Voltes V | |
![]() Japanese DVD (2015 release) cover art of the first volume. | |
超電磁マシーン ボルテスV (Chōdenji Mashīn Borutesu Faibu) | |
---|---|
Genre | Mecha |
Created by | Saburo Yatsude |
Anime television series | |
Directed by | Tadao Nagahama |
Produced by | Yoshiyuki Tomino |
Written by |
|
Music by | Hiroshi Tsutsui |
Studio | |
Licensed by |
|
Original network | ANN ( TV Asahi) |
Original run | June 4, 1977 – March 25, 1978 |
Episodes | 40 |
Anime film | |
Voltes V: The Liberation | |
Produced by | Carlos Agustin |
Written by | Earl Palma |
Studio | GMA Films |
Released | June 9, 1999 [1] |
Live-action | |
|
Super Electromagnetic Machine Voltes V ( Japanese: 超電磁マシーン ボルテスV, Hepburn: Chōdenji Mashīn Borutesu Faibu), popularly known as simply Voltes V (pronounced as "Voltes Five") is a Japanese anime television series produced by Toei Company and animated by Nippon Sunrise (now known as Bandai Namco Filmworks and formerly known as Soeisha). It is the second installment of the Robot Romance Trilogy, which also includes Chōdenji Robo Combattler V and Tōshō Daimos. It is directed by Tadao Nagahama and produced by Yoshiyuki Tomino. It aired on TV Asahi and its affiliates from June 1977 to March 1978.
Voltes V grew into a cultural phenomenon in the Philippines since its airing in the country in 1978, [2] [3] [4] [5] [6] and had achieved popularity as well in Indonesia and Cuba. [7] [8] A Philippine live-action adaptation, Voltes V: Legacy, premiered on GMA Network in May 2023. [9] [10] [11]
One day, a massive horde of flying saucers appears out of the depths of space and launches an invasion of the planet Earth. Despite the best efforts of the world's militaries and the Earth Defense Force under the Japanese Commander Oka, simultaneous deployments of the invaders' fleets of well-armed and highly mobile flying saucers devastate key strategic targets around the world and completely overwhelm the defenders. The invaders are aliens from the imperial planet Boazan, fighting under the command of the Boazanian emperor's ruthless nephew, Prince Heinel. With their victory all but assured, the Boazanian commanders retire to Castle Heinel, a secret underground citadel constructed by their agents in preparation for their conquest, and deploy the massive bio-mechanical "Attack Beast Knight Dokugaga" to destroy humanity's last bastion of resistance.
Unbeknownst to the Boazanians, however, are the efforts of Japanese scientists Mitsuyo Goh and Professor Hamaguchi, who have been working alongside Oka on a plan originally created by Mitsuyo's vanished husband, Dr. Kentaro Goh. Having forced her children, Kenichi, Daijiro, and Hiyoshi, to undergo a grueling training regimen alongside the American rodeo champion Ippei Mine and Commander Oka's daughter, Megumi Oka, it is revealed that all of their efforts up to this point were secretly meant to prepare the earth for this very eventuality. The scientists take the children to a top-secret base on the hidden island of Ootorijima known as "Big Falcon", where they reveal to the five Kentaro Goh's greatest life's work and humanity's last remaining hope for survival: the Super-Electromagnetic Robot, "Voltes V". Though it takes them some time to adjust to the controls, the five are able to work together and save the EDF from total destruction by finishing off Dokugaga with their powerful Heaven Sword, or Tenkuu-ken.
The Boazanians continue with a variety of strategies, attempting to defeat earth's robust new robot, ever constructing new Beast Knights based on different animals. The Voltes 5 team train to improve their teamwork and skill, learn more about the nature of the Boazanians and the Goh siblings' missing father. Professor Goh is revealed to have disappeared on a diplomatic mission to the planet Boazan itself, hoping to stop their impending invasion. Imprisoned by the Boazanian empire the entire time, he escapes from their control and attempts to return to earth with several allies, but is waylaid by a breakaway force and taken prisoner by Heinel's traitorous science officer, Zuhl. Much of the second half of the series revolves around the Goh siblings desperately searching for their father, while he in turn works to oppose the invaders in secret.
Aside from its technological advancement, the planet Boazan is in fact very similar to Earth, and the native Boazanians are so like humanity that the two races can even healthily interbreed. The planet is wholly governed by an oligarchic monarchy with a cruel caste system: Boazanians born with horns are highly regarded and form an aristocratic elite, while the hornless are forced into slavery and worked to death on physically demanding tasks such as mining and construction. During a succession dispute between the highly-revered Chief Science Minister La Gour, son of the late emperor's brother, and Zu Zambajil, an illegitimate son of said emperor, it was discovered that despite La Gour's noble birth, he had been born hornless and had hidden the fact with prosthetics. Taking advantage of this fact to further his own quest for power, Zambajil had La Gour imprisoned and exiled his wife Rosalia, causing him great despair. After learning that Rosalia died while he was forced to work as a common slave, La Gour joined a band of hornless dissidents and subsequently led a daring insurrection against the empire, only to be easily thwarted by their vastly superior military. With no other options available to him, La Gour was forced to escape on a flying saucer and flee across the galaxy until he found himself on the faraway planet of Earth. Upon crash-landing, he was discovered by a Japanese scientist, and they fell in love. To blend in on Earth, La Gour exchanged his name for a Japanese one: Dr. Kentaro Goh. Thus, Dr. Goh's powerful technological advancements and knowledge of the oncoming alien invasion suddenly make sense, for he was once a native of that very planet himself.
Knowing that Zambajil's ambition was to rule a galactic empire, Goh quickly set into motion his plans to protect the Earth from their eventual attack, and moreover, to someday finish what he started by returning to Boazan and liberating its oppressed underclass. Yet when Zambajil threatened to invade the earth unless Goh returned to work under him, Goh had no choice but to abandon his family. Refusing to work for the tyrannical ruler, Goh was once-again imprisoned and nearly executed, only to be saved by the remnants of the rebel army he had created right before his exile. It is here that he met the rebel General Dange, an aristocrat who cut off his horns to join the rebellion, and they left for their ill-fated return to Earth. Just when everyone else believes them to be dead, it is revealed that Goh and Dange have been working on the creation of a massive spaceship known as the Solar Bird, with which they hope to return to Boazan to topple its oppressive government once and for all.
Voltes V was produced by Toei Company with animation from Nippon Sunrise and sponsorship from Popy for the toys. [12] During the development of Voltes V, Nagahama originally conceived the series to be a sequel to Chōdenji Robo Combattler V and to follow the events of the series after the finale before making it into a separate series. From Nagahama's memo, the series is originally meant to be titled Granbuffer Ace ( Japanese: グランバッファーA (エース), Hepburn: Guranbaffā A (ēsu)) or Chōdenji Robo V.Krieger ( Japanese: 超電磁ロボ・V・クリーガー, Hepburn: Chōdenji Robo V Kurīgā, lit. Super Electromagnetic Robot V.Krieger). Both names were ultimately scrapped and it was renamed Voltes V.
During the time of its development, NET TV transitioned its name to TV Asahi during 1977. In a proposal from Popy in 1976, Voltes V was meant to have a gun-like finishing attack but Sunrise and Toei wanted the actual attack for the toys to be changed. As such, the gun was changed to a sword, which is carried over to the mech's Heaven's Blade/Laser Blade attack. [12] At that time also in 1976, Nagahama was given creative direction on the series and used Stage combat as reference for the titular mecha's combat moves. [12] As describing the story itself, the plot of the Goh brothers' search for their father were inspired from Taiga dramas, [12] as explained by Shoichi Taguchi, one of the anime that inspired him for the plot was 3000 Leagues in Search of Mother and that he wanted the heroes to search for their father instead of a mother. [13]
Akinori Watanabe, the previous director of Toei's Television Business Division, was worried that the plot will be too depressing to viewers and wanted to avoid viewers crying all the time. In response to Watanabe's request, he created the rival character, Prince Heinel, who was based on one of the actors in the world-famous Takarazuka Revue. [12] According to Kei Iijima, one of Toei's producers, the Goh brothers and Heinel will be rivals throughout the series until the final episode, in which Heinel will be revealed to be related to them by blood but have a tragic end and redemption. He also said that he wanted viewers to strongly elicit anger against various discriminations around them and to hate discrimination through this work and think about correcting them. [14]
The final draft of the series was completed in March 1977, with the first episode was broadcast on June 4 of the same year. [12] Shinya Sadamitsu and Yoshiyuki Tomino were brought to the staff by Nagahama for their roles as producer and art director. Kazuo Tomizawa was also brought in as one of the staff until he decided to focus more on Invincible Super Man Zambot 3.
Voltes V was broadcast in Japan by TV Asahi from June 4, 1977, to March 25, 1978, replacing Chōdenji Robo Combattler V in its initial timeslot. The series' opening theme is titled "Voltes V no Uta" (ボルテスVの歌, Borutesu Faibu no Uta, "The Song of Voltes V") by Mitsuko Horie, Koorogi '73, and Columbia Yurikago-kai with the ending theme titled "Chichi wo Motomete" (父をもとめて, "In Search of My Father.") by Ichiro Mizuki. The lyrics to the opening theme were written by Toei staff with music written by Asei Kobayashi, and arranged by the series' composer, Hiroshi Takada, while the lyrics to the ending theme were penned by Akira Aoi (Tadao Nagahama), with music written by Asei Kobayashi, and arranged by Hiroshi Tsutsui.
In Asia, Telesuccess Productions (formerly known as Questor International) holds the Philippine rights to the anime series since its English dub premiered on GMA in 1978; [15] with Infiniti Music having held exclusive rights to release its soundtrack in the 1990s. [16] The Telesuccess dubs (English and Tagalog, respectively) were made available in Southeast Asia through video-on-demand service iflix in September 2016. [17] Discotek Media licensed the series and is released on DVD and Blu-ray (with English subtitles) in North American territories. [18] [19]
Another English dub, written and directed by William Ross, was produced in Tokyo, Japan by Frontier Enterprises and released in North America in 1983 by 3B Productions as Voltus 5.[ citation needed] It was a compilation of selected episodes (from episode 1 to 18).[ citation needed]
A Philippine live-action adaptation, Voltes V: Legacy, premiered on GMA Network on May 8, 2023. [20] [9] [21] The production is licensed from Toei Company through its Philippine licensee Telesuccess Productions, Inc. [22] [23] Director Mark A. Reyes led the production of the series with Suzette Doctolero as the headwriter, [24] which involved close supervision from Toei. [25] Riot Inc. was hired to do the special effects alongside GMA's video-graphic department. [22] [26] [27]
During the series' run, Popy released a diecast metal toy of Voltes V. The toy was available either with the five Volt Machines sold separately or in a gift set known as the "Volt In Box". Aside from the Volt Machines combining to form Voltes V, the toy also transformed into Voltank mode (an alternate vehicle mode wherein the robot lied down face-first with the Volt Panzer and Volt Lander's wheels on the ground). This mode never appeared in the series, but was a unique feature of the toy. The boxed set was re-released in the United States in 1978 by Mattel as part of the Shogun Warriors line of imported toys. Later it was re-released in 1982 repackaged as part of Bandai's Godaikin line for the international market in 1983. [28] Popy also released a Jumbo Machinder version of Voltes V. Standing at over 24 inches in height, the toy featured firing projectile fists and could transform into Voltank mode, which small children could ride on.
In 2006, Bandai released a newer, smaller Voltes V toy as part of their Soul of Chogokin line. This toy is more detailed and more poseable than its Popy diecast predecessor. In 2008, the toy was re-released as a special edition called "Respect for Volt In Box", which pays homage to the original toy in both color scheme and packaging. In addition, this version has been retooled to transform into Voltank mode. [29]
In 2018, Bandai released the Soul of Chogokin Voltes V F.A. (Full Action) figure. The figure sacrifices its combination gimmick in favor of more anime-accurate proportions and dynamic articulation. [30] In 2020, Bandai released the titular mecha under the DX Soul of Chogokin line.
The series itself has been included and featured in the long-running Super Robot Wars series of video games with its first appearance on the PlayStation game Shin Super Robot Wars in 1996.
Voltes V is notable for its cultural impact in several countries like Indonesia, Cuba, [8] and the Philippines. [31] In the case of the latter, it had a major impact in the country during the period of martial law under President Ferdinand Marcos, who banned the series along with other "violent" Japanese animated series on August 27, 1979, for their "harmful effects on children". [32] [33] However, popular speculation was that the series was banned because of the anime's underlying themes of rebellion and revolution. [34] [35] The remaining four episodes were never aired and Filipino children angered by the sudden ban have sometimes been referred to as the "Voltes V generation". [36] After the success of the 1986 People Power Revolution, Voltes V was re-aired on Philippine television from the 1990s to 2010s with a Filipino dub. [34] In March 1999, however, Davao Oriental congressman Mayo Almario filed a bill seeking to remove Voltes V from the air once again, proposing to give the Movie and Television Review and Classification Board (MTRCB) the authority to remove programming deemed too violent for children. [37]
Toym Imao, a visual artist who was a child at the time the series aired, made a sculpture inspired by Voltes V in 2014 called Last, Lost, Lust for Four Forgotten Episodes as part of his series of art installations entitled Super Robot - Suffer Reboot that was displayed at the entrance of Palma Hall at the University of the Philippines. [31] [38]
Hotdog, Voltes Gang, L.P. Richard, Bong Gabriel and Bicol Express are all represented on the charts these days.
And to commemorate the 40th anniversary of Voltes V, an exhibit was also set up for its avid fans.... Meanwhile, this house in Pampanga of businessman-toy collector Kim, looked as if it was a mini-museum because of his Voltes V collection.
'Chōdenji Machine Voltes V', 'Super Electromagnetic Machine Voltes V', or best known as simply 'Voltes V' has been a part of Filipino viewing culture for decades. The Japanese anime TV series, first aired in 1977, celebrates its 40th anniversary this year through a collaboration with international clothing brand Giordano.
At least eight of the town's 14 barangay chairmen and several barangay councilmen have told Candazo and [c]ouncilors [...] of the so-called 'Voltes V' bloc...
These are not the characters from Japanese anime, but the first — Voltes V — is the concept taken from that Japanese anime series that Police Brigadier General Debold Sinas, outgoing Police Regional Office in Central (PRO-7) Visayas director, plans to implement in his new post at the National Capital Region Police Office.
Maghihintay pa ang fans ng Voltes V dahil ng nakalagay ng [sic] airing schedule nito ay sa 2nd quarter 2023 pa.
Viewers can watch out for the first mega trailer of Voltes V: Legacy which will be aired in the New Year special.
The series, directed by Mark A. Reyes and written by Suzette Doctolero, bears the potential of being the Philippines' first serious epic sci-fi TV show.
Almario pointed out that children are again being exposed to extreme violence with the series.
Voltes V | |
![]() Japanese DVD (2015 release) cover art of the first volume. | |
超電磁マシーン ボルテスV (Chōdenji Mashīn Borutesu Faibu) | |
---|---|
Genre | Mecha |
Created by | Saburo Yatsude |
Anime television series | |
Directed by | Tadao Nagahama |
Produced by | Yoshiyuki Tomino |
Written by |
|
Music by | Hiroshi Tsutsui |
Studio | |
Licensed by |
|
Original network | ANN ( TV Asahi) |
Original run | June 4, 1977 – March 25, 1978 |
Episodes | 40 |
Anime film | |
Voltes V: The Liberation | |
Produced by | Carlos Agustin |
Written by | Earl Palma |
Studio | GMA Films |
Released | June 9, 1999 [1] |
Live-action | |
|
Super Electromagnetic Machine Voltes V ( Japanese: 超電磁マシーン ボルテスV, Hepburn: Chōdenji Mashīn Borutesu Faibu), popularly known as simply Voltes V (pronounced as "Voltes Five") is a Japanese anime television series produced by Toei Company and animated by Nippon Sunrise (now known as Bandai Namco Filmworks and formerly known as Soeisha). It is the second installment of the Robot Romance Trilogy, which also includes Chōdenji Robo Combattler V and Tōshō Daimos. It is directed by Tadao Nagahama and produced by Yoshiyuki Tomino. It aired on TV Asahi and its affiliates from June 1977 to March 1978.
Voltes V grew into a cultural phenomenon in the Philippines since its airing in the country in 1978, [2] [3] [4] [5] [6] and had achieved popularity as well in Indonesia and Cuba. [7] [8] A Philippine live-action adaptation, Voltes V: Legacy, premiered on GMA Network in May 2023. [9] [10] [11]
One day, a massive horde of flying saucers appears out of the depths of space and launches an invasion of the planet Earth. Despite the best efforts of the world's militaries and the Earth Defense Force under the Japanese Commander Oka, simultaneous deployments of the invaders' fleets of well-armed and highly mobile flying saucers devastate key strategic targets around the world and completely overwhelm the defenders. The invaders are aliens from the imperial planet Boazan, fighting under the command of the Boazanian emperor's ruthless nephew, Prince Heinel. With their victory all but assured, the Boazanian commanders retire to Castle Heinel, a secret underground citadel constructed by their agents in preparation for their conquest, and deploy the massive bio-mechanical "Attack Beast Knight Dokugaga" to destroy humanity's last bastion of resistance.
Unbeknownst to the Boazanians, however, are the efforts of Japanese scientists Mitsuyo Goh and Professor Hamaguchi, who have been working alongside Oka on a plan originally created by Mitsuyo's vanished husband, Dr. Kentaro Goh. Having forced her children, Kenichi, Daijiro, and Hiyoshi, to undergo a grueling training regimen alongside the American rodeo champion Ippei Mine and Commander Oka's daughter, Megumi Oka, it is revealed that all of their efforts up to this point were secretly meant to prepare the earth for this very eventuality. The scientists take the children to a top-secret base on the hidden island of Ootorijima known as "Big Falcon", where they reveal to the five Kentaro Goh's greatest life's work and humanity's last remaining hope for survival: the Super-Electromagnetic Robot, "Voltes V". Though it takes them some time to adjust to the controls, the five are able to work together and save the EDF from total destruction by finishing off Dokugaga with their powerful Heaven Sword, or Tenkuu-ken.
The Boazanians continue with a variety of strategies, attempting to defeat earth's robust new robot, ever constructing new Beast Knights based on different animals. The Voltes 5 team train to improve their teamwork and skill, learn more about the nature of the Boazanians and the Goh siblings' missing father. Professor Goh is revealed to have disappeared on a diplomatic mission to the planet Boazan itself, hoping to stop their impending invasion. Imprisoned by the Boazanian empire the entire time, he escapes from their control and attempts to return to earth with several allies, but is waylaid by a breakaway force and taken prisoner by Heinel's traitorous science officer, Zuhl. Much of the second half of the series revolves around the Goh siblings desperately searching for their father, while he in turn works to oppose the invaders in secret.
Aside from its technological advancement, the planet Boazan is in fact very similar to Earth, and the native Boazanians are so like humanity that the two races can even healthily interbreed. The planet is wholly governed by an oligarchic monarchy with a cruel caste system: Boazanians born with horns are highly regarded and form an aristocratic elite, while the hornless are forced into slavery and worked to death on physically demanding tasks such as mining and construction. During a succession dispute between the highly-revered Chief Science Minister La Gour, son of the late emperor's brother, and Zu Zambajil, an illegitimate son of said emperor, it was discovered that despite La Gour's noble birth, he had been born hornless and had hidden the fact with prosthetics. Taking advantage of this fact to further his own quest for power, Zambajil had La Gour imprisoned and exiled his wife Rosalia, causing him great despair. After learning that Rosalia died while he was forced to work as a common slave, La Gour joined a band of hornless dissidents and subsequently led a daring insurrection against the empire, only to be easily thwarted by their vastly superior military. With no other options available to him, La Gour was forced to escape on a flying saucer and flee across the galaxy until he found himself on the faraway planet of Earth. Upon crash-landing, he was discovered by a Japanese scientist, and they fell in love. To blend in on Earth, La Gour exchanged his name for a Japanese one: Dr. Kentaro Goh. Thus, Dr. Goh's powerful technological advancements and knowledge of the oncoming alien invasion suddenly make sense, for he was once a native of that very planet himself.
Knowing that Zambajil's ambition was to rule a galactic empire, Goh quickly set into motion his plans to protect the Earth from their eventual attack, and moreover, to someday finish what he started by returning to Boazan and liberating its oppressed underclass. Yet when Zambajil threatened to invade the earth unless Goh returned to work under him, Goh had no choice but to abandon his family. Refusing to work for the tyrannical ruler, Goh was once-again imprisoned and nearly executed, only to be saved by the remnants of the rebel army he had created right before his exile. It is here that he met the rebel General Dange, an aristocrat who cut off his horns to join the rebellion, and they left for their ill-fated return to Earth. Just when everyone else believes them to be dead, it is revealed that Goh and Dange have been working on the creation of a massive spaceship known as the Solar Bird, with which they hope to return to Boazan to topple its oppressive government once and for all.
Voltes V was produced by Toei Company with animation from Nippon Sunrise and sponsorship from Popy for the toys. [12] During the development of Voltes V, Nagahama originally conceived the series to be a sequel to Chōdenji Robo Combattler V and to follow the events of the series after the finale before making it into a separate series. From Nagahama's memo, the series is originally meant to be titled Granbuffer Ace ( Japanese: グランバッファーA (エース), Hepburn: Guranbaffā A (ēsu)) or Chōdenji Robo V.Krieger ( Japanese: 超電磁ロボ・V・クリーガー, Hepburn: Chōdenji Robo V Kurīgā, lit. Super Electromagnetic Robot V.Krieger). Both names were ultimately scrapped and it was renamed Voltes V.
During the time of its development, NET TV transitioned its name to TV Asahi during 1977. In a proposal from Popy in 1976, Voltes V was meant to have a gun-like finishing attack but Sunrise and Toei wanted the actual attack for the toys to be changed. As such, the gun was changed to a sword, which is carried over to the mech's Heaven's Blade/Laser Blade attack. [12] At that time also in 1976, Nagahama was given creative direction on the series and used Stage combat as reference for the titular mecha's combat moves. [12] As describing the story itself, the plot of the Goh brothers' search for their father were inspired from Taiga dramas, [12] as explained by Shoichi Taguchi, one of the anime that inspired him for the plot was 3000 Leagues in Search of Mother and that he wanted the heroes to search for their father instead of a mother. [13]
Akinori Watanabe, the previous director of Toei's Television Business Division, was worried that the plot will be too depressing to viewers and wanted to avoid viewers crying all the time. In response to Watanabe's request, he created the rival character, Prince Heinel, who was based on one of the actors in the world-famous Takarazuka Revue. [12] According to Kei Iijima, one of Toei's producers, the Goh brothers and Heinel will be rivals throughout the series until the final episode, in which Heinel will be revealed to be related to them by blood but have a tragic end and redemption. He also said that he wanted viewers to strongly elicit anger against various discriminations around them and to hate discrimination through this work and think about correcting them. [14]
The final draft of the series was completed in March 1977, with the first episode was broadcast on June 4 of the same year. [12] Shinya Sadamitsu and Yoshiyuki Tomino were brought to the staff by Nagahama for their roles as producer and art director. Kazuo Tomizawa was also brought in as one of the staff until he decided to focus more on Invincible Super Man Zambot 3.
Voltes V was broadcast in Japan by TV Asahi from June 4, 1977, to March 25, 1978, replacing Chōdenji Robo Combattler V in its initial timeslot. The series' opening theme is titled "Voltes V no Uta" (ボルテスVの歌, Borutesu Faibu no Uta, "The Song of Voltes V") by Mitsuko Horie, Koorogi '73, and Columbia Yurikago-kai with the ending theme titled "Chichi wo Motomete" (父をもとめて, "In Search of My Father.") by Ichiro Mizuki. The lyrics to the opening theme were written by Toei staff with music written by Asei Kobayashi, and arranged by the series' composer, Hiroshi Takada, while the lyrics to the ending theme were penned by Akira Aoi (Tadao Nagahama), with music written by Asei Kobayashi, and arranged by Hiroshi Tsutsui.
In Asia, Telesuccess Productions (formerly known as Questor International) holds the Philippine rights to the anime series since its English dub premiered on GMA in 1978; [15] with Infiniti Music having held exclusive rights to release its soundtrack in the 1990s. [16] The Telesuccess dubs (English and Tagalog, respectively) were made available in Southeast Asia through video-on-demand service iflix in September 2016. [17] Discotek Media licensed the series and is released on DVD and Blu-ray (with English subtitles) in North American territories. [18] [19]
Another English dub, written and directed by William Ross, was produced in Tokyo, Japan by Frontier Enterprises and released in North America in 1983 by 3B Productions as Voltus 5.[ citation needed] It was a compilation of selected episodes (from episode 1 to 18).[ citation needed]
A Philippine live-action adaptation, Voltes V: Legacy, premiered on GMA Network on May 8, 2023. [20] [9] [21] The production is licensed from Toei Company through its Philippine licensee Telesuccess Productions, Inc. [22] [23] Director Mark A. Reyes led the production of the series with Suzette Doctolero as the headwriter, [24] which involved close supervision from Toei. [25] Riot Inc. was hired to do the special effects alongside GMA's video-graphic department. [22] [26] [27]
During the series' run, Popy released a diecast metal toy of Voltes V. The toy was available either with the five Volt Machines sold separately or in a gift set known as the "Volt In Box". Aside from the Volt Machines combining to form Voltes V, the toy also transformed into Voltank mode (an alternate vehicle mode wherein the robot lied down face-first with the Volt Panzer and Volt Lander's wheels on the ground). This mode never appeared in the series, but was a unique feature of the toy. The boxed set was re-released in the United States in 1978 by Mattel as part of the Shogun Warriors line of imported toys. Later it was re-released in 1982 repackaged as part of Bandai's Godaikin line for the international market in 1983. [28] Popy also released a Jumbo Machinder version of Voltes V. Standing at over 24 inches in height, the toy featured firing projectile fists and could transform into Voltank mode, which small children could ride on.
In 2006, Bandai released a newer, smaller Voltes V toy as part of their Soul of Chogokin line. This toy is more detailed and more poseable than its Popy diecast predecessor. In 2008, the toy was re-released as a special edition called "Respect for Volt In Box", which pays homage to the original toy in both color scheme and packaging. In addition, this version has been retooled to transform into Voltank mode. [29]
In 2018, Bandai released the Soul of Chogokin Voltes V F.A. (Full Action) figure. The figure sacrifices its combination gimmick in favor of more anime-accurate proportions and dynamic articulation. [30] In 2020, Bandai released the titular mecha under the DX Soul of Chogokin line.
The series itself has been included and featured in the long-running Super Robot Wars series of video games with its first appearance on the PlayStation game Shin Super Robot Wars in 1996.
Voltes V is notable for its cultural impact in several countries like Indonesia, Cuba, [8] and the Philippines. [31] In the case of the latter, it had a major impact in the country during the period of martial law under President Ferdinand Marcos, who banned the series along with other "violent" Japanese animated series on August 27, 1979, for their "harmful effects on children". [32] [33] However, popular speculation was that the series was banned because of the anime's underlying themes of rebellion and revolution. [34] [35] The remaining four episodes were never aired and Filipino children angered by the sudden ban have sometimes been referred to as the "Voltes V generation". [36] After the success of the 1986 People Power Revolution, Voltes V was re-aired on Philippine television from the 1990s to 2010s with a Filipino dub. [34] In March 1999, however, Davao Oriental congressman Mayo Almario filed a bill seeking to remove Voltes V from the air once again, proposing to give the Movie and Television Review and Classification Board (MTRCB) the authority to remove programming deemed too violent for children. [37]
Toym Imao, a visual artist who was a child at the time the series aired, made a sculpture inspired by Voltes V in 2014 called Last, Lost, Lust for Four Forgotten Episodes as part of his series of art installations entitled Super Robot - Suffer Reboot that was displayed at the entrance of Palma Hall at the University of the Philippines. [31] [38]
Hotdog, Voltes Gang, L.P. Richard, Bong Gabriel and Bicol Express are all represented on the charts these days.
And to commemorate the 40th anniversary of Voltes V, an exhibit was also set up for its avid fans.... Meanwhile, this house in Pampanga of businessman-toy collector Kim, looked as if it was a mini-museum because of his Voltes V collection.
'Chōdenji Machine Voltes V', 'Super Electromagnetic Machine Voltes V', or best known as simply 'Voltes V' has been a part of Filipino viewing culture for decades. The Japanese anime TV series, first aired in 1977, celebrates its 40th anniversary this year through a collaboration with international clothing brand Giordano.
At least eight of the town's 14 barangay chairmen and several barangay councilmen have told Candazo and [c]ouncilors [...] of the so-called 'Voltes V' bloc...
These are not the characters from Japanese anime, but the first — Voltes V — is the concept taken from that Japanese anime series that Police Brigadier General Debold Sinas, outgoing Police Regional Office in Central (PRO-7) Visayas director, plans to implement in his new post at the National Capital Region Police Office.
Maghihintay pa ang fans ng Voltes V dahil ng nakalagay ng [sic] airing schedule nito ay sa 2nd quarter 2023 pa.
Viewers can watch out for the first mega trailer of Voltes V: Legacy which will be aired in the New Year special.
The series, directed by Mark A. Reyes and written by Suzette Doctolero, bears the potential of being the Philippines' first serious epic sci-fi TV show.
Almario pointed out that children are again being exposed to extreme violence with the series.