Werner Schlichting (1904–1996) was a German art director who worked on over a hundred films during a lengthy career. He worked on a number of Austrian films including The Congress Dances and The Last Ten Days (1955). ^[1]

• Luther (1928)
• The Flame of Love (1930)
• Calais-Dover (1931)
• No More Love (1931)
• Two Hearts Beat as One (1932)
• The Song of Night (1932)
• How Shall I Tell My Husband? (1932)
• All for Love (1933)
• What Men Know (1933)
• Her Highness the Saleswoman (1933)
• A Song for You (1933)
• My Heart Calls You (1934)
• So Ended a Great Love (1934)
• The Princess's Whim (1934)
• My Heart Is Calling You (1934)
• Victoria (1935)
• Artist Love (1935)
• Casta Diva (1935)
• The Emperor's Candlesticks (1936)
• Court Theatre (1936)
• Serenade (1937)
• Capers (1937)
• A Mother's Love (1939)
• Bel Ami (1939)
• Destiny (1942)
• The Secret Countess (1942)
• Late Love (1943)
• Archduke Johann's Great Love (1950)
• Bonus on Death (1950)
• Maria Theresa (1951)
• Heidi (1952)
• The Venus of Tivoli (1953)
• Fireworks (1954)
• Walking Back into the Past (1954)
• Cabaret (1954)
• The Congress Dances (1955)
• The Last Ten Days (1955)
• Mozart (1955)
• Crown Prince Rudolph's Last Love (1956)
• The Saint and Her Fool (1957)
• The Unexcused Hour (1957)
• The Priest and the Girl (1958)
• Arena of Fear (1959)
• Jacqueline (1959)
• Via Mala (1961)
• Captain Sindbad (1963)
• Long Legs, Long Fingers (1966)
• Morning's at Seven (1968)
• When Sweet Moonlight Is Sleeping in the Hills (1969)

• Fritsche, Maria. Homemade Men in Postwar Austrian Cinema: Nationhood, Genre and Masculinity. Berghahn Books, 2013.

• Werner Schlichting at IMDb

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