Yuki-onna Monogatari (雪女物語) is a Japanese otogi-zōshi in two books (one volume), likely composed in the Azuchi-Momoyama period or the beginning of the Edo period.
Yuki-onna Monogatari is a work of the otogi-zōshi genre [1] in two books (one volume). [1] It was probably composed in the Azuchi-Momoyama period or the beginning of the Edo period. [1]
It is one of a number of works depicting the defeat of a monster and the legendary origin of a famous sword, [1] other such works including the Heike Tsurugi no Maki. [1] This particular work portrays a marriage to a ghostly figure (怪婚 kai-kon), [1] which is not an uncommon theme in such stories. [1]
The work shows the influence of the yōkyoku ( Noh libretti) Kokaji. [1] In his article for the Nihon Koten Bungaku Daijiten, Motoichi Kinoshita also notes the apparent influences of setsuwa such as Izumi Shikibu Inari-mōde (和泉式部稲荷詣), [1] Rashōmon Modori-bashi (羅生門戻橋), [1] Tsuchi-gumo Taiji (土蜘蛛退治) [1] and Tamamono Mae (玉藻前), [1] as well as the Noh play Momiji-gari, [1] on the work.
The word yuki-onna appears in the kōwakamai Fushimi Tokiwa (伏見常盤), [1] and the motif of people being taken by old raccoons is also seen in a story in the Kokon Chomonjū. [1]
In the first year of Chōtoku (995), Emperor Ichijō is told in a dream to commission the forging of a sword by Sanjō no Kokaji Munechika (三条小鍛冶宗近). [1] Munechika, with the assistance of the god Inari, forges the valuable blade Kogitsune-maru . [1]
That winter, a malevolent female raccoon dog manifests as a yuki-onna and starts spiriting people away. [1] Several warriors, including the retainers of Tada Mitsunaka, are commissioned to eliminate the beast, and manage to injure it but fail to capture it. [1]
The following spring, Taira no Kanenobu encounters a beautiful woman on Mount Otowa and takes her home with him. [1] Kanenobu's former lover realizes the woman's true nature and attempts to warn him, but is strangled to death. [1] A fortune-teller tells Kanenobu that this was the work of the yuki-onna, and Kanenobu uses the sword Kogitsune-maru, with which he is entrusted by the emperor, to slay the creature. [1]
In the holdings of the Katei Archives (霞亭文庫) in the University of Tokyo, there is a Shōkaiban (松会版) printed edition dating to Kanbun 5 (1665). [1] The 1909 Kinko Shōsetsu Kaidai (近古小説解題) also reproduces a Manji 3 (1660) edition printed by Ishizu Hachirō Uemon (石津八郎右衛門). [1]
Yuki-onna Monogatari (雪女物語) is a Japanese otogi-zōshi in two books (one volume), likely composed in the Azuchi-Momoyama period or the beginning of the Edo period.
Yuki-onna Monogatari is a work of the otogi-zōshi genre [1] in two books (one volume). [1] It was probably composed in the Azuchi-Momoyama period or the beginning of the Edo period. [1]
It is one of a number of works depicting the defeat of a monster and the legendary origin of a famous sword, [1] other such works including the Heike Tsurugi no Maki. [1] This particular work portrays a marriage to a ghostly figure (怪婚 kai-kon), [1] which is not an uncommon theme in such stories. [1]
The work shows the influence of the yōkyoku ( Noh libretti) Kokaji. [1] In his article for the Nihon Koten Bungaku Daijiten, Motoichi Kinoshita also notes the apparent influences of setsuwa such as Izumi Shikibu Inari-mōde (和泉式部稲荷詣), [1] Rashōmon Modori-bashi (羅生門戻橋), [1] Tsuchi-gumo Taiji (土蜘蛛退治) [1] and Tamamono Mae (玉藻前), [1] as well as the Noh play Momiji-gari, [1] on the work.
The word yuki-onna appears in the kōwakamai Fushimi Tokiwa (伏見常盤), [1] and the motif of people being taken by old raccoons is also seen in a story in the Kokon Chomonjū. [1]
In the first year of Chōtoku (995), Emperor Ichijō is told in a dream to commission the forging of a sword by Sanjō no Kokaji Munechika (三条小鍛冶宗近). [1] Munechika, with the assistance of the god Inari, forges the valuable blade Kogitsune-maru . [1]
That winter, a malevolent female raccoon dog manifests as a yuki-onna and starts spiriting people away. [1] Several warriors, including the retainers of Tada Mitsunaka, are commissioned to eliminate the beast, and manage to injure it but fail to capture it. [1]
The following spring, Taira no Kanenobu encounters a beautiful woman on Mount Otowa and takes her home with him. [1] Kanenobu's former lover realizes the woman's true nature and attempts to warn him, but is strangled to death. [1] A fortune-teller tells Kanenobu that this was the work of the yuki-onna, and Kanenobu uses the sword Kogitsune-maru, with which he is entrusted by the emperor, to slay the creature. [1]
In the holdings of the Katei Archives (霞亭文庫) in the University of Tokyo, there is a Shōkaiban (松会版) printed edition dating to Kanbun 5 (1665). [1] The 1909 Kinko Shōsetsu Kaidai (近古小説解題) also reproduces a Manji 3 (1660) edition printed by Ishizu Hachirō Uemon (石津八郎右衛門). [1]