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i have a question.in my school club we have this trivias we ask each other and the one rule is that we get our source of info from wikipedia.now the last one we got seems quite tough.its about two people both are comedians one is a fantastic dancer and both are comedians.they are a couple.am not sure if married or not but they are together.who are they?the couple must have an article on them on wikipedia.
i was just thinking about the same thing.
I must be spelling this wrong or something. I am sure there is a movie with this title? Julie Moon 10:43, 11 July 2007 (UTC)
How do I transpose this MIDi melody http://pachome1.pacific.net.sg/~rckl/evat.mid (the score is at http://www.kisa.ca/lj/eva1.png and http://www.kisa.ca/lj/eva2.png ) to be played on tenor recorder so that it fits the instrument's range and uses easy fingerings without too many weird accidentals.
http://home.pacbell.net/jeanannc/mpro/images/FingeringChart.jpg
Currently the first note of the song is C, which happens to be the lowest possible note on my tenor instrument. What note should I change it to, to fit my goals? For example, in part two of the score PNG, it dips below C, so I need to shift everything upward, at least.
-- Sonjaaa 14:31, 11 July 2007 (UTC)
If anyone caught Sandrine Voillet's Paris on BBC 2 at 9pm on July 10th,, does anyone remember the name of the pianist she spoke about, and the song he played, is was a very simple piece, sounded familiar. 89.242.81.184 16:09, 11 July 2007 (UTC)
Think back to the start of the James Bond series. The original James Bond was, as far as I recall, Sean Connery. How did the producers stop Sean Connery (or whoever the James Bond was played by) being offered more money by another production company and going off and making a James Bond movie with someone else?
In fact I've been thinking about this in general - if producers have a successful character or duo - for example Abbott and Costello or Laurel and Hardy or whoever - how did the producers stop the actors going off with some other production company and leaving the original producers in the lurch? 80.2.197.105 21:26, 11 July 2007 (UTC)
Thanks. So if a producer was developing a new comedy duo for example, how could she/he stop the pair of actors involved running off and using the same characters with some other producer if there was no book of the film? I know that this was prevented in Laurel and Hardy because they had different contracts that expired at different times, but now that studios do not get an exclusive contract over the next few years of an actors life, how is it prevented? And what stopped somebody writing an Ian Fleming pastiche that Cubby Broccoli did not own the film rights to, and using Sean Connery to act in it? Do you think Cubby had sleepless nights worrying about this possibility? 80.2.220.179 23:28, 13 July 2007 (UTC)
Entertainment desk | ||
---|---|---|
< July 10 | << Jun | July | Aug >> | July 12 > |
Welcome to the Wikipedia Entertainment Reference Desk Archives |
---|
The page you are currently viewing is an archive page. While you can leave answers for any questions shown below, please ask new questions on one of the current reference desk pages. |
i have a question.in my school club we have this trivias we ask each other and the one rule is that we get our source of info from wikipedia.now the last one we got seems quite tough.its about two people both are comedians one is a fantastic dancer and both are comedians.they are a couple.am not sure if married or not but they are together.who are they?the couple must have an article on them on wikipedia.
i was just thinking about the same thing.
I must be spelling this wrong or something. I am sure there is a movie with this title? Julie Moon 10:43, 11 July 2007 (UTC)
How do I transpose this MIDi melody http://pachome1.pacific.net.sg/~rckl/evat.mid (the score is at http://www.kisa.ca/lj/eva1.png and http://www.kisa.ca/lj/eva2.png ) to be played on tenor recorder so that it fits the instrument's range and uses easy fingerings without too many weird accidentals.
http://home.pacbell.net/jeanannc/mpro/images/FingeringChart.jpg
Currently the first note of the song is C, which happens to be the lowest possible note on my tenor instrument. What note should I change it to, to fit my goals? For example, in part two of the score PNG, it dips below C, so I need to shift everything upward, at least.
-- Sonjaaa 14:31, 11 July 2007 (UTC)
If anyone caught Sandrine Voillet's Paris on BBC 2 at 9pm on July 10th,, does anyone remember the name of the pianist she spoke about, and the song he played, is was a very simple piece, sounded familiar. 89.242.81.184 16:09, 11 July 2007 (UTC)
Think back to the start of the James Bond series. The original James Bond was, as far as I recall, Sean Connery. How did the producers stop Sean Connery (or whoever the James Bond was played by) being offered more money by another production company and going off and making a James Bond movie with someone else?
In fact I've been thinking about this in general - if producers have a successful character or duo - for example Abbott and Costello or Laurel and Hardy or whoever - how did the producers stop the actors going off with some other production company and leaving the original producers in the lurch? 80.2.197.105 21:26, 11 July 2007 (UTC)
Thanks. So if a producer was developing a new comedy duo for example, how could she/he stop the pair of actors involved running off and using the same characters with some other producer if there was no book of the film? I know that this was prevented in Laurel and Hardy because they had different contracts that expired at different times, but now that studios do not get an exclusive contract over the next few years of an actors life, how is it prevented? And what stopped somebody writing an Ian Fleming pastiche that Cubby Broccoli did not own the film rights to, and using Sean Connery to act in it? Do you think Cubby had sleepless nights worrying about this possibility? 80.2.220.179 23:28, 13 July 2007 (UTC)