Odia script | ବରାଡ଼ି |
---|---|
Melā | Baradi |
Jati | Sampurna - Sampurna |
Badi | Gandhara |
Sambadi | Nisada |
Anga Ragas | Desa Baradi, Mangala Baradi |
Allied Ragas | Ramakeri |
Baradi ( Odia: ବରାଡ଼ି, romanized: barādi) is a rāga belonging to the tradition of Odissi music. [1] [2] [3] Falling under the meḷa Barādi, [4] the raga uses komala rusabha, komala dhaibata and tibra madhyama swaras and is traditionally associated with the karuṇa rasa. [5] The raga is mentioned in treatises such as the Gita Prakasa [6] and Sangita Narayana. [7] [5] This raga has been used by the 12th-century Odia composer Jayadeva in his Gita Govinda along with its angaraga Desa Barādi. [8]
An ancient raga, Baradi has been used by hundreds of poet-composers for well-over the past many centuries. [9] The raga is sampurna or heptatonic in its aroha and abaroha (ascent and descent). Its aroha-abaroha are given below :
Aroha : S r G M P d N S
Abaroha : S N d P M G r S
The raga dwells or does nyasa on the gandhara, as per tradition and evokes a solemn mood. [8]
Oṛiśī Sangīta |
Odissi music |
---|
![]() |
Composers |
Shāstras |
Compositions |
Instruments |
Some of the well-known traditional compositions in this raga include :
{{
cite book}}
: CS1 maint: location missing publisher (
link)
Odia script | ବରାଡ଼ି |
---|---|
Melā | Baradi |
Jati | Sampurna - Sampurna |
Badi | Gandhara |
Sambadi | Nisada |
Anga Ragas | Desa Baradi, Mangala Baradi |
Allied Ragas | Ramakeri |
Baradi ( Odia: ବରାଡ଼ି, romanized: barādi) is a rāga belonging to the tradition of Odissi music. [1] [2] [3] Falling under the meḷa Barādi, [4] the raga uses komala rusabha, komala dhaibata and tibra madhyama swaras and is traditionally associated with the karuṇa rasa. [5] The raga is mentioned in treatises such as the Gita Prakasa [6] and Sangita Narayana. [7] [5] This raga has been used by the 12th-century Odia composer Jayadeva in his Gita Govinda along with its angaraga Desa Barādi. [8]
An ancient raga, Baradi has been used by hundreds of poet-composers for well-over the past many centuries. [9] The raga is sampurna or heptatonic in its aroha and abaroha (ascent and descent). Its aroha-abaroha are given below :
Aroha : S r G M P d N S
Abaroha : S N d P M G r S
The raga dwells or does nyasa on the gandhara, as per tradition and evokes a solemn mood. [8]
Oṛiśī Sangīta |
Odissi music |
---|
![]() |
Composers |
Shāstras |
Compositions |
Instruments |
Some of the well-known traditional compositions in this raga include :
{{
cite book}}
: CS1 maint: location missing publisher (
link)