The following discussion is an archived debate of the proposed deletion of the article below. Please do not modify it. Subsequent comments should be made on the appropriate discussion page (such as the article's
talk page or in a
deletion review). No further edits should be made to this page.
The result was keep.
RL0919 (
talk) 00:05, 4 October 2019 (UTC)reply
Delete. note that it also fails WP:NALBUM and WP:COPYVIO. The main bulk of the article consists of a long paraphrases of a critic's review - this is certainly violation of copyright.
Smerus (
talk) 07:10, 19 September 2019 (UTC)reply
Keep per
WP:NALBUM. The article's COPYVIO issue has now been addressed, and brief review excerpts will be supplied in due course. For further coverage, see Classic CD, Issue 107-113, 1999, p. 25; Hi-Fi News & Record Review, Vol. 45, Issues 1-6, 2000, p. 101; Donald Carl Meyer and Jay D. Zorn's Critical Review Guide, 2003, p. 54.
Niggle1892 (
talk) 16:43, 22 September 2019 (UTC)reply
Keep per criteria 1 at
WP:NALBUM. I found critical reviews in two notable publications offline: BBC Music Magazine, 1996, Volume 4, Page 64 and Stereo Review, 1996, Volume 61, Page 80. The work is also critically reviewed on page 120 of Gustav Mahler's Symphonies: Critical Commentary on Recordings Since 1986 By Lewis M. Smoley, Greenwood Publishing Group, 1996 which can be viewed
here at google books. One of the two reviews in Gramophone cited in the article is available for viewing online
here.
4meter4 (
talk) 18:42, 22 September 2019 (UTC)reply
Relisted to generate a more thorough discussion and clearer consensus.
Please add new comments below this notice. Thanks, --
RoySmith(talk) 23:56, 26 September 2019 (UTC)reply
The above discussion is preserved as an archive of the debate. Please do not modify it. Subsequent comments should be made on the appropriate discussion page (such as the article's
talk page or in a
deletion review). No further edits should be made to this page.
The following discussion is an archived debate of the proposed deletion of the article below. Please do not modify it. Subsequent comments should be made on the appropriate discussion page (such as the article's
talk page or in a
deletion review). No further edits should be made to this page.
The result was keep.
RL0919 (
talk) 00:05, 4 October 2019 (UTC)reply
Delete. note that it also fails WP:NALBUM and WP:COPYVIO. The main bulk of the article consists of a long paraphrases of a critic's review - this is certainly violation of copyright.
Smerus (
talk) 07:10, 19 September 2019 (UTC)reply
Keep per
WP:NALBUM. The article's COPYVIO issue has now been addressed, and brief review excerpts will be supplied in due course. For further coverage, see Classic CD, Issue 107-113, 1999, p. 25; Hi-Fi News & Record Review, Vol. 45, Issues 1-6, 2000, p. 101; Donald Carl Meyer and Jay D. Zorn's Critical Review Guide, 2003, p. 54.
Niggle1892 (
talk) 16:43, 22 September 2019 (UTC)reply
Keep per criteria 1 at
WP:NALBUM. I found critical reviews in two notable publications offline: BBC Music Magazine, 1996, Volume 4, Page 64 and Stereo Review, 1996, Volume 61, Page 80. The work is also critically reviewed on page 120 of Gustav Mahler's Symphonies: Critical Commentary on Recordings Since 1986 By Lewis M. Smoley, Greenwood Publishing Group, 1996 which can be viewed
here at google books. One of the two reviews in Gramophone cited in the article is available for viewing online
here.
4meter4 (
talk) 18:42, 22 September 2019 (UTC)reply
Relisted to generate a more thorough discussion and clearer consensus.
Please add new comments below this notice. Thanks, --
RoySmith(talk) 23:56, 26 September 2019 (UTC)reply
The above discussion is preserved as an archive of the debate. Please do not modify it. Subsequent comments should be made on the appropriate discussion page (such as the article's
talk page or in a
deletion review). No further edits should be made to this page.