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English: 1 print : woodcut, color. Print shows the Russian Tsar Nicholas II waking from a nightmare showing the battered and wounded military equipment of the Russian forces returning (in defeat) from battle with the Japanese.
Series title:Nihon manzai - A selection of the best one hundred laughters
Ghosts from the crushing defeat
by Koppi Dōjin
Caption: Not a single win had the Russian Navy and Army but full of flat and crushing defeats in the battles against the Japanse Force. Keeping their defeats secret from their home, they constantly conveyed false reports. The apparatus used by the Russians --- the battleship, the cannon, the locomotive and the telegraph --- were so fed up and went home to show the reality. Battleship: "Here I am the battleship. I got destroyed by the Japanese forces, now here's how I look like." Cannon: "Me I am the cannon. I got heavily attacked by the Japanese forces and became so a crippled style like this, so that no one can recognize what I am." "Me too, me too," follows the locomotive and the telegraph. All of them heavily deformed and nearly wiped out, wrapped with bandages or carrying crutches, the apparatus reported every details of the defeats. A Russian noble (Nicholas II), learning (of) the total defeat for the first time said: "Hmmm, not even the reports we had so far were very much victorious, but I did not realize we were losing that badly. Well, it's too late anyways; sorry I am, but just be injured guys."
Türkçe: Nihon Banzai Hyakusen Hyakushō ("
Japonya Yaşasın, Yüz kez gülümsemenin yüz seçimli resim") serisinden Mecha Make no Bōrei ("Ağır hezimetin hayaletleri") adlı eser;
Rus-Japon Savaşı'nda cephede yenilen ağır hezimetleri memleketlerinden gizledikleri için savaş gemisi, top, iletişim araçlarının bizzat
Rusya'ya (resimdeki kişi muhtemelen
II. Nikolay'dır) geri dönüp rapor verdiğini göstermektedir. "Hyakusen Hyakushō" kelimesi, "Yüz kez savaşıp yüz kez kazanmak" anlamına da gelmektedir (Çizim:
Kobayashi Kiyochika, yazı: Koppi Dōjin.
Date
or 1905
date QS:P,+1904-00-00T00:00:00Z/8,P1319,+1904-00-00T00:00:00Z/9,P1326,+1905-00-00T00:00:00Z/9
This is a featured picture on the English language Wikipedia (
Featured pictures) and is considered one of the finest images. See its nomination
here. This is a featured picture on the Turkish language Wikipedia (
Seçkin resimler) and is considered one of the finest images. See its nomination
here.
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nominate it.
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According to Japanese
Copyright Law (June 1, 2018 grant) the copyright on this work has expired and is as such public domain. According to articles 51, 52, 53 and 57 of the copyright laws of Japan, under the jurisdiction of the Government of Japan works enter the public domain 50 years after the death of the creator (there being multiple creators, the creator who dies last) or 50 years after publication for anonymous or pseudonymous authors or for works whose copyright holder is an organization.
Note:The enforcement of the revised Copyright Act on December 30, 2018 extended the copyright term of works whose copyright was valid on that day to 70 years. Do not use this template for works of the copyright holders who died after 1967.
Use
{{PD-Japan-oldphoto}} for photos published before December 31, 1956, and
{{PD-Japan-film}} for films produced prior to 1953. Public domain works must be out of copyright in both the United States and in the source country of the work in order to be hosted on the Commons. The file must have an additional
copyright tag indicating the copyright status in the United States. See also
Copyright rules by territory.
You must also include a
United States public domain tag to indicate why this work is in the public domain in the United States. Note that this work might not be in the public domain in countries that do not apply the
rule of the shorter term and have copyright terms longer than life of the author plus 50 years. In particular, Mexico is 100 years, Jamaica is 95 years, Colombia is 80 years, Guatemala and Samoa are 75 years, Switzerland and the United States are 70 years, and Venezuela is 60 years.
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{{Information |Description={{en|1=1 print : woodcut, color. Print shows Nicholas II waking from a nightmare showing the battered and wounded Russian forces returning from battle with the Japanese.}} |Source=Library of Congress [http://hdl.loc.gov/loc.pnp
File usage
The following pages on the English Wikipedia use this file (pages on other projects are not listed):
This is a
featured picture, which means that
members of the community have identified it as one of the finest images on the English Wikipedia, adding significantly to its accompanying article. If you have a different image of similar quality, be sure to
upload it using the proper
free license tag,
add it to a relevant article, and
nominate it.
English: 1 print : woodcut, color. Print shows the Russian Tsar Nicholas II waking from a nightmare showing the battered and wounded military equipment of the Russian forces returning (in defeat) from battle with the Japanese.
Series title:Nihon manzai - A selection of the best one hundred laughters
Ghosts from the crushing defeat
by Koppi Dōjin
Caption: Not a single win had the Russian Navy and Army but full of flat and crushing defeats in the battles against the Japanse Force. Keeping their defeats secret from their home, they constantly conveyed false reports. The apparatus used by the Russians --- the battleship, the cannon, the locomotive and the telegraph --- were so fed up and went home to show the reality. Battleship: "Here I am the battleship. I got destroyed by the Japanese forces, now here's how I look like." Cannon: "Me I am the cannon. I got heavily attacked by the Japanese forces and became so a crippled style like this, so that no one can recognize what I am." "Me too, me too," follows the locomotive and the telegraph. All of them heavily deformed and nearly wiped out, wrapped with bandages or carrying crutches, the apparatus reported every details of the defeats. A Russian noble (Nicholas II), learning (of) the total defeat for the first time said: "Hmmm, not even the reports we had so far were very much victorious, but I did not realize we were losing that badly. Well, it's too late anyways; sorry I am, but just be injured guys."
Türkçe: Nihon Banzai Hyakusen Hyakushō ("
Japonya Yaşasın, Yüz kez gülümsemenin yüz seçimli resim") serisinden Mecha Make no Bōrei ("Ağır hezimetin hayaletleri") adlı eser;
Rus-Japon Savaşı'nda cephede yenilen ağır hezimetleri memleketlerinden gizledikleri için savaş gemisi, top, iletişim araçlarının bizzat
Rusya'ya (resimdeki kişi muhtemelen
II. Nikolay'dır) geri dönüp rapor verdiğini göstermektedir. "Hyakusen Hyakushō" kelimesi, "Yüz kez savaşıp yüz kez kazanmak" anlamına da gelmektedir (Çizim:
Kobayashi Kiyochika, yazı: Koppi Dōjin.
Date
or 1905
date QS:P,+1904-00-00T00:00:00Z/8,P1319,+1904-00-00T00:00:00Z/9,P1326,+1905-00-00T00:00:00Z/9
This is a featured picture on the English language Wikipedia (
Featured pictures) and is considered one of the finest images. See its nomination
here. This is a featured picture on the Turkish language Wikipedia (
Seçkin resimler) and is considered one of the finest images. See its nomination
here.
If you think this file should be featured on Wikimedia Commons as well, feel free to
nominate it.
If you have an image of similar quality that can be published under a
suitable copyright license, be sure to
upload it,
tag it, and
nominate it.
According to Japanese
Copyright Law (June 1, 2018 grant) the copyright on this work has expired and is as such public domain. According to articles 51, 52, 53 and 57 of the copyright laws of Japan, under the jurisdiction of the Government of Japan works enter the public domain 50 years after the death of the creator (there being multiple creators, the creator who dies last) or 50 years after publication for anonymous or pseudonymous authors or for works whose copyright holder is an organization.
Note:The enforcement of the revised Copyright Act on December 30, 2018 extended the copyright term of works whose copyright was valid on that day to 70 years. Do not use this template for works of the copyright holders who died after 1967.
Use
{{PD-Japan-oldphoto}} for photos published before December 31, 1956, and
{{PD-Japan-film}} for films produced prior to 1953. Public domain works must be out of copyright in both the United States and in the source country of the work in order to be hosted on the Commons. The file must have an additional
copyright tag indicating the copyright status in the United States. See also
Copyright rules by territory.
You must also include a
United States public domain tag to indicate why this work is in the public domain in the United States. Note that this work might not be in the public domain in countries that do not apply the
rule of the shorter term and have copyright terms longer than life of the author plus 50 years. In particular, Mexico is 100 years, Jamaica is 95 years, Colombia is 80 years, Guatemala and Samoa are 75 years, Switzerland and the United States are 70 years, and Venezuela is 60 years.
Information
Captions
Add a one-line explanation of what this file represents
{{Information |Description={{en|1=1 print : woodcut, color. Print shows Nicholas II waking from a nightmare showing the battered and wounded Russian forces returning from battle with the Japanese.}} |Source=Library of Congress [http://hdl.loc.gov/loc.pnp
File usage
The following pages on the English Wikipedia use this file (pages on other projects are not listed):