Arja | |
---|---|
Types | Traditional theatre |
Ancestor arts | Balinese |
Originating culture | Indonesia |
Arja (theatre) |
---|
|
Burma |
Cambodia |
Indonesia |
|
Laos |
Malaysia |
Philippines |
Thailand |
|
Vietnam |
Arja ( Balinese: ᬅᬃᬚ), also known as Balinese opera, is a popular form of Balinese theatre which combines elements of opera, dance, and drama. [1] It was created in 1825 for the funeral of a Balinese prince. In the beginning it had an all-male cast; since the 20th century all performers (including those playing men) have been women. [2]
The Panji tales are the most important plot material. Since the 20th century, Arja performances have also enacted Balinese mythology and legends as well as Indian ( Mahabharata and Ramayana), Chinese, Arabic, and more recently, western and contemporary Indonesian stories. [1] [2]
Singing and stylized dance movements are accompanied by gamelan music played with two bamboo zithers called guntang. [1]
Arja | |
---|---|
Types | Traditional theatre |
Ancestor arts | Balinese |
Originating culture | Indonesia |
Arja (theatre) |
---|
|
Burma |
Cambodia |
Indonesia |
|
Laos |
Malaysia |
Philippines |
Thailand |
|
Vietnam |
Arja ( Balinese: ᬅᬃᬚ), also known as Balinese opera, is a popular form of Balinese theatre which combines elements of opera, dance, and drama. [1] It was created in 1825 for the funeral of a Balinese prince. In the beginning it had an all-male cast; since the 20th century all performers (including those playing men) have been women. [2]
The Panji tales are the most important plot material. Since the 20th century, Arja performances have also enacted Balinese mythology and legends as well as Indian ( Mahabharata and Ramayana), Chinese, Arabic, and more recently, western and contemporary Indonesian stories. [1] [2]
Singing and stylized dance movements are accompanied by gamelan music played with two bamboo zithers called guntang. [1]