Milarepa | |
---|---|
Directed by | Liliana Cavani |
Written by | Liliana Cavani Italo Moscati |
Starring |
Lajos Balázsovits Paolo Bonacelli Marisa Fabbri |
Cinematography | Armando Nannuzzi |
Edited by | Franco Arcalli |
Music by | Daniele Paris |
Production companies |
|
Distributed by | RAI |
Release dates | |
Running time | 113 minutes |
Country | Italy |
Languages | Italian Vietnamese |
Milarepa is a 1973 Italian drama film directed by Liliana Cavani. [1] [2] The film tells the story of the famous Tibetan yogi and poet Milarepa.
Milarepa was shot in Abruzzo in autumn 1972 and premiered in Pistoia, Italy, on 28 December 1973. [1] It was released in January 1974 and aired on television in June the same year. [1]
The film was screened in competition at the 1974 Cannes Film Festival. [1] [3]
Milarepa received mostly positive reviews by Italian critics, including Pier Paolo Pasolini (who titled it a "truly beautiful film"), Alberto Moravia and Lino Miccichè. [1] Still, some reviewers were critical of the film, like Francesco Savio of Il mondo, who dismissed it as "unnecessary" and "purely decorative". [1]
Milarepa | |
---|---|
Directed by | Liliana Cavani |
Written by | Liliana Cavani Italo Moscati |
Starring |
Lajos Balázsovits Paolo Bonacelli Marisa Fabbri |
Cinematography | Armando Nannuzzi |
Edited by | Franco Arcalli |
Music by | Daniele Paris |
Production companies |
|
Distributed by | RAI |
Release dates | |
Running time | 113 minutes |
Country | Italy |
Languages | Italian Vietnamese |
Milarepa is a 1973 Italian drama film directed by Liliana Cavani. [1] [2] The film tells the story of the famous Tibetan yogi and poet Milarepa.
Milarepa was shot in Abruzzo in autumn 1972 and premiered in Pistoia, Italy, on 28 December 1973. [1] It was released in January 1974 and aired on television in June the same year. [1]
The film was screened in competition at the 1974 Cannes Film Festival. [1] [3]
Milarepa received mostly positive reviews by Italian critics, including Pier Paolo Pasolini (who titled it a "truly beautiful film"), Alberto Moravia and Lino Miccichè. [1] Still, some reviewers were critical of the film, like Francesco Savio of Il mondo, who dismissed it as "unnecessary" and "purely decorative". [1]