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clamping an oval tube or pipe to another object can be difficult. Pipe clamps are not designed for this. The term "pipe clamp" refers instead to a system where the pipe is a channel or brace for the clamp assembly. Pipe clams are often used in woodworking. Joining tubes side to side: A band clamp consisting of a strong flexible strap and a method of tightening the strap is a simple way of clamping two tubes or pipes. Sticky sided tape (such as duck tape) falls into this category. The tape being the strap and the pull exerted by the applier as the tape is wrapped as the method of tightening. The disadvantage of the band clamp is that the entire clamping force is exerted at the point the tube contacts the other object. Depending on the physical properties of the tube the force generated can easily deform the tube. A better method is to distribute the force more evenly around the tubes such as with a worm clamp, U-Bolt, Saddle Clamps, or hinged clamps. still better is a soft polymer pad and attachment system such as Vermatic clamps ( http://www.vermatic.com/hose.htm) a polymer pad also acts as a shock absorber and can reduce vibrations due to pressure changes in the fluid.
Joining tubes end to end: http://www.morriscoupling.com/prod2.html
Sources71.106.200.34 00:32, 29 December 2006 (UTC) Comment - I'd like to accept this article - but it's not really clear from what you've written how this is different from a Pipe clamp or maybe from a Hose clamp. Since the word 'Pipe' and 'Tube' are more or less synonymous, it's hard to see what you are getting at. The article Clamp (tool) has a link to Tube clamps - but that was only added (by you) yesterday. There was no preceeding mention of Tube clamps - which worries me. Are you in fact talking about one of the other kinds of clamp listed there - for which an article may already exist under some other name? If you could perhaps explain in more detail - and provide some links to pictures of the various kinds you are talking about, that would help. SteveBaker 16:28, 29 December 2006 (UTC)
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Stanley H. Klein, born Oct 15, 1908 (died April 12, 1992) was a noted New York City Architect. The son of Hungarian immigrants, Ferdinand and Regina Neudorfer, he was a graduate of the Cooper Union for the Advancement of Science and Art and of New York University. Among his most well-known designs was the single family, six room house shown at the 1959 American exhibition in Moscow, where Richard Nixon and Soviet leader Nikita S. Khrushchev held their televised "Great Kitchen Debate." Designed to help the Soviet people get the feel of "an average American home", the home was similar to hundreds of homes he designed on Long Island and the NY metro area. Larger homes built in Jamaica, Queens, NY, and elsewhere featured a symmetrical colonial style; many of these larger brick homes still exist throughout Jamaica Estates and Queens. He also designed the Hillcrest Jewish Center, the Queensboro Jewish Center and Temple Beth Sholom, all in Queens, and the Pine Hollow Country Club Clubhouse. He was married for 50 years to the late Audrey Klein and had three children, the late Michael F. Klein, Roberta Klein, and David Klein, AIA.
SourcesNY Times website: http://query.nytimes.com/gst/fullpage.html?res=9E0CE3DF153FF934A25757C0A964958260 http://query.nytimes.com/gst/fullpage.html?res=950DE3DB133DF93BA25751C0A96F948260
72.75.72.181 02:36, 29 December 2006 (UTC)
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Mary Althaus was the host of Let's Learn Japanese Basic I, a 26-lesson series that teach the Japanese language. She was born in Cincinnati, Ohio, U.S.A. in 1947, and travelled to Japan in the 1960's. She is now a member of Tsuda College's English Department, where she specializes in the use of videos and documentaries to further students' English language skills. She has contributed to several publications including "The Actic Letters: Ume Tsuda's Correspondence to Her American Mother," (Nov. 1991), "Progressive Japanese-English Dictionary," & "Lighthouse English-Japanese Dictionary," (2002) & "One World English Writing." (2003)
Sources
204.83.230.90 02:53, 29 December 2006 (UTC)
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Wissam Nasrallah (born March 9, 1978) is a young lebanese singer who made several television appearances in Lebanon in the mid 80's. At 7 years old he was presented with an award for best singer in his age group by the television channel LBC. He mostly sang patriotic songs about his country and had several invitations to sing on tv programs, most notably on the popular show Wahat Al Awlad. SourcesSome of Wissam Nasrallah's tv performances can be viewed at:
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Since 1995, Wilson has held 25 solo exhibitions/screenings and 100 group exhibitions/screenings at notable galleries such as the Australian Centre for Contemporary Art (2006), Bilbao (2006), Centre for Contemporary Culture Barcelona (2006), Presidential Government of the Canary Islands (2006), Thailand New Media Arts Festival 05(2005), Australian Centre for the Moving Image (2005), Institute of Modern Art Brisbane (2004), 24hrArt: NT Centre for Contemporary Art (2004) and the Centre on Contemporary Art Seattle (2003). Wilson has delivered over 55 guest lectures on contemporary art and video art in Australia and Europe. He is currently working on three concurrent books: The Philosophy of Scale, The Philosophy of Objects and Mnemonic Safari: Digital Media and Locational Memory; and production of the Gothic memoria series I-VI (2006-07) comprised of 1000 video paintings filmed in Germany, UK, New Zealand and Australia.
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PaintingWilson trained and worked as a painter throughout the 1990s undertaking medium and large-scale oil on canvas and also acrylic on vinyl paintings which addressed two concurrent themes: first, the politicalization of the image in the mass media and second, the politicalization of narrative in the mass media. Influences are drawn from Italian Renaissance painters such as Caravaggio, Theodore Gericault, Goya, the political works of Andy Warhol, Robert Rauschenburg, and the butterfly paintings of Damien Hirst. Major series 1995-2000OJ Simpson Mugshots (1995-06): 59 small and medium sized paintings examining the politicalization of the image as portrait in the mass media using the O.J. Simpson mugshot as a thematic and conceptual device. L.A Drive-Inn (1996-97): 21 medium and large scale paintings based on Wilson’s first hand experience of Los Angeles in the several days that proceeded the LA riots in 1992. Millennium Bugs (1998): 48 medium and large-scale paintings with colourful screen printed bugs as a play to the (then) current issue of the Y2K bug. Bigotscapes (1998-99): 25 large scale paintings on coloured stretched vinyl reappropriating Australian impressionist landscape paintings, such as Tom Roberts and Author Streeton, to thereby respond to the role of landscape during the rise of nationalism in Australian minority political parties such as Pauline Hanson's One Nation. Popscapes (1999-2000): 128 small, medium and large-scale paintings that appropriated Australian post-war landscape paintings, such as Sidney Nolan and Authur Boyd, through candy-like, brightly coloured and thickly applied interventions into the picture plane. This further examined the changing nature of the Australian landscape in political art and its resultant dialogue with indigenous rights. MiniaturesWilson began three noted series of miniatures: Crash, Disasters of Small, and The Empire of Small.. These detailed works began as a response to the role of the scaled object in contemporary art and later evolved to embrace themes of memory and place through issues and tensions between narrativity. Materials used are both commercially manufactured model kits and scratch-built cardboard/plastic objects attached onto various types of vintage hard-cover books. Major series 2000-2006Crash (2000): 10 small dioramas depicting recreations of plane crashes and shipwrecks appropriated from iconic press images of the Titanic, Tenerife disaster, the 1986 Space Shuttle explosion and the Air France Flight 4590 crash in 2000. Disasters of Small (2001-02): 25 small dioramas responding to the miniaturisation of Jake and Dinos Chapman interpretation of Francisco Goya's Disasters of War etchings taking into account the affect of the Chapman’s conceptual dialogue of their zeitgeist approaches through contemporary art. These were exhibited at the Faculty Gallery, Monash University in September 2001. The Empire of Small series 1 (2002-04): 75 small dioramas mounted on vintage books found in op shops and second hand book stores responding to how memory and trauma inter-relate. Selected examples, such as the sub-series Bomber Command reconstruct aspects of memory and place through the hobby war diorama genre. Australian curator Malcom Bywaters describes these works as 'Dresden, Normandy, Iraq and 9/11 at maximum reality [1]. The complete installation was exhibited at the Academy gallery, Launceston in July 2004 and one individual diorama was exhibited in 2002 at the Centre on Contemporary Art Seattle, USA. The Empire of Small series 2 (2006-): 150 small dioramas mounted on vintage books found in op-shops and second hand bookstores responding to the notion of the ‘death of the book’ from digital media by reconstructing a conceptual reclaim of narrative structures using scale as a mode to articulate such themes of reductionism. A second series within this dialogue probes how narrative structures changed post 9/11 in the mass media and uses scale to measure this shift in its ensuing politicalization. Exhibition of this installation will be displayed in Australia and the US in 2009.
VideoartWilson began using video from 1998 onwards as a temporal response and extension to painting. Since 2004 he has produced over 200 video artworks under the title of Mememoria series, The Memory Palace series, Filmic Memorials series I-IV and Ubber Memoria I & II. These particular works that Wilson himself describes as ‘video paintings’ explore the nature of memory and place through the moving image and its subsequent affect on autobiographical memory. In these works, Wilson has deconstructed family home movies, vintage 8mm film, found 9mm film and from late 2006 onwards, incorporated these filmic images with High Definition Video ( HDV) to convey tensions of fractured memory. Film theorist Leon Marvell describes Wilson’s later work in Photofile as “an ambitious and exquisitely realised exploration of the tension between artefact and memory” [2] while other reviews, such as Diane Clausen in Realtime, have described his videoart as 'hypnotic'.[3] Filmic influences include Alfred Hitchcock, Michel Gondry and Oliver Hirschbiegel. Videoart influences include Brendan Lee, Bill Viola and Eija-Liisa Ahtila. Major series 2002-2007The Memory Palace (2002-05): 35 video art works that raise questions about the role of false memories in places of trauma described by Briony Lee Davies in Artlink as crafted with 'a deep sense of foreboding'.[4] Early works were screened at CAST, Hobart in 2003; ten works were exhibited at the Academy Gallery, Launceston in 2005; at the Institute of Modern Art Brisbane in its Small Black Box curated program; and its sister work, Gone screened at Bed Superclub at the Thailand New Media Arts Festival in 2005. Filmic Memorials series I (2004): 65 video art works that deconstruct vintage 8mm home movies derived from Wilson’s personal archive of family footage. Selected works were screened in 2005 at the Perth Institute of Contemporary Art, Perth; Hera Gallery, Rhode Island and at Federation Square during the Melbourne International Arts Festival 2005. Filmic Memorials series 2 (2004-05): 50 video art works that reappropriate mnemonic narratives with source footage from 8mm home movies. Selected works were screened in a video installation at the Memory Grid, Australian Centre for the Moving Image, Melbourne in 2005. In 2006 additional works were screened at the International Festival of Videoart of Valencia, Spain; the International Festival of Videoart Don Benito; and in Art Tech Media 06 at the Bilbao, Centre for Contemporary Culture Barcelona, Da2 Museum, Museum Centre of Contemporary Art (atrium), Vitoria, Parraga Centre, Murcia, Museum of Modern and Contemporary Art, Mallorca, National Museum Centre of Art Reina Sofia, Madrid and at Museum of Contemporary Art Fenosa Union, Coruna. Filmic Memorials series 3 (2005-06): 22 video art installations that question the role of memory in the visual dialogues set up by vintage home movies and the viewer. One noted installation was exhibited at the Australian Centre for Contemporary Art in New06, described by Luke Benadictus in the Sunday Age as 'being the barometer for the hottest emerging talent in the Australian art world'[5] and by Australian art critic Charles Green in Artforum.com as a 'spooky, noir, digital doctoring of family home-movie memories.'[6] Filmic Memorials series 4 (2006-): 10 video art installations that facilitate a merger between the miniature and vintage film. Ubber Memoria series 1 (2006): 25 video art works filmed in Germany in 2006 that reposition memory and art in a filmic context. Doug Church describes this series by saying that 'at first glance these works appear 'pretty' but as the duration of the video progresses one cannot help but feel discomforted by the Schizophrenic film speed coupled with the intrusive stares of the characters looking straight at the viewer. [7] Ubber Memoria series 2 (2006-): 35 video artworks filmed in Germany and the UK that dissect the role of the portrait in video art while at the same time question the affect of memory through places thus articulated through performative narratives. Gothic memoria series 1-6 (2007): 1000 video paintings exploring Gothic Romanticism through video art. These works are scheduled for filming in May 2007 onwards in the UK, Germany, France, New Zealand and Australia.
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Wilson was a curator at the Jackman Gallery in St.Kilda, Melbourne in 2000. Independant projects have included over 20 exhibitions in Melbourne, Seattle, Berlin and Hobart. These include Australian Gothic (2007) at Project Space/Spare Room, Melbourne and the Directors Lounge, Berlin (2007) and Post-Cinema touring Australia and Germany in 2007 and 2008. In 2006 Wilson established a curatorial project titled Vault Nine Contemporary Art, an online commercial gallery specialising in contemporary painting and videoart.
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Other appointments include the Co-ordinator of the Digital Cinema Research Group ( RMIT University), Co-coordinator of the Narrative and the Image Research Group ( RMIT University) and the Deputy Co-orinator of the Place Research Network ( University of Tasmania). In 2002 he was awarded the prestigious Australian Postgraduate Award to undertake doctoral study at the University of Tasmania. Wilson is currently the Program Co-ordinator: Higher Degrees by Research (MA and PhD) and Lecturer in Video, Experimental Video and Media Theory (Modernity/Postmodernity) in the School of Creative Media at
RMIT University.
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[2] Leon Marvell, 'Brendan Lee, Shaun Wilson, Alexandra Gillespie', Photofile, No. 76, Summer 2006, p.77 [3] Diane Klaosen, 'Seductive Talents', Realtime', June/July 2004, p.41 [4] Briony Lee Davis, ‘Boogy Jive and Bop’, Artlink, Vol.24, No.2 2004, p.84 [5] Luke Benedicts, ‘A Shot of the New’, The Sunday Age, Melbourne, March 26, 2006, pp.6-7 [6] Charles Green, 'New06', in Picks$, artforum.com, March 27, 2006. [7] Doug Church, 'Hearts of Darkness in the Australian Gothic', exhibition catalogue, Australian Gothic: video art now, Project Space/Spare Room, RMIT University, Melbourne, Feb 2007 [8] Malcom Bywaters, 'The Memory Palace: Family History and 1975’, NEW06, Australian Centre for Contemporary Art, Melbourne, 2006, pp.40-47
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Doug church 10:57, 29 December 2006 (UTC)
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Ulker is the most known brand in confectionary in Turkey. It is the market leader in most of the food segments, including biscuits, chocolate, chocolate covered bars, cake, etc. And it is one of the most known brand in Turkey with an annual income of 6,6 billion USD in 2005. Sourceswww.ulker.com.tr www.ntvmsnbc.com/news/394816.asp www.radikal.com.tr/haber.php?haberno=207998 yatirimci.akbank.com.tr/hissedetay.aspx?hisse=ULKER turkishgazete.com/news/detail.asp?iData=346&iCat=668&iChannel=1&nChannel=News www.tulumba.com/storeItemSrc.asp?flt=120&src=Ulker&t=Ulker whitepapers.techrepublic.com.com/whitepaper.aspx?docid=174768 www-306.ibm.com/software/success/cssdb.nsf/CS/DNSD-66JK27?OpenDocument&Site= wrightreports.ecnext.com/coms2/reportdesc_COMPANY_C796HV400 www.alacrastore.com/companysnapshot/2561823 www.ingentaconnect.com/content/sol/solj/2006/00000007/00000002/art00007;jsessionid=5vfbp8uqeb1l.alice 84.51.29.27 12:18, 29 December 2006 (UTC)
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Sources
http://www.imdb.com/name/nm0174759/
http://www.ennios.com/performers.htm
http://en.wikipedia.org/wiki/Frontline_%28Australian_TV_series%29#Network_employees
http://en.wikipedia.org/wiki/Image:Boris_Strangling_Celery.jpg
203.214.48.155 13:49, 29 December 2006 (UTC)
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Pham Ngu Lao (1255-1320)
Since he was small, he was agile and excellent in martial arts. In his essay "Notes taken on rainy days", Pham Dinh Ho described the meeting between him and Tran Hung Dao as followed: On that day, Hung Dao Vuong and his entourage were heading for the royal capital. There was a man sitting by the side of the road weaving a basket. When the vanguards approached to clear the way, he continued sitting patiently as if he did not notice anyone. When they used their lances to stab him into his thigh, he continued sitting without stirring. Seeing that, Hung Dao Vuong stopped and asked him questions, he then answered that he was thinking of a sentence in a military manual, so he did not notice anything. Knowing that he was a talented man, Hung Dao Vuong let him sit with him in his palanquin and left for the royal capital. Since then, he became a special guest of Hung Dao Vuong, who had fondness for him and married off his daughter to him. He also recommended Pham Ngu Lao to the royal court. In the two resistance wars against the Nguyen invaders (1285-1288), Pham Ngu Lao made many contributions. Under the reign of Tran Nhan Tong, he was in charge of the right back army. Under the reign of An Tong (in 1924), he followed Thuong Hoang to fight Ai Lao in Dao Long river. He took the position of Kiem Nghiem general in 1298 and Than Ve general in 1299. In 1301, he defeated the Ai Lao troops in Muong Lai and was promoted to Than Ve chief general. Under the reign of Minh Tong, in 1318, Chiem Thanh army staged an invasion; he led the army to defeat the enemy. He died in 1320 at the age of 66. The king ordered a five-day recess of court to mourn over him. Pham Ngu Lao is an excellent army general who trained his troops with strict disciplines. His career was renowned in the Tran dynasty. As Pham Ngu Lao's military career, wherever his troops came, their enemies were frightened. Pham Dinh Ho wrote about Pham Ngu Lao as followed: “When alive, Pham Ngu Lao was a chief general. When he died, he was titled a good genius. A temple of his worship was set up to replace his own house. He had a famous poem: Hoành sóc giang sơn cáp kỷ thu Tam quân kỳ hổ khí thôn Ngưu Nam nhi vị liễu công danh trái Tu thính nhân gian thuyết Vũ Hầu. (Practicing lance-dancing throughout the longevity of the country The army was strong enough to swallow the Buffalo star As a man, I have not completed my position and fame I am ashamed when listening to the story of Vu Hau) This poem was evidence of his strong mettle.” Pham Ngu Lao’s works include: Thuat hoai (extracted from Viet’s full poem collections). Funeral oration for Hung Dao Vuong (a god story of Phu Ung commune) Sources
65.122.21.226 17:23, 29 December 2006 (UTC)
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If you want to make changes and try again, copy and paste your article into a new submission and make your changes there. In 1995 they signed an international record deal with EMI. The band's debut single, 'Cradle', was released on Lime Records / EMI Records Ireland on 20th june 1997 and entered the Irish charts at No.18. On September 5 1997 Kaydee released 'Falling Down', the group's second single. Shortly afterwards Jan left the band and was replaced by Tara Egan-Langley ( eventually to become Tara Blaise) on vocals. Mark McCorry was now playing bass as Bob Murphy had already left the group a couple of months earlier. In April 1998 the group released their third single, "Mr. Sweeney", which had a sting section written by Will Malone who had worked with The Verve. Two more singles appeared, 'Seven Days' on July 3 1998, and a remix of 'Cradle' in August 1998. Both had Jan's Vocals replaced by Tara's. On August 17 1998, "Stop! I'm Doing It Again", the group's long awaited debut album, was released to critical acclaim, however the group announced that they were to spit up before the end of the year. DiscographySingles
Produced by Paul Staveley O'Duffy. CurrentSince the split, many of the members have been involved in music. The most well known is Tara, who has had a career since as Tara Blaise and has released several singles and albums. Bob and Jan Murphy (now married) have released an album with the group One Week Of Days in which they both sing and write and Kevin Bruce has played with a group called Muse Motel. Sourceskaydee page on irish music central - http://www.irishmusiccentral.com/kaydee/index.html one week of days lastfm page http://www.last.fm/music/one+week+of+days 87.192.81.49 17:40, 29 December 2006 (UTC)
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Each participating member of BTFC also maintains its own grantmaking program and, in some cases, patient information and advocacy program. These are accessible through their individual websites BTFC Member Websites. On March 14, 2006, the Brain Tumor Funders’ Collaborative announced results of their first joint funding initiative: three grants of $2 million each awarded to multi-institutional teams of researchers and clinicians to promote translation of scientific discoveries into effective new treatments for brain cancer patients. Press Release The eight members of the Brain Tumor Funders' Collaborative are:
SourcesSontag Foundation part of brain tumor foundation 66.137.204.37 18:26, 29 December 2006 (UTC)
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SourcesPublisher's Weekly
86.134.197.96 18:54, 29 December 2006 (UTC)
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The American Sanctuary Association is a 501(c)(3) nonprofit organization dedicated to providing guidelines for accepted exotic animal refuges and animal sanctuary's. These guidelines are to ensure that wonderful care and maintenance of accredited facilities is rigidly maintained. There are thousands of international rescue efforts that would all benefit from common practices and communal knowledge and assistance. That way when an animal is in need of relocation, transport, or rescue the appropriate facility will be in contact and of high quality. ASA acts similarly to the Association of Zoos and Aquariums but for refuges instead of zoos and government facilities. Tippi Hedren whose name is very common throughout hollywood is the founder and president of the organization. Her high standards are followed by many corresponding animal organizations throughout the US Some of the criterion for participating organizations require that the facility does not breed its animals. Exotics are high in number and the facilities that can afford to take them is very low comparatively. Breeding only increases the problem in captivity. Animal Sanctuaries and refuges must also maintain governement non profit tax exempt status to show that the facility is not making money, but using it solely to help the animals under its care. These requirements are just 2 of many that maintain high credibility as educational facilities and safe houses for needy wildlife.
Sourcesbook : The Cats of Shambala by Tippi Hedron ASA homepage
Sources
88.106.47.49 19:35, 29 December 2006 (UTC)
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Sourceshttp://www.chicago-l.org/operations/lines/purple.html 69.140.173.57 21:31, 29 December 2006 (UTC)
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Sourceshttp://www.trick-trick.com/#media http://www.mixtapekings.com/hiphop/djs/clinton_sparks-anger_management_3.asp http://www.myspace.com/tricktrickGS 84.69.133.107 22:52, 29 December 2006 (UTC)
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![[4]](http://www.chicago-l.org/operations/lines/images/line_maps/PurpleLine.jpg){kind=link}
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Sources
70.66.154.176 23:59, 29 December 2006 (UTC)
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They have a sound that may be described as punk rock or hardcore. They have toured and shared stages of the United States with many bands, including Fear Before The March Of Flames, VAUX, Rise Against, A Wilhelm Scream, Planes Mistaken For Stars, Horrorpops, Single File, and many others. They have also played the VANS Warped Tour. Love Me Destroyer's sophomore CD, entitled "The Things Around Us Burn" is set to be released January 30, 2007. It was produced by Brandon Proff of Fear Before The March Of Flames. current members: Scooter:vocals/guitar Taylor Harris:bass Ryan Welter:guitars/vocals Cody Hull:drums picture: http://www.lovemedestroyer.net/lmdowntown1.jpg www.lovemedestroyer.net www.myspace.com/lovemedestroyer
Sourceshttp://www.sitandspin.com/love-me-destroyer-the-things-around-us-burn-cd-p-1391.html http://www.badnews.co.jp/main/en/public/cgi-bin/artist_main.cgi?ses_id=&ad=1094541111 http://www.aversion.com/bands/reviews.cfm?f_id=1389 http://www.sonicbids.com/epk/epk.asp?epk_id=39031&cobrand=NEMO&skin_id=10 http://www.hapiskratch.net/store/product_info.php?products_id=540&osCsid=860b http://www.suburbanhomerecords.com
Lương Phúc Kỳ Thoại Maximilien, who sometimes goes by the names Keith, Joe, or just plain Max was (born
April 16,
1988 in
Bataan, Philippines) is a professional footballer who plays for the
Vietnam National Football Team; he is also the keyboardist and lyricists, and music writer for the band
Abnormal Frequency.
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Remedy Drive (formerly known as Remedy) is an all-brother, independent Christian rock band from Lincoln, Nebraska. It's members are Paul Zach, Daniel Zach, David Zach and Philip Zach. Together they own the company ZachAttack, Inc. The band has recorded 3 full length albums. They are (in order of publication) The Red One (2001), Magnify (2003) and Rip Open the Skies (2006). They have played at large festivals around the country such as lifelight and Godfest and have plyed along well known bands such as Sanctus Real, Casting Pearls, and Newsboys. Sources
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Sourceshttp://archives.seattletimes.nwsource.com/cgi-bin/texis.cgi/web/vortex/display?slug=ngor27&date=20040427 http://www.time.com/time/magazine/article/0,9171,1101911118-155910,00.html 12.72.28.135 05:55, 30 December 2006 (UTC)
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Opus Moreschi is a writer, actor and producer who has worked on many programs for MTv and Comedy Central. The most known shows he has been associated with are: The Late Late Show, The Tom Green Show and the up coming The Naked Trucker and T-Bones Show. YoMomma.com - Homepage To Opus Moreschi Height: 6'4" Weight: 185 lbs. Eyes: Hazel Hair: Curly brown ActingStage The 1999 Evvy Awards Last Funny Show Ever (Sketch) Arthur Writes a Play We Have To Do This! (Sketch) Snow Wiggies (Sketch) Pvt. Wars Hiawatha TV & Film The Late Late Show with Craig Kilborn Cheer Up A Goth The Fur and The Fury Eddie Food You Can't Blow Bubbles With Horse Tricks Special SkillsWriting, American Dialects, Physical Comedy, Improv, Stand-up. Training & EducationImprovisation - The Groundlings Comedy Training - Mike Bent Theatre Training - Emerson College Creative Arts Diploma in Acting - Watkinson School Hobbies, Talents, and InterestsAccomplished sketch comedy writer and performer, editor of Hyena humor magazine, stand-up comedian, spoken-word performer, screenwriter, web page designer, and improv comedian. This Information is used with permission by me from Yo Mommaa site built by and featuring Opus and his work. SourcesExternal linksYo Momma - Jokes, Stories and Comedy by Opus Moreschi 24.26.155.203 06:34, 30 December 2006 (UTC)
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TigerHeat is a popular Los Angeles club. It began as a gay club taking place weekly in a small venue. As it became well-known in the Hollywood club scene, though, it began to target a heterosexual audience as well. It eventually moved to Arena, a larger venue in West Hollywood. Since then, it has grown in popularity with ravers and 21+ clubgoers. It has become an important element of gay nightlife in West Hollywood, along with other clubs such as Rage and Micky's. Music is provided by DJ Ray Rhodes, and consists of radio-friendly pop, hip-hop and electronic hits. Attracting a diverse crowd, celebrties and personalities such as Alexis Arquette, Jackie Beat, Jeffree Star and Levi Meir Clancy. Sourceshttp://www.clubtigerheat.com/pressreleaseforJune302005.html http://www.myspace.com/clubtigerheat 76.169.227.207 10:16, 30 December 2006 (UTC)
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Sources219.74.234.29 10:57, 30 December 2006 (UTC)
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New York Commodities Exchange (COMEX) was an independent company that is now merged with New York Mercantile Exchange. See Nymex.
Sourceshttp://en.wikipedia.org/wiki/Nymex 202.83.41.74 13:54, 30 December 2006 (UTC)
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clamping an oval tube or pipe to another object can be difficult. Pipe clamps are not designed for this. The term "pipe clamp" refers instead to a system where the pipe is a channel or brace for the clamp assembly. Pipe clams are often used in woodworking. Joining tubes side to side: A band clamp consisting of a strong flexible strap and a method of tightening the strap is a simple way of clamping two tubes or pipes. Sticky sided tape (such as duck tape) falls into this category. The tape being the strap and the pull exerted by the applier as the tape is wrapped as the method of tightening. The disadvantage of the band clamp is that the entire clamping force is exerted at the point the tube contacts the other object. Depending on the physical properties of the tube the force generated can easily deform the tube. A better method is to distribute the force more evenly around the tubes such as with a worm clamp, U-Bolt, Saddle Clamps, or hinged clamps. still better is a soft polymer pad and attachment system such as Vermatic clamps ( http://www.vermatic.com/hose.htm) a polymer pad also acts as a shock absorber and can reduce vibrations due to pressure changes in the fluid.
Joining tubes end to end: http://www.morriscoupling.com/prod2.html
Sources71.106.200.34 00:32, 29 December 2006 (UTC) Comment - I'd like to accept this article - but it's not really clear from what you've written how this is different from a Pipe clamp or maybe from a Hose clamp. Since the word 'Pipe' and 'Tube' are more or less synonymous, it's hard to see what you are getting at. The article Clamp (tool) has a link to Tube clamps - but that was only added (by you) yesterday. There was no preceeding mention of Tube clamps - which worries me. Are you in fact talking about one of the other kinds of clamp listed there - for which an article may already exist under some other name? If you could perhaps explain in more detail - and provide some links to pictures of the various kinds you are talking about, that would help. SteveBaker 16:28, 29 December 2006 (UTC)
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Stanley H. Klein, born Oct 15, 1908 (died April 12, 1992) was a noted New York City Architect. The son of Hungarian immigrants, Ferdinand and Regina Neudorfer, he was a graduate of the Cooper Union for the Advancement of Science and Art and of New York University. Among his most well-known designs was the single family, six room house shown at the 1959 American exhibition in Moscow, where Richard Nixon and Soviet leader Nikita S. Khrushchev held their televised "Great Kitchen Debate." Designed to help the Soviet people get the feel of "an average American home", the home was similar to hundreds of homes he designed on Long Island and the NY metro area. Larger homes built in Jamaica, Queens, NY, and elsewhere featured a symmetrical colonial style; many of these larger brick homes still exist throughout Jamaica Estates and Queens. He also designed the Hillcrest Jewish Center, the Queensboro Jewish Center and Temple Beth Sholom, all in Queens, and the Pine Hollow Country Club Clubhouse. He was married for 50 years to the late Audrey Klein and had three children, the late Michael F. Klein, Roberta Klein, and David Klein, AIA.
SourcesNY Times website: http://query.nytimes.com/gst/fullpage.html?res=9E0CE3DF153FF934A25757C0A964958260 http://query.nytimes.com/gst/fullpage.html?res=950DE3DB133DF93BA25751C0A96F948260
72.75.72.181 02:36, 29 December 2006 (UTC)
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Mary Althaus was the host of Let's Learn Japanese Basic I, a 26-lesson series that teach the Japanese language. She was born in Cincinnati, Ohio, U.S.A. in 1947, and travelled to Japan in the 1960's. She is now a member of Tsuda College's English Department, where she specializes in the use of videos and documentaries to further students' English language skills. She has contributed to several publications including "The Actic Letters: Ume Tsuda's Correspondence to Her American Mother," (Nov. 1991), "Progressive Japanese-English Dictionary," & "Lighthouse English-Japanese Dictionary," (2002) & "One World English Writing." (2003)
Sources
204.83.230.90 02:53, 29 December 2006 (UTC)
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Wissam Nasrallah (born March 9, 1978) is a young lebanese singer who made several television appearances in Lebanon in the mid 80's. At 7 years old he was presented with an award for best singer in his age group by the television channel LBC. He mostly sang patriotic songs about his country and had several invitations to sing on tv programs, most notably on the popular show Wahat Al Awlad. SourcesSome of Wissam Nasrallah's tv performances can be viewed at:
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Since 1995, Wilson has held 25 solo exhibitions/screenings and 100 group exhibitions/screenings at notable galleries such as the Australian Centre for Contemporary Art (2006), Bilbao (2006), Centre for Contemporary Culture Barcelona (2006), Presidential Government of the Canary Islands (2006), Thailand New Media Arts Festival 05(2005), Australian Centre for the Moving Image (2005), Institute of Modern Art Brisbane (2004), 24hrArt: NT Centre for Contemporary Art (2004) and the Centre on Contemporary Art Seattle (2003). Wilson has delivered over 55 guest lectures on contemporary art and video art in Australia and Europe. He is currently working on three concurrent books: The Philosophy of Scale, The Philosophy of Objects and Mnemonic Safari: Digital Media and Locational Memory; and production of the Gothic memoria series I-VI (2006-07) comprised of 1000 video paintings filmed in Germany, UK, New Zealand and Australia.
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PaintingWilson trained and worked as a painter throughout the 1990s undertaking medium and large-scale oil on canvas and also acrylic on vinyl paintings which addressed two concurrent themes: first, the politicalization of the image in the mass media and second, the politicalization of narrative in the mass media. Influences are drawn from Italian Renaissance painters such as Caravaggio, Theodore Gericault, Goya, the political works of Andy Warhol, Robert Rauschenburg, and the butterfly paintings of Damien Hirst. Major series 1995-2000OJ Simpson Mugshots (1995-06): 59 small and medium sized paintings examining the politicalization of the image as portrait in the mass media using the O.J. Simpson mugshot as a thematic and conceptual device. L.A Drive-Inn (1996-97): 21 medium and large scale paintings based on Wilson’s first hand experience of Los Angeles in the several days that proceeded the LA riots in 1992. Millennium Bugs (1998): 48 medium and large-scale paintings with colourful screen printed bugs as a play to the (then) current issue of the Y2K bug. Bigotscapes (1998-99): 25 large scale paintings on coloured stretched vinyl reappropriating Australian impressionist landscape paintings, such as Tom Roberts and Author Streeton, to thereby respond to the role of landscape during the rise of nationalism in Australian minority political parties such as Pauline Hanson's One Nation. Popscapes (1999-2000): 128 small, medium and large-scale paintings that appropriated Australian post-war landscape paintings, such as Sidney Nolan and Authur Boyd, through candy-like, brightly coloured and thickly applied interventions into the picture plane. This further examined the changing nature of the Australian landscape in political art and its resultant dialogue with indigenous rights. MiniaturesWilson began three noted series of miniatures: Crash, Disasters of Small, and The Empire of Small.. These detailed works began as a response to the role of the scaled object in contemporary art and later evolved to embrace themes of memory and place through issues and tensions between narrativity. Materials used are both commercially manufactured model kits and scratch-built cardboard/plastic objects attached onto various types of vintage hard-cover books. Major series 2000-2006Crash (2000): 10 small dioramas depicting recreations of plane crashes and shipwrecks appropriated from iconic press images of the Titanic, Tenerife disaster, the 1986 Space Shuttle explosion and the Air France Flight 4590 crash in 2000. Disasters of Small (2001-02): 25 small dioramas responding to the miniaturisation of Jake and Dinos Chapman interpretation of Francisco Goya's Disasters of War etchings taking into account the affect of the Chapman’s conceptual dialogue of their zeitgeist approaches through contemporary art. These were exhibited at the Faculty Gallery, Monash University in September 2001. The Empire of Small series 1 (2002-04): 75 small dioramas mounted on vintage books found in op shops and second hand book stores responding to how memory and trauma inter-relate. Selected examples, such as the sub-series Bomber Command reconstruct aspects of memory and place through the hobby war diorama genre. Australian curator Malcom Bywaters describes these works as 'Dresden, Normandy, Iraq and 9/11 at maximum reality [1]. The complete installation was exhibited at the Academy gallery, Launceston in July 2004 and one individual diorama was exhibited in 2002 at the Centre on Contemporary Art Seattle, USA. The Empire of Small series 2 (2006-): 150 small dioramas mounted on vintage books found in op-shops and second hand bookstores responding to the notion of the ‘death of the book’ from digital media by reconstructing a conceptual reclaim of narrative structures using scale as a mode to articulate such themes of reductionism. A second series within this dialogue probes how narrative structures changed post 9/11 in the mass media and uses scale to measure this shift in its ensuing politicalization. Exhibition of this installation will be displayed in Australia and the US in 2009.
VideoartWilson began using video from 1998 onwards as a temporal response and extension to painting. Since 2004 he has produced over 200 video artworks under the title of Mememoria series, The Memory Palace series, Filmic Memorials series I-IV and Ubber Memoria I & II. These particular works that Wilson himself describes as ‘video paintings’ explore the nature of memory and place through the moving image and its subsequent affect on autobiographical memory. In these works, Wilson has deconstructed family home movies, vintage 8mm film, found 9mm film and from late 2006 onwards, incorporated these filmic images with High Definition Video ( HDV) to convey tensions of fractured memory. Film theorist Leon Marvell describes Wilson’s later work in Photofile as “an ambitious and exquisitely realised exploration of the tension between artefact and memory” [2] while other reviews, such as Diane Clausen in Realtime, have described his videoart as 'hypnotic'.[3] Filmic influences include Alfred Hitchcock, Michel Gondry and Oliver Hirschbiegel. Videoart influences include Brendan Lee, Bill Viola and Eija-Liisa Ahtila. Major series 2002-2007The Memory Palace (2002-05): 35 video art works that raise questions about the role of false memories in places of trauma described by Briony Lee Davies in Artlink as crafted with 'a deep sense of foreboding'.[4] Early works were screened at CAST, Hobart in 2003; ten works were exhibited at the Academy Gallery, Launceston in 2005; at the Institute of Modern Art Brisbane in its Small Black Box curated program; and its sister work, Gone screened at Bed Superclub at the Thailand New Media Arts Festival in 2005. Filmic Memorials series I (2004): 65 video art works that deconstruct vintage 8mm home movies derived from Wilson’s personal archive of family footage. Selected works were screened in 2005 at the Perth Institute of Contemporary Art, Perth; Hera Gallery, Rhode Island and at Federation Square during the Melbourne International Arts Festival 2005. Filmic Memorials series 2 (2004-05): 50 video art works that reappropriate mnemonic narratives with source footage from 8mm home movies. Selected works were screened in a video installation at the Memory Grid, Australian Centre for the Moving Image, Melbourne in 2005. In 2006 additional works were screened at the International Festival of Videoart of Valencia, Spain; the International Festival of Videoart Don Benito; and in Art Tech Media 06 at the Bilbao, Centre for Contemporary Culture Barcelona, Da2 Museum, Museum Centre of Contemporary Art (atrium), Vitoria, Parraga Centre, Murcia, Museum of Modern and Contemporary Art, Mallorca, National Museum Centre of Art Reina Sofia, Madrid and at Museum of Contemporary Art Fenosa Union, Coruna. Filmic Memorials series 3 (2005-06): 22 video art installations that question the role of memory in the visual dialogues set up by vintage home movies and the viewer. One noted installation was exhibited at the Australian Centre for Contemporary Art in New06, described by Luke Benadictus in the Sunday Age as 'being the barometer for the hottest emerging talent in the Australian art world'[5] and by Australian art critic Charles Green in Artforum.com as a 'spooky, noir, digital doctoring of family home-movie memories.'[6] Filmic Memorials series 4 (2006-): 10 video art installations that facilitate a merger between the miniature and vintage film. Ubber Memoria series 1 (2006): 25 video art works filmed in Germany in 2006 that reposition memory and art in a filmic context. Doug Church describes this series by saying that 'at first glance these works appear 'pretty' but as the duration of the video progresses one cannot help but feel discomforted by the Schizophrenic film speed coupled with the intrusive stares of the characters looking straight at the viewer. [7] Ubber Memoria series 2 (2006-): 35 video artworks filmed in Germany and the UK that dissect the role of the portrait in video art while at the same time question the affect of memory through places thus articulated through performative narratives. Gothic memoria series 1-6 (2007): 1000 video paintings exploring Gothic Romanticism through video art. These works are scheduled for filming in May 2007 onwards in the UK, Germany, France, New Zealand and Australia.
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Wilson was a curator at the Jackman Gallery in St.Kilda, Melbourne in 2000. Independant projects have included over 20 exhibitions in Melbourne, Seattle, Berlin and Hobart. These include Australian Gothic (2007) at Project Space/Spare Room, Melbourne and the Directors Lounge, Berlin (2007) and Post-Cinema touring Australia and Germany in 2007 and 2008. In 2006 Wilson established a curatorial project titled Vault Nine Contemporary Art, an online commercial gallery specialising in contemporary painting and videoart.
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Other appointments include the Co-ordinator of the Digital Cinema Research Group ( RMIT University), Co-coordinator of the Narrative and the Image Research Group ( RMIT University) and the Deputy Co-orinator of the Place Research Network ( University of Tasmania). In 2002 he was awarded the prestigious Australian Postgraduate Award to undertake doctoral study at the University of Tasmania. Wilson is currently the Program Co-ordinator: Higher Degrees by Research (MA and PhD) and Lecturer in Video, Experimental Video and Media Theory (Modernity/Postmodernity) in the School of Creative Media at
RMIT University.
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[2] Leon Marvell, 'Brendan Lee, Shaun Wilson, Alexandra Gillespie', Photofile, No. 76, Summer 2006, p.77 [3] Diane Klaosen, 'Seductive Talents', Realtime', June/July 2004, p.41 [4] Briony Lee Davis, ‘Boogy Jive and Bop’, Artlink, Vol.24, No.2 2004, p.84 [5] Luke Benedicts, ‘A Shot of the New’, The Sunday Age, Melbourne, March 26, 2006, pp.6-7 [6] Charles Green, 'New06', in Picks$, artforum.com, March 27, 2006. [7] Doug Church, 'Hearts of Darkness in the Australian Gothic', exhibition catalogue, Australian Gothic: video art now, Project Space/Spare Room, RMIT University, Melbourne, Feb 2007 [8] Malcom Bywaters, 'The Memory Palace: Family History and 1975’, NEW06, Australian Centre for Contemporary Art, Melbourne, 2006, pp.40-47
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Doug church 10:57, 29 December 2006 (UTC)
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Ulker is the most known brand in confectionary in Turkey. It is the market leader in most of the food segments, including biscuits, chocolate, chocolate covered bars, cake, etc. And it is one of the most known brand in Turkey with an annual income of 6,6 billion USD in 2005. Sourceswww.ulker.com.tr www.ntvmsnbc.com/news/394816.asp www.radikal.com.tr/haber.php?haberno=207998 yatirimci.akbank.com.tr/hissedetay.aspx?hisse=ULKER turkishgazete.com/news/detail.asp?iData=346&iCat=668&iChannel=1&nChannel=News www.tulumba.com/storeItemSrc.asp?flt=120&src=Ulker&t=Ulker whitepapers.techrepublic.com.com/whitepaper.aspx?docid=174768 www-306.ibm.com/software/success/cssdb.nsf/CS/DNSD-66JK27?OpenDocument&Site= wrightreports.ecnext.com/coms2/reportdesc_COMPANY_C796HV400 www.alacrastore.com/companysnapshot/2561823 www.ingentaconnect.com/content/sol/solj/2006/00000007/00000002/art00007;jsessionid=5vfbp8uqeb1l.alice 84.51.29.27 12:18, 29 December 2006 (UTC)
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Sources
http://www.imdb.com/name/nm0174759/
http://www.ennios.com/performers.htm
http://en.wikipedia.org/wiki/Frontline_%28Australian_TV_series%29#Network_employees
http://en.wikipedia.org/wiki/Image:Boris_Strangling_Celery.jpg
203.214.48.155 13:49, 29 December 2006 (UTC)
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Pham Ngu Lao (1255-1320)
Since he was small, he was agile and excellent in martial arts. In his essay "Notes taken on rainy days", Pham Dinh Ho described the meeting between him and Tran Hung Dao as followed: On that day, Hung Dao Vuong and his entourage were heading for the royal capital. There was a man sitting by the side of the road weaving a basket. When the vanguards approached to clear the way, he continued sitting patiently as if he did not notice anyone. When they used their lances to stab him into his thigh, he continued sitting without stirring. Seeing that, Hung Dao Vuong stopped and asked him questions, he then answered that he was thinking of a sentence in a military manual, so he did not notice anything. Knowing that he was a talented man, Hung Dao Vuong let him sit with him in his palanquin and left for the royal capital. Since then, he became a special guest of Hung Dao Vuong, who had fondness for him and married off his daughter to him. He also recommended Pham Ngu Lao to the royal court. In the two resistance wars against the Nguyen invaders (1285-1288), Pham Ngu Lao made many contributions. Under the reign of Tran Nhan Tong, he was in charge of the right back army. Under the reign of An Tong (in 1924), he followed Thuong Hoang to fight Ai Lao in Dao Long river. He took the position of Kiem Nghiem general in 1298 and Than Ve general in 1299. In 1301, he defeated the Ai Lao troops in Muong Lai and was promoted to Than Ve chief general. Under the reign of Minh Tong, in 1318, Chiem Thanh army staged an invasion; he led the army to defeat the enemy. He died in 1320 at the age of 66. The king ordered a five-day recess of court to mourn over him. Pham Ngu Lao is an excellent army general who trained his troops with strict disciplines. His career was renowned in the Tran dynasty. As Pham Ngu Lao's military career, wherever his troops came, their enemies were frightened. Pham Dinh Ho wrote about Pham Ngu Lao as followed: “When alive, Pham Ngu Lao was a chief general. When he died, he was titled a good genius. A temple of his worship was set up to replace his own house. He had a famous poem: Hoành sóc giang sơn cáp kỷ thu Tam quân kỳ hổ khí thôn Ngưu Nam nhi vị liễu công danh trái Tu thính nhân gian thuyết Vũ Hầu. (Practicing lance-dancing throughout the longevity of the country The army was strong enough to swallow the Buffalo star As a man, I have not completed my position and fame I am ashamed when listening to the story of Vu Hau) This poem was evidence of his strong mettle.” Pham Ngu Lao’s works include: Thuat hoai (extracted from Viet’s full poem collections). Funeral oration for Hung Dao Vuong (a god story of Phu Ung commune) Sources
65.122.21.226 17:23, 29 December 2006 (UTC)
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If you want to make changes and try again, copy and paste your article into a new submission and make your changes there. In 1995 they signed an international record deal with EMI. The band's debut single, 'Cradle', was released on Lime Records / EMI Records Ireland on 20th june 1997 and entered the Irish charts at No.18. On September 5 1997 Kaydee released 'Falling Down', the group's second single. Shortly afterwards Jan left the band and was replaced by Tara Egan-Langley ( eventually to become Tara Blaise) on vocals. Mark McCorry was now playing bass as Bob Murphy had already left the group a couple of months earlier. In April 1998 the group released their third single, "Mr. Sweeney", which had a sting section written by Will Malone who had worked with The Verve. Two more singles appeared, 'Seven Days' on July 3 1998, and a remix of 'Cradle' in August 1998. Both had Jan's Vocals replaced by Tara's. On August 17 1998, "Stop! I'm Doing It Again", the group's long awaited debut album, was released to critical acclaim, however the group announced that they were to spit up before the end of the year. DiscographySingles
Produced by Paul Staveley O'Duffy. CurrentSince the split, many of the members have been involved in music. The most well known is Tara, who has had a career since as Tara Blaise and has released several singles and albums. Bob and Jan Murphy (now married) have released an album with the group One Week Of Days in which they both sing and write and Kevin Bruce has played with a group called Muse Motel. Sourceskaydee page on irish music central - http://www.irishmusiccentral.com/kaydee/index.html one week of days lastfm page http://www.last.fm/music/one+week+of+days 87.192.81.49 17:40, 29 December 2006 (UTC)
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Each participating member of BTFC also maintains its own grantmaking program and, in some cases, patient information and advocacy program. These are accessible through their individual websites BTFC Member Websites. On March 14, 2006, the Brain Tumor Funders’ Collaborative announced results of their first joint funding initiative: three grants of $2 million each awarded to multi-institutional teams of researchers and clinicians to promote translation of scientific discoveries into effective new treatments for brain cancer patients. Press Release The eight members of the Brain Tumor Funders' Collaborative are:
SourcesSontag Foundation part of brain tumor foundation 66.137.204.37 18:26, 29 December 2006 (UTC)
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SourcesPublisher's Weekly
86.134.197.96 18:54, 29 December 2006 (UTC)
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The American Sanctuary Association is a 501(c)(3) nonprofit organization dedicated to providing guidelines for accepted exotic animal refuges and animal sanctuary's. These guidelines are to ensure that wonderful care and maintenance of accredited facilities is rigidly maintained. There are thousands of international rescue efforts that would all benefit from common practices and communal knowledge and assistance. That way when an animal is in need of relocation, transport, or rescue the appropriate facility will be in contact and of high quality. ASA acts similarly to the Association of Zoos and Aquariums but for refuges instead of zoos and government facilities. Tippi Hedren whose name is very common throughout hollywood is the founder and president of the organization. Her high standards are followed by many corresponding animal organizations throughout the US Some of the criterion for participating organizations require that the facility does not breed its animals. Exotics are high in number and the facilities that can afford to take them is very low comparatively. Breeding only increases the problem in captivity. Animal Sanctuaries and refuges must also maintain governement non profit tax exempt status to show that the facility is not making money, but using it solely to help the animals under its care. These requirements are just 2 of many that maintain high credibility as educational facilities and safe houses for needy wildlife.
Sourcesbook : The Cats of Shambala by Tippi Hedron ASA homepage
Sources
88.106.47.49 19:35, 29 December 2006 (UTC)
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Sourceshttp://www.chicago-l.org/operations/lines/purple.html 69.140.173.57 21:31, 29 December 2006 (UTC)
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Sourceshttp://www.trick-trick.com/#media http://www.mixtapekings.com/hiphop/djs/clinton_sparks-anger_management_3.asp http://www.myspace.com/tricktrickGS 84.69.133.107 22:52, 29 December 2006 (UTC)
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Sources
70.66.154.176 23:59, 29 December 2006 (UTC)
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They have a sound that may be described as punk rock or hardcore. They have toured and shared stages of the United States with many bands, including Fear Before The March Of Flames, VAUX, Rise Against, A Wilhelm Scream, Planes Mistaken For Stars, Horrorpops, Single File, and many others. They have also played the VANS Warped Tour. Love Me Destroyer's sophomore CD, entitled "The Things Around Us Burn" is set to be released January 30, 2007. It was produced by Brandon Proff of Fear Before The March Of Flames. current members: Scooter:vocals/guitar Taylor Harris:bass Ryan Welter:guitars/vocals Cody Hull:drums picture: http://www.lovemedestroyer.net/lmdowntown1.jpg www.lovemedestroyer.net www.myspace.com/lovemedestroyer
Sourceshttp://www.sitandspin.com/love-me-destroyer-the-things-around-us-burn-cd-p-1391.html http://www.badnews.co.jp/main/en/public/cgi-bin/artist_main.cgi?ses_id=&ad=1094541111 http://www.aversion.com/bands/reviews.cfm?f_id=1389 http://www.sonicbids.com/epk/epk.asp?epk_id=39031&cobrand=NEMO&skin_id=10 http://www.hapiskratch.net/store/product_info.php?products_id=540&osCsid=860b http://www.suburbanhomerecords.com
Lương Phúc Kỳ Thoại Maximilien, who sometimes goes by the names Keith, Joe, or just plain Max was (born
April 16,
1988 in
Bataan, Philippines) is a professional footballer who plays for the
Vietnam National Football Team; he is also the keyboardist and lyricists, and music writer for the band
Abnormal Frequency.
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Remedy Drive (formerly known as Remedy) is an all-brother, independent Christian rock band from Lincoln, Nebraska. It's members are Paul Zach, Daniel Zach, David Zach and Philip Zach. Together they own the company ZachAttack, Inc. The band has recorded 3 full length albums. They are (in order of publication) The Red One (2001), Magnify (2003) and Rip Open the Skies (2006). They have played at large festivals around the country such as lifelight and Godfest and have plyed along well known bands such as Sanctus Real, Casting Pearls, and Newsboys. Sources
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Sourceshttp://archives.seattletimes.nwsource.com/cgi-bin/texis.cgi/web/vortex/display?slug=ngor27&date=20040427 http://www.time.com/time/magazine/article/0,9171,1101911118-155910,00.html 12.72.28.135 05:55, 30 December 2006 (UTC)
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Opus Moreschi is a writer, actor and producer who has worked on many programs for MTv and Comedy Central. The most known shows he has been associated with are: The Late Late Show, The Tom Green Show and the up coming The Naked Trucker and T-Bones Show. YoMomma.com - Homepage To Opus Moreschi Height: 6'4" Weight: 185 lbs. Eyes: Hazel Hair: Curly brown ActingStage The 1999 Evvy Awards Last Funny Show Ever (Sketch) Arthur Writes a Play We Have To Do This! (Sketch) Snow Wiggies (Sketch) Pvt. Wars Hiawatha TV & Film The Late Late Show with Craig Kilborn Cheer Up A Goth The Fur and The Fury Eddie Food You Can't Blow Bubbles With Horse Tricks Special SkillsWriting, American Dialects, Physical Comedy, Improv, Stand-up. Training & EducationImprovisation - The Groundlings Comedy Training - Mike Bent Theatre Training - Emerson College Creative Arts Diploma in Acting - Watkinson School Hobbies, Talents, and InterestsAccomplished sketch comedy writer and performer, editor of Hyena humor magazine, stand-up comedian, spoken-word performer, screenwriter, web page designer, and improv comedian. This Information is used with permission by me from Yo Mommaa site built by and featuring Opus and his work. SourcesExternal linksYo Momma - Jokes, Stories and Comedy by Opus Moreschi 24.26.155.203 06:34, 30 December 2006 (UTC)
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TigerHeat is a popular Los Angeles club. It began as a gay club taking place weekly in a small venue. As it became well-known in the Hollywood club scene, though, it began to target a heterosexual audience as well. It eventually moved to Arena, a larger venue in West Hollywood. Since then, it has grown in popularity with ravers and 21+ clubgoers. It has become an important element of gay nightlife in West Hollywood, along with other clubs such as Rage and Micky's. Music is provided by DJ Ray Rhodes, and consists of radio-friendly pop, hip-hop and electronic hits. Attracting a diverse crowd, celebrties and personalities such as Alexis Arquette, Jackie Beat, Jeffree Star and Levi Meir Clancy. Sourceshttp://www.clubtigerheat.com/pressreleaseforJune302005.html http://www.myspace.com/clubtigerheat 76.169.227.207 10:16, 30 December 2006 (UTC)
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Sources219.74.234.29 10:57, 30 December 2006 (UTC)
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New York Commodities Exchange (COMEX) was an independent company that is now merged with New York Mercantile Exchange. See Nymex.
Sourceshttp://en.wikipedia.org/wiki/Nymex 202.83.41.74 13:54, 30 December 2006 (UTC)
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