Submission rejected on 20 May 2024 by
CanonNi (
talk). This topic is not sufficiently notable for inclusion in Wikipedia. Rejected by CanonNi 15 days ago. Last edited by 202.152.137.58 15 days ago. |
Submission declined on 20 May 2024 by
CanonNi (
talk). This submission's references do not show that the subject
qualifies for a Wikipedia article—that is, they do not show significant coverage (not just passing mentions) about the subject in published,
reliable,
secondary sources that are
independent of the subject (see the
guidelines on the notability of people). Before any resubmission, additional references meeting these criteria should be added (see
technical help and learn about
mistakes to avoid when addressing this issue). If no additional references exist, the subject is not suitable for Wikipedia. Declined by
CanonNi 15 days ago. |
Submission declined on 20 May 2024 by
CanonNi (
talk). This submission's references do not show that the subject
qualifies for a Wikipedia article—that is, they do not show significant coverage (not just passing mentions) about the subject in published,
reliable,
secondary sources that are
independent of the subject (see the
guidelines on the notability of people). Before any resubmission, additional references meeting these criteria should be added (see
technical help and learn about
mistakes to avoid when addressing this issue). If no additional references exist, the subject is not suitable for Wikipedia. Declined by
CanonNi 15 days ago. |
Submission declined on 19 May 2024 by
S0091 (
talk). This submission is not adequately supported by
reliable sources. Reliable sources are required so that information can be
verified. If you need help with referencing, please see
Referencing for beginners and
Citing sources. This draft's references do not show that the subject
qualifies for a Wikipedia article. In summary, the draft needs to Declined by
S0091 15 days ago.
|
Submission declined on 18 May 2024 by
DreamRimmer (
talk). This submission's references do not show that the subject
qualifies for a Wikipedia article—that is, they do not show significant coverage (not just passing mentions) about the subject in published,
reliable,
secondary sources that are
independent of the subject (see the
guidelines on the notability of people). Before any resubmission, additional references meeting these criteria should be added (see
technical help and learn about
mistakes to avoid when addressing this issue). If no additional references exist, the subject is not suitable for Wikipedia. Declined by
DreamRimmer 16 days ago. |
Submission declined on 18 May 2024 by
Iwaqarhashmi (
talk). This submission is not adequately supported by
reliable sources. Reliable sources are required so that information can be
verified. If you need help with referencing, please see
Referencing for beginners and
Citing sources. Declined by
Iwaqarhashmi 16 days ago. |
Antonius Janu Haryono, S.Sn., M.Sn was born on January 20, 1988, in Bantul. He spent his childhood in a small village south of Yogyakarta, an environment far removed from the hustle and bustle of the film world. This caused him to have little memory or experience related to film during his childhood. However, everything changed in 2006 when he accidentally watched short films screened at the first Jogja-NETPAC Asian Film Festival (JAFF). This experience opened his eyes to the world of film and sparked a deep interest within him.
A strong desire to explore the world of filmmaking led him to continue his studies at the Indonesian Institute of the Arts (ISI) Yogyakarta, choosing the Film & Television Study Program. At ISI Yogyakarta, Antonius found a space to channel his creativity and hone his skills in directing and film production. Throughout his college years, he frequently received assignments to create various film projects. These projects provided him with opportunities to experiment and learn from each filmmaking process. The pinnacle of his academic journey was the creation of his first feature-length film, titled "Selibat", which he completed as his final project. This film not only symbolized his hard work and dedication during his studies but also marked the beginning of his career as a professional filmmaker.
After completing his undergraduate education, Antonius continued his studies in the Graduate Program at ISI Yogyakarta, concentrating on Videography. During his master's studies, Antonius focused not only on the theory and techniques of videography but also produced many art videos that explored various concepts and visual styles. His works during this period reflect a deep understanding and continually developing technical skills, making him an increasingly mature artist in his field.
In 2017, Antonius began his academic career as a teaching staff member at Jogja Film Academy [1]. Here, he shared his knowledge and experiences with students, inspiring a new generation of filmmakers. Two years later, in 2019, he was accepted as a lecturer in the Film and Television Study Program at ISI Yogyakarta [2], a position he holds to this day. His dual role as a filmmaker and lecturer requires him to stay active in research and knowledge development. Antonius focuses not only on film production but also engages in academic research that enriches the field of filmmaking.
One of his primary research focuses is the development of Sinema Kethoprak, a film style approach that evolves from the traditional art of Kethoprak [3]. Through this research, Antonius aims to elevate and develop local cultural elements within the context of modern filmmaking. His research contributes to a broader understanding of Sinema Kethoprak and helps preserve and promote Indonesia's cultural heritage. Thus, Antonius plays a crucial role in bridging tradition and innovation, ensuring that traditional cultural elements remain relevant and appreciated in the contemporary film world.
Year | Film Title | Type | Credit | Information | |||
---|---|---|---|---|---|---|---|
Director | Assistant Director | Editor | Sound Recordist | ||||
2021 | The Age of Remenbrance | Documentary | yes | yes | |||
2021 | 1831 Hadeging Praja Bantul | Sinema Kethoprak | yes | ||||
2020 | Jare Simbah | Documentary | yes | yes | yes | ||
2019 | Salam Balungan Kere | Documentary | yes | yes | |||
2019 | Semayam | Short Fiction | yes | ||||
2019 | Golek Garwa | Documentary | yes | ||||
2018 | Rong | Short Fiction | yes | ||||
2017 | The Unseen Words | Documentary | yes | ||||
2016 | Mengejar Embun ke Eropa | Film Feature | yes | ||||
2015 | Anamnese | Video Art | yes | yes | |||
2014 | Kinan | Video Art | yes | yes | |||
2014 | Empu Pungkasan | Documentary | Yes | ||||
2013 | Jampi Gugat | Documentary | Yes | ||||
2013 | Selibat | Film Feature | yes | ||||
2012 | Seeing Jesus in Javanese Face | Documentary | yes | ||||
2010 | Hot Spot | Short Fiction | yes |
Submission rejected on 20 May 2024 by
CanonNi (
talk). This topic is not sufficiently notable for inclusion in Wikipedia. Rejected by CanonNi 15 days ago. Last edited by 202.152.137.58 15 days ago. |
Submission declined on 20 May 2024 by
CanonNi (
talk). This submission's references do not show that the subject
qualifies for a Wikipedia article—that is, they do not show significant coverage (not just passing mentions) about the subject in published,
reliable,
secondary sources that are
independent of the subject (see the
guidelines on the notability of people). Before any resubmission, additional references meeting these criteria should be added (see
technical help and learn about
mistakes to avoid when addressing this issue). If no additional references exist, the subject is not suitable for Wikipedia. Declined by
CanonNi 15 days ago. |
Submission declined on 20 May 2024 by
CanonNi (
talk). This submission's references do not show that the subject
qualifies for a Wikipedia article—that is, they do not show significant coverage (not just passing mentions) about the subject in published,
reliable,
secondary sources that are
independent of the subject (see the
guidelines on the notability of people). Before any resubmission, additional references meeting these criteria should be added (see
technical help and learn about
mistakes to avoid when addressing this issue). If no additional references exist, the subject is not suitable for Wikipedia. Declined by
CanonNi 15 days ago. |
Submission declined on 19 May 2024 by
S0091 (
talk). This submission is not adequately supported by
reliable sources. Reliable sources are required so that information can be
verified. If you need help with referencing, please see
Referencing for beginners and
Citing sources. This draft's references do not show that the subject
qualifies for a Wikipedia article. In summary, the draft needs to Declined by
S0091 15 days ago.
|
Submission declined on 18 May 2024 by
DreamRimmer (
talk). This submission's references do not show that the subject
qualifies for a Wikipedia article—that is, they do not show significant coverage (not just passing mentions) about the subject in published,
reliable,
secondary sources that are
independent of the subject (see the
guidelines on the notability of people). Before any resubmission, additional references meeting these criteria should be added (see
technical help and learn about
mistakes to avoid when addressing this issue). If no additional references exist, the subject is not suitable for Wikipedia. Declined by
DreamRimmer 16 days ago. |
Submission declined on 18 May 2024 by
Iwaqarhashmi (
talk). This submission is not adequately supported by
reliable sources. Reliable sources are required so that information can be
verified. If you need help with referencing, please see
Referencing for beginners and
Citing sources. Declined by
Iwaqarhashmi 16 days ago. |
Antonius Janu Haryono, S.Sn., M.Sn was born on January 20, 1988, in Bantul. He spent his childhood in a small village south of Yogyakarta, an environment far removed from the hustle and bustle of the film world. This caused him to have little memory or experience related to film during his childhood. However, everything changed in 2006 when he accidentally watched short films screened at the first Jogja-NETPAC Asian Film Festival (JAFF). This experience opened his eyes to the world of film and sparked a deep interest within him.
A strong desire to explore the world of filmmaking led him to continue his studies at the Indonesian Institute of the Arts (ISI) Yogyakarta, choosing the Film & Television Study Program. At ISI Yogyakarta, Antonius found a space to channel his creativity and hone his skills in directing and film production. Throughout his college years, he frequently received assignments to create various film projects. These projects provided him with opportunities to experiment and learn from each filmmaking process. The pinnacle of his academic journey was the creation of his first feature-length film, titled "Selibat", which he completed as his final project. This film not only symbolized his hard work and dedication during his studies but also marked the beginning of his career as a professional filmmaker.
After completing his undergraduate education, Antonius continued his studies in the Graduate Program at ISI Yogyakarta, concentrating on Videography. During his master's studies, Antonius focused not only on the theory and techniques of videography but also produced many art videos that explored various concepts and visual styles. His works during this period reflect a deep understanding and continually developing technical skills, making him an increasingly mature artist in his field.
In 2017, Antonius began his academic career as a teaching staff member at Jogja Film Academy [1]. Here, he shared his knowledge and experiences with students, inspiring a new generation of filmmakers. Two years later, in 2019, he was accepted as a lecturer in the Film and Television Study Program at ISI Yogyakarta [2], a position he holds to this day. His dual role as a filmmaker and lecturer requires him to stay active in research and knowledge development. Antonius focuses not only on film production but also engages in academic research that enriches the field of filmmaking.
One of his primary research focuses is the development of Sinema Kethoprak, a film style approach that evolves from the traditional art of Kethoprak [3]. Through this research, Antonius aims to elevate and develop local cultural elements within the context of modern filmmaking. His research contributes to a broader understanding of Sinema Kethoprak and helps preserve and promote Indonesia's cultural heritage. Thus, Antonius plays a crucial role in bridging tradition and innovation, ensuring that traditional cultural elements remain relevant and appreciated in the contemporary film world.
Year | Film Title | Type | Credit | Information | |||
---|---|---|---|---|---|---|---|
Director | Assistant Director | Editor | Sound Recordist | ||||
2021 | The Age of Remenbrance | Documentary | yes | yes | |||
2021 | 1831 Hadeging Praja Bantul | Sinema Kethoprak | yes | ||||
2020 | Jare Simbah | Documentary | yes | yes | yes | ||
2019 | Salam Balungan Kere | Documentary | yes | yes | |||
2019 | Semayam | Short Fiction | yes | ||||
2019 | Golek Garwa | Documentary | yes | ||||
2018 | Rong | Short Fiction | yes | ||||
2017 | The Unseen Words | Documentary | yes | ||||
2016 | Mengejar Embun ke Eropa | Film Feature | yes | ||||
2015 | Anamnese | Video Art | yes | yes | |||
2014 | Kinan | Video Art | yes | yes | |||
2014 | Empu Pungkasan | Documentary | Yes | ||||
2013 | Jampi Gugat | Documentary | Yes | ||||
2013 | Selibat | Film Feature | yes | ||||
2012 | Seeing Jesus in Javanese Face | Documentary | yes | ||||
2010 | Hot Spot | Short Fiction | yes |