A New Sound... A New Star..., Vol. 1 | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 1956 | |||
Recorded | February 18, 1956 | |||
Studio |
Van Gelder Studio Hackensack, New Jersey | |||
Genre | Jazz | |||
Length | 40:04 | |||
Label |
Blue Note BLP 1512 | |||
Producer | Alfred Lion | |||
Jimmy Smith chronology | ||||
| ||||
Singles from A New Sound... A New Star..., Vol. 1 | ||||
|
A New Sound... A New Star..., Vol. 1 is the debut album by the American jazz organist Jimmy Smith, recorded on February 18, 1956 and released on Blue Note later that year. [1]
The album was rereleased on CD combined with Smith's following two LPs, A New Sound – A New Star, Vol. 2 (1956) and Jimmy Smith at the Organ (1956). [2]
Review scores | |
---|---|
Source | Rating |
AllMusic | [3] |
The Penguin Guide to Jazz Recordings | (CD reissue) [4] |
The AllMusic review by Scott Yanow states, "The debut of organist Jimmy Smith on records (he was already 30) was a major event, for he introduced a completely new and very influential style on the organ, one that virtually changed the way the instrument is played." [3]
A New Sound... A New Star..., Vol. 1 | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 1956 | |||
Recorded | February 18, 1956 | |||
Studio |
Van Gelder Studio Hackensack, New Jersey | |||
Genre | Jazz | |||
Length | 40:04 | |||
Label |
Blue Note BLP 1512 | |||
Producer | Alfred Lion | |||
Jimmy Smith chronology | ||||
| ||||
Singles from A New Sound... A New Star..., Vol. 1 | ||||
|
A New Sound... A New Star..., Vol. 1 is the debut album by the American jazz organist Jimmy Smith, recorded on February 18, 1956 and released on Blue Note later that year. [1]
The album was rereleased on CD combined with Smith's following two LPs, A New Sound – A New Star, Vol. 2 (1956) and Jimmy Smith at the Organ (1956). [2]
Review scores | |
---|---|
Source | Rating |
AllMusic | [3] |
The Penguin Guide to Jazz Recordings | (CD reissue) [4] |
The AllMusic review by Scott Yanow states, "The debut of organist Jimmy Smith on records (he was already 30) was a major event, for he introduced a completely new and very influential style on the organ, one that virtually changed the way the instrument is played." [3]