| |
---|---|
Frequency | 102.1 FM |
Branding | Opus 102.1 FM |
Programming | |
Format | Classical music |
Ownership | |
Owner |
|
XEQI-AM | |
History | |
First air date | 1978 |
Technical information | |
Class | C1 |
ERP | 99.63 kW [1] |
Transmitter coordinates | 25°37′34″N 100°19′11″W / 25.62611°N 100.31972°W |
Links | |
Webcast | Listen live |
Website | srtvnl.com |
XHQI-FM is a station in Monterrey, Nuevo León, Mexico. Owned by the state government of Nuevo León, XHQI broadcasts on 102.1 FM from a transmitter site on Cerro El Mirador and carries a public radio format known as Radio Nuevo León 102.1 FM.
XHQI was the first state-owned broadcast station in Nuevo León, coming to air in 1978 as "Radio Gobierno". XEQI-AM followed the next year, and services in rural Nuevo León were opened in the 1980s.
For most of its history, it was Opus 102 with a classical music format. The July 2017 decision to move Opus to 1510 AM and launch a new station, Libertad 102, focused around popular music met with criticism in the cultural community. [2]
| |
---|---|
Frequency | 102.1 FM |
Branding | Opus 102.1 FM |
Programming | |
Format | Classical music |
Ownership | |
Owner |
|
XEQI-AM | |
History | |
First air date | 1978 |
Technical information | |
Class | C1 |
ERP | 99.63 kW [1] |
Transmitter coordinates | 25°37′34″N 100°19′11″W / 25.62611°N 100.31972°W |
Links | |
Webcast | Listen live |
Website | srtvnl.com |
XHQI-FM is a station in Monterrey, Nuevo León, Mexico. Owned by the state government of Nuevo León, XHQI broadcasts on 102.1 FM from a transmitter site on Cerro El Mirador and carries a public radio format known as Radio Nuevo León 102.1 FM.
XHQI was the first state-owned broadcast station in Nuevo León, coming to air in 1978 as "Radio Gobierno". XEQI-AM followed the next year, and services in rural Nuevo León were opened in the 1980s.
For most of its history, it was Opus 102 with a classical music format. The July 2017 decision to move Opus to 1510 AM and launch a new station, Libertad 102, focused around popular music met with criticism in the cultural community. [2]