Odia script | ପଞ୍ଚମ ବରାଡ଼ି |
---|---|
Melā | Panchama Baradi |
Jati | Bakra Sampurna |
Badi | Panchama |
Sambadi | Sadaja |
Panchama Baradi ( Odia: ପଞ୍ଚମ ବରାଡ଼ି, romanized: panchama barādi) is a rāga belonging to the tradition of Odissi music. [1] [2] [3] Falling under the meḷa of the same name, [4] the raga uses all twelve swaras and is traditionally associated with the karuṇa rasa. [5] It is said to be a composite of the ragas Panchama and Baradi.
An ancient raga, Panchama Baradi has been used by hundreds of poet-composers for well-over the past many centuries. [6] The raga is sampurna or heptatonic in its aroha and abaroha (ascent and descent). Its aroha-abaroha are bakra or nonlinear.
The raga dwells or does nyasa on the gandhara, as per tradition and evokes a solemn mood. [7]
Oṛiśī Sangīta |
Odissi music |
---|
Composers |
Shāstras |
Compositions |
Instruments |
Some of the well-known traditional compositions in this raga include :
{{
cite book}}
: CS1 maint: location missing publisher (
link)
Odia script | ପଞ୍ଚମ ବରାଡ଼ି |
---|---|
Melā | Panchama Baradi |
Jati | Bakra Sampurna |
Badi | Panchama |
Sambadi | Sadaja |
Panchama Baradi ( Odia: ପଞ୍ଚମ ବରାଡ଼ି, romanized: panchama barādi) is a rāga belonging to the tradition of Odissi music. [1] [2] [3] Falling under the meḷa of the same name, [4] the raga uses all twelve swaras and is traditionally associated with the karuṇa rasa. [5] It is said to be a composite of the ragas Panchama and Baradi.
An ancient raga, Panchama Baradi has been used by hundreds of poet-composers for well-over the past many centuries. [6] The raga is sampurna or heptatonic in its aroha and abaroha (ascent and descent). Its aroha-abaroha are bakra or nonlinear.
The raga dwells or does nyasa on the gandhara, as per tradition and evokes a solemn mood. [7]
Oṛiśī Sangīta |
Odissi music |
---|
Composers |
Shāstras |
Compositions |
Instruments |
Some of the well-known traditional compositions in this raga include :
{{
cite book}}
: CS1 maint: location missing publisher (
link)