 Bambangan Cakil performance | |
| Native name | ꧋ꦧꦩ꧀ꦧꦔꦤ꧀ꦕꦏꦶꦭ꧀ (
Javanese) Tari Klasik Bambangan Cakil ( Indonesian) |
|---|---|
| Instrument(s) | Gamelan |
| Inventor | Javanese |
| Origin | Indonesia |
| Bambangan Cakil |
|---|
|
| Burma |
| Cambodia |
| Indonesia |
|
| Laos |
| Malaysia |
| Philippines |
| Thailand |
|
| Vietnam |
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Bambangan Cakil ( Javanese: ꧋ꦧꦩ꧀ꦧꦔꦤ꧀ꦕꦏꦶꦭ꧀) is a classical dance-drama [1] of Javanese people in—particularly— Central Java, Indonesia. [2] This dance-drama is demonstrates wayang performance due to the movement is adopted from one of the scenes in wayang kulit performance, that is the Perang Kembang scene. [3] The Perang Kembang told about war between kesatria against raksasa. The kesatria has soft and gentle-characters, while the raksasa described as character who is rough and violent.
The dance-drama war [4] between kesatria (Bambangan) against raksasa (Cakil) could also be used as a place for a dalang's judgment in moving a puppet.
Philosophy
In Javanese culture, kesatria are always considered to be good figures, willing to defend the truth, to help others, etc. [5] The kesatria title is given, rather than being heredity. For example, in the Mahabharata story, Kurawa does not have a kesatria title, even though he has the same ancestors as the Pandava.
On the other hand, raksasa are characterised as rough, violent and dynamic.
Characterizations
In the Bambangan Cakil dance-drama, Arjuna is depicted as kesatria, while Cakil is depicted as raksasa. [6]
See also
References
-
^ Widiarto, Bambang (27 June 1991).
"Tari Klasik"Bambangan Cakil"". Retrieved 30 October 2020.
{{ cite journal}}: Cite journal requires|journal=( help) - ^ "Tari Bambangan Cakil Tarian Tradisional dari Jawa Tengah". Negeriku Indonesia. Retrieved 30 October 2020.
- ^ Murtiyoso (2009). Perang Kembang dan Bambangan-Cakil "Tontonan Bermakna Ganda". Surakarta: ISI Press.
- ^ Handayani, Langlang; Prasetya Aji, Mahardika; Susilo; Marwoto, Putut (2016). "Bringing Javanesse Traditional Dance into Basic Physics Class: Exemplifying Projectile Motion through Video Analysis". Journal of Physics: Conference Series. 739 (1): 012073. Bibcode: 2016JPhCS.739a2073H. doi: 10.1088/1742-6596/739/1/012073.
- ^ Murtiyoso (2004). Pertumbuhan dan Perkembangan Seni Pertunjukan Wayang. Surakarta: ISI Press.
- ^ "Tari Bambangan Cakil". Dinas Kearsipan dan Perpustakaan Provinsi Jawa Tengah. Retrieved 30 October 2020.[ permanent dead link]
External links
- Nama tari-tarian Indonesia Archived 2011-06-13 at the Wayback Machine
 | ||
| Acehnese |      | |
|---|---|---|
| Balinese | ||
| Banjarese | ||
| Batak | ||
| Betawi | ||
| Buginese and Makassarese | ||
| Cirebonese | ||
| Dayak | ||
| Javanese | ||
| Lampung | ||
| Malay | ||
| Minangkabau | ||
| Minahasan | ||
| Palembangese | ||
| Sasak | ||
| Sundanese | ||
| Timorese | ||
| Moluccan and Papuan | ||
|
Bambangan Cakil performance | |
| Native name | ꧋ꦧꦩ꧀ꦧꦔꦤ꧀ꦕꦏꦶꦭ꧀ (
Javanese) Tari Klasik Bambangan Cakil ( Indonesian) |
|---|---|
| Instrument(s) | Gamelan |
| Inventor | Javanese |
| Origin | Indonesia |
| Bambangan Cakil |
|---|
|
| Burma |
| Cambodia |
| Indonesia |
|
| Laos |
| Malaysia |
| Philippines |
| Thailand |
|
| Vietnam |
Bambangan Cakil ( Javanese: ꧋ꦧꦩ꧀ꦧꦔꦤ꧀ꦕꦏꦶꦭ꧀) is a classical dance-drama [1] of Javanese people in—particularly— Central Java, Indonesia. [2] This dance-drama is demonstrates wayang performance due to the movement is adopted from one of the scenes in wayang kulit performance, that is the Perang Kembang scene. [3] The Perang Kembang told about war between kesatria against raksasa. The kesatria has soft and gentle-characters, while the raksasa described as character who is rough and violent.
The dance-drama war [4] between kesatria (Bambangan) against raksasa (Cakil) could also be used as a place for a dalang's judgment in moving a puppet.
Philosophy
In Javanese culture, kesatria are always considered to be good figures, willing to defend the truth, to help others, etc. [5] The kesatria title is given, rather than being heredity. For example, in the Mahabharata story, Kurawa does not have a kesatria title, even though he has the same ancestors as the Pandava.
On the other hand, raksasa are characterised as rough, violent and dynamic.
Characterizations
In the Bambangan Cakil dance-drama, Arjuna is depicted as kesatria, while Cakil is depicted as raksasa. [6]
See also
References
-
^ Widiarto, Bambang (27 June 1991).
"Tari Klasik"Bambangan Cakil"". Retrieved 30 October 2020.
{{ cite journal}}: Cite journal requires|journal=( help) - ^ "Tari Bambangan Cakil Tarian Tradisional dari Jawa Tengah". Negeriku Indonesia. Retrieved 30 October 2020.
- ^ Murtiyoso (2009). Perang Kembang dan Bambangan-Cakil "Tontonan Bermakna Ganda". Surakarta: ISI Press.
- ^ Handayani, Langlang; Prasetya Aji, Mahardika; Susilo; Marwoto, Putut (2016). "Bringing Javanesse Traditional Dance into Basic Physics Class: Exemplifying Projectile Motion through Video Analysis". Journal of Physics: Conference Series. 739 (1): 012073. Bibcode: 2016JPhCS.739a2073H. doi: 10.1088/1742-6596/739/1/012073.
- ^ Murtiyoso (2004). Pertumbuhan dan Perkembangan Seni Pertunjukan Wayang. Surakarta: ISI Press.
- ^ "Tari Bambangan Cakil". Dinas Kearsipan dan Perpustakaan Provinsi Jawa Tengah. Retrieved 30 October 2020.[ permanent dead link]
External links
- Nama tari-tarian Indonesia Archived 2011-06-13 at the Wayback Machine
| ||
| Acehnese | | |
|---|---|---|
| Balinese | ||
| Banjarese | ||
| Batak | ||
| Betawi | ||
| Buginese and Makassarese | ||
| Cirebonese | ||
| Dayak | ||
| Javanese | ||
| Lampung | ||
| Malay | ||
| Minangkabau | ||
| Minahasan | ||
| Palembangese | ||
| Sasak | ||
| Sundanese | ||
| Timorese | ||
| Moluccan and Papuan | ||