1743–1746 Bach revises his St Matthew Passion (two organs used again, but viola da gamba still retained; recitatives revised so that now only the
vox Christi recitatives have sustained continuo parts). No evidence of version being performed (version we know today).
Giuseppe Tartini – 12 Violin Sonatas, published in Rome in 1745 as Op. 2 and in Paris, ca. 1747 as Op. 3 (at least two other publications are known as Op. 2, including the 6 Violin Sonatas published in Amsterdam in this year, but there are no other collections published as Op. 3)
Francesco Geminiani – Pièces de clavecin tirées des differens ouvrages de Mr F. Geminiani adaptées par luy même (arrangements, mostly from Opp. 1 and 4)
Giuseppe Tartini – VI Sonate, for violin and basso continuo, Op. 2 (Amsterdam) (two other collections were published as Op. 2, VI concerti a 8 in Amsterdam, 1734, and 12 Sonatas for violin and basso continuo in Rome, 1745, but also in Paris, ca. 1747 as Op. 3)
1743–1746 Bach revises his St Matthew Passion (two organs used again, but viola da gamba still retained; recitatives revised so that now only the
vox Christi recitatives have sustained continuo parts). No evidence of version being performed (version we know today).
Giuseppe Tartini – 12 Violin Sonatas, published in Rome in 1745 as Op. 2 and in Paris, ca. 1747 as Op. 3 (at least two other publications are known as Op. 2, including the 6 Violin Sonatas published in Amsterdam in this year, but there are no other collections published as Op. 3)
Francesco Geminiani – Pièces de clavecin tirées des differens ouvrages de Mr F. Geminiani adaptées par luy même (arrangements, mostly from Opp. 1 and 4)
Giuseppe Tartini – VI Sonate, for violin and basso continuo, Op. 2 (Amsterdam) (two other collections were published as Op. 2, VI concerti a 8 in Amsterdam, 1734, and 12 Sonatas for violin and basso continuo in Rome, 1745, but also in Paris, ca. 1747 as Op. 3)