Wolftracks | ||||
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Studio album by | ||||
Released | 1982 | |||
Recorded | 1982 | |||
Studio | Ocean Way, Hollywood, California | |||
Genre | Rock | |||
Length | 45:09 | |||
Label |
Attic Records (Canada) Nautilus Records (US) Allegiance Records (US, 1983) | |||
Producer | John Kay, Richard Podolor | |||
Steppenwolf chronology | ||||
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Singles from Wolftracks | ||||
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Wolftracks is an album by John Kay and Steppenwolf, released in 1982. [1] It was originally released only in Canada and Australia. The album was the first new studio album in six years for John Kay, featuring a new line-up of Steppenwolf and Kay renaming the group accordingly.
In 1980, John Kay reclaimed the Steppenwolf name, touring as “John Kay & Steppenwolf.” The album Wolftracks, the first after the band reformed, was recorded "live" in the studio on a 2-track digital recorder, which was then a new medium. [2]
Review scores | |
---|---|
Source | Rating |
AllMusic | [3] |
The Rolling Stone Album Guide | [4] |
The Globe and Mail wrote that "the basic elements are all there: Kay's husky, Wilson Pickett singing style dominates the digitally processed mix, and Michael Wilk adds the familiar, fat organ sounds to the lurching, half-soul and half-rock beat." [5]
Wolftracks | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 1982 | |||
Recorded | 1982 | |||
Studio | Ocean Way, Hollywood, California | |||
Genre | Rock | |||
Length | 45:09 | |||
Label |
Attic Records (Canada) Nautilus Records (US) Allegiance Records (US, 1983) | |||
Producer | John Kay, Richard Podolor | |||
Steppenwolf chronology | ||||
| ||||
Singles from Wolftracks | ||||
|
Wolftracks is an album by John Kay and Steppenwolf, released in 1982. [1] It was originally released only in Canada and Australia. The album was the first new studio album in six years for John Kay, featuring a new line-up of Steppenwolf and Kay renaming the group accordingly.
In 1980, John Kay reclaimed the Steppenwolf name, touring as “John Kay & Steppenwolf.” The album Wolftracks, the first after the band reformed, was recorded "live" in the studio on a 2-track digital recorder, which was then a new medium. [2]
Review scores | |
---|---|
Source | Rating |
AllMusic | [3] |
The Rolling Stone Album Guide | [4] |
The Globe and Mail wrote that "the basic elements are all there: Kay's husky, Wilson Pickett singing style dominates the digitally processed mix, and Michael Wilk adds the familiar, fat organ sounds to the lurching, half-soul and half-rock beat." [5]