Walter Greenwood (17 December 1903 – 13 September 1974) was an English novelist, best known for the socially influential novel Love on the Dole (1933).
Greenwood was born at 56 Ellor Street, his father's house and hairdresser's shop in "Hanky Park", Pendleton, Salford, Lancashire. [1] [2] His father, Tom, died when he was nine years old, and his mother, Elizabeth Matilda, provided for him by working as a waitress. Greenwood's parents belonged to the radical working classes; his mother came from a family with a strong tradition of socialism and union membership, and she inherited her father’s book-case complete with its socialist book collection. [3]
Greenwood was educated at the local council school and left at the age of 13. While the normal school leaving age at the time was 14, he was able to leave a year early after taking the Board of Education Labour Exam, which was only 'open to fatherless boys' so that they could go to work to help support their family. [4] His first job was as a pawnbroker's clerk. A succession of low paid jobs followed, while he continued to educate himself at the Salford Public Library. During periods of unemployment Greenwood worked for the local Labour Party, briefly becoming a councillor, and began to write short stories, after no longer qualifying for the dole, exhausting his entitlement under the rules of the time. In October 1929, after being owed three months wages from his last job as a typist, he took home the office typewriter in lieu of his wages, and began to write the stories of the people of Hanky Park, to earn a living. [5]
While unemployed, during 1932, Greenwood wrote his first novel, Love on the Dole, about the destructive social effects of poverty in his home town. After several rejections, it was published during 1933. It was a critical and commercial success, and a great influence on the British public's opinion of unemployment. The novel even prompted parliament to investigate, resulting in reforms.
In 1935, Greenwood collaborated with Ronald Gow on a stage adaptation of the novel. The critic of The Times wrote:
Being conceived in suffering and written in blood, it profoundly moves its audience in January 1935 ... it has the supreme virtue in a piece of this kind of saying what it has to say in plain narrative, stripped of oration. [6]
The play had successful runs in both Britain and the United States, which meant that Greenwood would not have to worry about employment again. A film adaptation was proposed in 1936, but the British Board of Film censors made strong objections to the possibility of a film about industrial unrest which might be socially divisive. [7] In 1940, however, when unemployment could be presented as a thing of the past, a film adaptation was permitted. The film, which toned down some of the novel's social commentary, was directed by John Baxter, and featured Deborah Kerr. It was successful with the critics and at the box office. [8]
During the Second World War, Greenwood served with the Royal Army Service Corps. Just before the war, in 1938, he had set up Greenpark Productions Ltd, a documentary film production company that made government information films for the Ministry of Information (which became the Central Office of Information from 1946). [9] Originally based in Polperro, Cornwall, the company relocated to London in 1939. After the war it expanded into making upmarket corporate films. [10] Amongst its roster of directors were Ken Annakin, Ralph Keene and Humphrey Swingler, brother of the poet Randall Swingler. [11] Greenpark Productions was a founding member of the Film Producers Guild, which set new standards for UK documentary film production. The company, together with its film archive, was acquired in 1977 by firm producer David Morphet. [12]
Although Greenwood never matched the success of Love on the Dole, he produced a succession of other books:
The Treeloe Trilogy:
While living in Polperro, Cornwall during 1938, Greenwood started a production company, Greenpark Productions Ltd. The firm now trades as a movie archive. [17]
In the 1930s, Greenwood was engaged to Alice Myles, a Salford girl, and stayed in Salford for a while, where he served as a city councillor, but soon relocated to London. He abandoned his fiancée, who sued him successfully for breach of promise. [18]
Greenwood stood twice as a Labour Party candidate for Salford City Council; he won on his second attempt, in November 1934, securing a seat in the St. Matthias's Ward. Greenwood won with 1,848 votes, a majority of 750 over the sitting independent councillor, A.C. Dixon, and the Communist candidate, R Davies, polled only 81 votes. Greenwood's experience of being a Labour councillor was the inspiration for his book, His Worship the Mayor. [19] [20] [21]
During 1937 he married Pearl Alice Osgood, an American actress and dancer; they divorced in 1944. Greenwood later described them as having been a pair of 'erupting volcanoes'. [22] He retired to Douglas, Isle of Man, in the 1950s, and died there on 13 September 1974, aged 70.
Greenwood's manuscripts and letters are archived in the University of Salford's Walter Greenwood Collection.
Walter Greenwood (17 December 1903 – 13 September 1974) was an English novelist, best known for the socially influential novel Love on the Dole (1933).
Greenwood was born at 56 Ellor Street, his father's house and hairdresser's shop in "Hanky Park", Pendleton, Salford, Lancashire. [1] [2] His father, Tom, died when he was nine years old, and his mother, Elizabeth Matilda, provided for him by working as a waitress. Greenwood's parents belonged to the radical working classes; his mother came from a family with a strong tradition of socialism and union membership, and she inherited her father’s book-case complete with its socialist book collection. [3]
Greenwood was educated at the local council school and left at the age of 13. While the normal school leaving age at the time was 14, he was able to leave a year early after taking the Board of Education Labour Exam, which was only 'open to fatherless boys' so that they could go to work to help support their family. [4] His first job was as a pawnbroker's clerk. A succession of low paid jobs followed, while he continued to educate himself at the Salford Public Library. During periods of unemployment Greenwood worked for the local Labour Party, briefly becoming a councillor, and began to write short stories, after no longer qualifying for the dole, exhausting his entitlement under the rules of the time. In October 1929, after being owed three months wages from his last job as a typist, he took home the office typewriter in lieu of his wages, and began to write the stories of the people of Hanky Park, to earn a living. [5]
While unemployed, during 1932, Greenwood wrote his first novel, Love on the Dole, about the destructive social effects of poverty in his home town. After several rejections, it was published during 1933. It was a critical and commercial success, and a great influence on the British public's opinion of unemployment. The novel even prompted parliament to investigate, resulting in reforms.
In 1935, Greenwood collaborated with Ronald Gow on a stage adaptation of the novel. The critic of The Times wrote:
Being conceived in suffering and written in blood, it profoundly moves its audience in January 1935 ... it has the supreme virtue in a piece of this kind of saying what it has to say in plain narrative, stripped of oration. [6]
The play had successful runs in both Britain and the United States, which meant that Greenwood would not have to worry about employment again. A film adaptation was proposed in 1936, but the British Board of Film censors made strong objections to the possibility of a film about industrial unrest which might be socially divisive. [7] In 1940, however, when unemployment could be presented as a thing of the past, a film adaptation was permitted. The film, which toned down some of the novel's social commentary, was directed by John Baxter, and featured Deborah Kerr. It was successful with the critics and at the box office. [8]
During the Second World War, Greenwood served with the Royal Army Service Corps. Just before the war, in 1938, he had set up Greenpark Productions Ltd, a documentary film production company that made government information films for the Ministry of Information (which became the Central Office of Information from 1946). [9] Originally based in Polperro, Cornwall, the company relocated to London in 1939. After the war it expanded into making upmarket corporate films. [10] Amongst its roster of directors were Ken Annakin, Ralph Keene and Humphrey Swingler, brother of the poet Randall Swingler. [11] Greenpark Productions was a founding member of the Film Producers Guild, which set new standards for UK documentary film production. The company, together with its film archive, was acquired in 1977 by firm producer David Morphet. [12]
Although Greenwood never matched the success of Love on the Dole, he produced a succession of other books:
The Treeloe Trilogy:
While living in Polperro, Cornwall during 1938, Greenwood started a production company, Greenpark Productions Ltd. The firm now trades as a movie archive. [17]
In the 1930s, Greenwood was engaged to Alice Myles, a Salford girl, and stayed in Salford for a while, where he served as a city councillor, but soon relocated to London. He abandoned his fiancée, who sued him successfully for breach of promise. [18]
Greenwood stood twice as a Labour Party candidate for Salford City Council; he won on his second attempt, in November 1934, securing a seat in the St. Matthias's Ward. Greenwood won with 1,848 votes, a majority of 750 over the sitting independent councillor, A.C. Dixon, and the Communist candidate, R Davies, polled only 81 votes. Greenwood's experience of being a Labour councillor was the inspiration for his book, His Worship the Mayor. [19] [20] [21]
During 1937 he married Pearl Alice Osgood, an American actress and dancer; they divorced in 1944. Greenwood later described them as having been a pair of 'erupting volcanoes'. [22] He retired to Douglas, Isle of Man, in the 1950s, and died there on 13 September 1974, aged 70.
Greenwood's manuscripts and letters are archived in the University of Salford's Walter Greenwood Collection.