The following is an archived discussion of the DYK nomination of the article below. Please do not modify this page. Subsequent comments should be made on the appropriate discussion page (such as
this nomination's talk page,
the article's talk page or
Wikipedia talk:Did you know), unless there is consensus to re-open the discussion at this page. No further edits should be made to this page.
The result was: promoted by
Theleekycauldron (
talk) 22:55, 2 October 2022 (UTC)
... that Cleonike Damianakes's 1920s book dust jacket designs "made sex respectable", but Hemingway did not like the "large misplaced breasts" on his A Farewell to Arms? Source:
First quote and
second quote from Leff, Hemingway and His Conspirators (1997)
ALT1: ... that Cleonike Damianakes's 1926 cover design for Ernest Hemingway's The Sun Also Rises(pictured) "breathed sex yet also evoked classical Greece"? Source: Leff, Hemingway and His Conspirators,
p. 51.
The following is an archived discussion of the DYK nomination of the article below. Please do not modify this page. Subsequent comments should be made on the appropriate discussion page (such as
this nomination's talk page,
the article's talk page or
Wikipedia talk:Did you know), unless there is consensus to re-open the discussion at this page. No further edits should be made to this page.
The result was: promoted by
Theleekycauldron (
talk) 22:55, 2 October 2022 (UTC)
... that Cleonike Damianakes's 1920s book dust jacket designs "made sex respectable", but Hemingway did not like the "large misplaced breasts" on his A Farewell to Arms? Source:
First quote and
second quote from Leff, Hemingway and His Conspirators (1997)
ALT1: ... that Cleonike Damianakes's 1926 cover design for Ernest Hemingway's The Sun Also Rises(pictured) "breathed sex yet also evoked classical Greece"? Source: Leff, Hemingway and His Conspirators,
p. 51.