
|
Low
|
849
|
Géza Fodor (philosopher)
|
15
|
0
|
Stub
|
Low
|
850
|
Dato Barbakadze
|
15
|
0
|
Stub
|
Low
|
851
|
Concepts in aesthetics
|
15
|
0
|
Redirect
|
NA
|
852
|
Jean Soldini
|
14
|
0
|
Stub
|
Low
|
853
|
Sottorealism
|
14
|
0
|
Start
|
Low
|
854
|
Luis Oyarzún Peña
|
14
|
0
|
Start
|
Low
|
855
|
Archestratus (music theorist)
|
13
|
0
|
Start
|
Low
|
856
|
Ömer Naci Soykan
|
13
|
0
|
Start
|
Low
|
857
|
Contemporary Debates in Aesthetics and the Philosophy of Art
|
13
|
0
|
Stub
|
Low
|
858
|
Janet McCracken
|
12
|
0
|
Stub
|
Low
|
859
|
Maximilian Balzan
|
12
|
0
|
Stub
|
Low
|
860
|
Art versus Nonart: Art out of Mind
|
12
|
0
|
Start
|
Low
|
861
|
Jean Poirier (ethnologist)
|
12
|
0
|
Start
|
Low
|
862
|
Joseph Hillebrand
|
11
|
0
|
Stub
|
Low
|
863
|
Elena Topuridze
|
11
|
0
|
Start
|
Low
|
864
|
International Institute of Applied Aesthetics
|
11
|
0
|
Stub
|
Low
|
865
|
Littoral art
|
10
|
0
|
Stub
|
Low
|
866
|
Wilhelm Fridolin Volkmann
|
9
|
0
|
Stub
|
Low
|
867
|
Rainer Rochlitz
|
9
|
0
|
Stub
|
Low
|
868
|
Versatilist manifesto
|
9
|
0
|
Start
|
Low
|
869
|
Œuvre
|
8
|
0
|
Redirect
|
NA
|
870
|
Mikhail Ovsyannikov
|
8
|
0
|
Stub
|
Low
|
871
|
James DiGiovanna
|
7
|
0
|
Start
|
Low
|
872
|
Post-futurism
|
5
|
0
|
Redirect
|
Low
|
873
|
Interracial attraction
|
4
|
0
|
Redirect
|
Low
|
874
|
Worst sitcoms
|
3
|
0
|
Redirect
|
NA
|
875
|
Manifestations of postmodernism
|
2
|
0
|
Redirect
|
NA
|
876
|
Objectivism in Canada
|
1
|
0
|
Redirect
|
NA
|