When We Were Small | ||||
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Studio album by | ||||
Released | January 22, 2002 | |||
Recorded | Jupiter Studios, Seattle, May 2001 | |||
Genre | Indie folk | |||
Length | 36:46 | |||
Label | Sub Pop | |||
Producer | Martin Feveyear | |||
Rosie Thomas chronology | ||||
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When We Were Small is the debut album by American singer-songwriter Rosie Thomas, released in 2002.
Review scores | |
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Source | Rating |
Allmusic | ![]() ![]() ![]() ![]() ![]() |
Metro Times | ![]() ![]() ![]() ![]() ![]() |
Pitchfork Media | 7.3/10 [3] |
Pitchfork Media rated the album 7.3 out of 10, with reviewer Brad Haywood calling it "a solid debut, long on talent but maybe a bit short on melody or lacking in appropriate production". [3] Allmusic awarded it four stars, with Tom Semioli calling it a "mesmerizing debut outing". [1] Indy Week described it as "a quiet collection of songs that tend to spotlight the lyrics, and in Thomas' case, that's definitely a plus". [4] Geoffrey Himes, writing for the Washington Post, commented on Thomas's "frail, breathy soprano that offers reluctant confessions over minimalist keyboard settings". [5]
All songs written by Rosie Thomas.
When We Were Small | ||||
---|---|---|---|---|
![]() | ||||
Studio album by | ||||
Released | January 22, 2002 | |||
Recorded | Jupiter Studios, Seattle, May 2001 | |||
Genre | Indie folk | |||
Length | 36:46 | |||
Label | Sub Pop | |||
Producer | Martin Feveyear | |||
Rosie Thomas chronology | ||||
|
When We Were Small is the debut album by American singer-songwriter Rosie Thomas, released in 2002.
Review scores | |
---|---|
Source | Rating |
Allmusic | ![]() ![]() ![]() ![]() ![]() |
Metro Times | ![]() ![]() ![]() ![]() ![]() |
Pitchfork Media | 7.3/10 [3] |
Pitchfork Media rated the album 7.3 out of 10, with reviewer Brad Haywood calling it "a solid debut, long on talent but maybe a bit short on melody or lacking in appropriate production". [3] Allmusic awarded it four stars, with Tom Semioli calling it a "mesmerizing debut outing". [1] Indy Week described it as "a quiet collection of songs that tend to spotlight the lyrics, and in Thomas' case, that's definitely a plus". [4] Geoffrey Himes, writing for the Washington Post, commented on Thomas's "frail, breathy soprano that offers reluctant confessions over minimalist keyboard settings". [5]
All songs written by Rosie Thomas.