I Me Mine has been listed as one of the
Music good articles under the
good article criteria. If you can improve it further,
please do so. If it no longer meets these criteria, you can
reassess it. Review: June 25, 2020. ( Reviewed version). |
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I Me Mine article. This is not a forum for general discussion of the article's subject. |
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Consensus per this RfC closure and this RfM closure is to use "the Beatles" mid-sentence. |
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Text and/or other creative content from this version of I Me Mine was copied or moved into I, Me, Mine (book) with this edit on 3 January 2013. The former page's history now serves to provide attribution for that content in the latter page, and it must not be deleted as long as the latter page exists. |
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Grammatically speaking, the phrase "I Me Mine" is a list of the nominative, objective, and possessive 1st person (singular) pronouns. How this can be incorporated into the article is beyond me. -- Mattbrundage 15:39, 13 October 2006 (UTC)
In the documentary Let It Be, Lennon likes the song, and begins waltzing with Yoko Ono to it... So while Lennon wasn't nessecarily there at the final recording, he was at least aware of the song and approved of it... If anyone can think of a way to fit that into the article, go ahead.
I came across this while going through some Infoboxes with folk-related genres. The infobox genre ref (Alan W. Pollack) describes it as "an interesting folk/blues stylistic hybrid with more than just a touch of the hard rocking waltz beat." I don't think this can be described by folk blues, which redirects to "Country blues". CB seems to be a catch-all for pre-WWII acoustic blues, with FB more associated with the 1950s–1960s revival movement. IMM is a more ambitious song that alternates between rockish waltz-time verses and a fairly straight blues rock chorus, which is more how the second genre ref (Andrew Hickey) describes it: "waltz-cum-hard-rock hybrid". Ian MacDonald describes it as a "Gallic waltz (complete with Piaf wobble) against a clamorous blues shuffle". I'd like to remove "folk blues", but it needs something more than just "hard rock" for a genre. There is a mention of ballad (Alan Smith). Any ideas? — Ojorojo ( talk) 23:31, 21 March 2018 (UTC)
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Reviewing |
Reviewer: Moisejp ( talk · contribs) 14:53, 8 June 2020 (UTC)
Hi. I'll review this article. Thanks.
Moisejp (
talk) 14:53, 8 June 2020 (UTC)
Comments:
Hi JG66, sorry this has been slow. Will try to finish off the review soon. Cheers, Moisejp ( talk) 01:10, 21 June 2020 (UTC)
Hi JG66. I'm almost done the review. Thanks for changing the bit about Yoko Ono. What you have now is definitely better than before, but I wonder whether it is still too negative. By contrasting "constant presence" with "creative freedom and camaraderie he had recently enjoyed" this implies that her presence was "objectively negative". If you would consider my suggestion ""the perceived intrusive presence [or perceived intrusion]" this clarifies that it was Harrison's (and perhaps McCartney's and Starr's) take on her presence. If it had been other people in the studio with her, it's very conceivable that not all of them would have had the same reaction. In any case, it is safer to keep it more neutral. Moisejp ( talk) 15:15, 24 June 2020 (UTC)
JG66, you make a convincing argument, and I think your suggestion probably helps. Let's go with it. Happy to pass this GA nomination. Moisejp ( talk) 14:31, 25 June 2020 (UTC)
I Me Mine has been listed as one of the
Music good articles under the
good article criteria. If you can improve it further,
please do so. If it no longer meets these criteria, you can
reassess it. Review: June 25, 2020. ( Reviewed version). |
This is the
talk page for discussing improvements to the
I Me Mine article. This is not a forum for general discussion of the article's subject. |
Article policies
|
Find sources: Google ( books · news · scholar · free images · WP refs) · FENS · JSTOR · TWL |
Consensus per this RfC closure and this RfM closure is to use "the Beatles" mid-sentence. |
This article is rated GA-class on Wikipedia's
content assessment scale. It is of interest to the following WikiProjects: | |||||||||||||||||||||
|
Text and/or other creative content from this version of I Me Mine was copied or moved into I, Me, Mine (book) with this edit on 3 January 2013. The former page's history now serves to provide attribution for that content in the latter page, and it must not be deleted as long as the latter page exists. |
This article links to one or more target anchors that no longer exist.
Please help fix the broken anchors. You can remove this template after fixing the problems. |
Reporting errors |
Grammatically speaking, the phrase "I Me Mine" is a list of the nominative, objective, and possessive 1st person (singular) pronouns. How this can be incorporated into the article is beyond me. -- Mattbrundage 15:39, 13 October 2006 (UTC)
In the documentary Let It Be, Lennon likes the song, and begins waltzing with Yoko Ono to it... So while Lennon wasn't nessecarily there at the final recording, he was at least aware of the song and approved of it... If anyone can think of a way to fit that into the article, go ahead.
I came across this while going through some Infoboxes with folk-related genres. The infobox genre ref (Alan W. Pollack) describes it as "an interesting folk/blues stylistic hybrid with more than just a touch of the hard rocking waltz beat." I don't think this can be described by folk blues, which redirects to "Country blues". CB seems to be a catch-all for pre-WWII acoustic blues, with FB more associated with the 1950s–1960s revival movement. IMM is a more ambitious song that alternates between rockish waltz-time verses and a fairly straight blues rock chorus, which is more how the second genre ref (Andrew Hickey) describes it: "waltz-cum-hard-rock hybrid". Ian MacDonald describes it as a "Gallic waltz (complete with Piaf wobble) against a clamorous blues shuffle". I'd like to remove "folk blues", but it needs something more than just "hard rock" for a genre. There is a mention of ballad (Alan Smith). Any ideas? — Ojorojo ( talk) 23:31, 21 March 2018 (UTC)
GA toolbox |
---|
Reviewing |
Reviewer: Moisejp ( talk · contribs) 14:53, 8 June 2020 (UTC)
Hi. I'll review this article. Thanks.
Moisejp (
talk) 14:53, 8 June 2020 (UTC)
Comments:
Hi JG66, sorry this has been slow. Will try to finish off the review soon. Cheers, Moisejp ( talk) 01:10, 21 June 2020 (UTC)
Hi JG66. I'm almost done the review. Thanks for changing the bit about Yoko Ono. What you have now is definitely better than before, but I wonder whether it is still too negative. By contrasting "constant presence" with "creative freedom and camaraderie he had recently enjoyed" this implies that her presence was "objectively negative". If you would consider my suggestion ""the perceived intrusive presence [or perceived intrusion]" this clarifies that it was Harrison's (and perhaps McCartney's and Starr's) take on her presence. If it had been other people in the studio with her, it's very conceivable that not all of them would have had the same reaction. In any case, it is safer to keep it more neutral. Moisejp ( talk) 15:15, 24 June 2020 (UTC)
JG66, you make a convincing argument, and I think your suggestion probably helps. Let's go with it. Happy to pass this GA nomination. Moisejp ( talk) 14:31, 25 June 2020 (UTC)