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What exactly is meant by this legato marking, over a passage (start of the slow movement) marked with clear articulation that is evidently not a throughgoing legato?
Roy Howat somewhat cryptically remarks in doi: 10.1080/08145857.1995.10415263 that this needs to "be read more orchestrally"; I am not 100% sure what he means by this (maybe to make the phrasing clearer as a long line?). There's a similar occurrence in the first Entr'acte of Rosamunde (also by Schubert), as he points out. Double sharp ( talk) 12:47, 19 February 2021 (UTC)
By contrast, minute adjustments to the basic pulse allow Goode to distinguish legato and detached phrasings in the Con moto while maintaining a sense of long line.In a review of a recital by Evgeny Kissin, written by Jay Nordlinger, the reviewer is less specific, writing:
The “slow” movement of the sonata is a beautiful and clever creation, a great Schubert song, for one thing. I put “slow” in quotation marks because the movement is not exactly slow and is in fact marked “Con moto.” Kissin played it in an interesting, sensitive, and effective way. He was able to find a style between legato and detached. This is rare.-- Lambiam 00:29, 20 February 2021 (UTC)
What superheroes / supervillains have used two or more masked personae simultaneously?
I'm not looking for Hank Pym, whose handle (and powers) changed several times; nor Moon Knight, who has multiple unmasked personae. — Tamfang ( talk) 23:06, 19 February 2021 (UTC)
Entertainment desk | ||
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< February 18 | << Jan | February | Mar >> | Current desk > |
Welcome to the Wikipedia Entertainment Reference Desk Archives |
---|
The page you are currently viewing is a transcluded archive page. While you can leave answers for any questions shown below, please ask new questions on one of the current reference desk pages. |
What exactly is meant by this legato marking, over a passage (start of the slow movement) marked with clear articulation that is evidently not a throughgoing legato?
Roy Howat somewhat cryptically remarks in doi: 10.1080/08145857.1995.10415263 that this needs to "be read more orchestrally"; I am not 100% sure what he means by this (maybe to make the phrasing clearer as a long line?). There's a similar occurrence in the first Entr'acte of Rosamunde (also by Schubert), as he points out. Double sharp ( talk) 12:47, 19 February 2021 (UTC)
By contrast, minute adjustments to the basic pulse allow Goode to distinguish legato and detached phrasings in the Con moto while maintaining a sense of long line.In a review of a recital by Evgeny Kissin, written by Jay Nordlinger, the reviewer is less specific, writing:
The “slow” movement of the sonata is a beautiful and clever creation, a great Schubert song, for one thing. I put “slow” in quotation marks because the movement is not exactly slow and is in fact marked “Con moto.” Kissin played it in an interesting, sensitive, and effective way. He was able to find a style between legato and detached. This is rare.-- Lambiam 00:29, 20 February 2021 (UTC)
What superheroes / supervillains have used two or more masked personae simultaneously?
I'm not looking for Hank Pym, whose handle (and powers) changed several times; nor Moon Knight, who has multiple unmasked personae. — Tamfang ( talk) 23:06, 19 February 2021 (UTC)