 | This article includes a
list of references,
related reading, or
external links, but its sources remain unclear because it lacks
inline citations. (March 2013) |
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Walter Anthony (February 13, 1872 in Stockton, California – May 1, 1945 in Hollywood, California) was a screenplay, titles, and documentary film writer. Before Walter started writing in films he was a dramatic and musical critic for The San Francisco Call[ citation needed], San Francisco Chronicle, and Seattle Post-Intelligencer. [1] At the time he came to work for the Post-Intelligencer in 1919, Seattle magazine The Town Crier described him as, "one of the few really authoritative critics of music and the drama in America." [1] Writing in 1942 in a guest column for Walter Winchell, Lionel Barrymore singled out Anthony among the "great stage critics." [2]
Selected filmography
- Foolish Wives (1922)
- Oliver Twist (1922)
- The Drivin' Fool (1923)
- A Boy of Flanders (1924)
- The Lightning Rider (1924)
- When a Man's a Man (1924)
- After Business Hours (1925)
- The Phantom of the Opera (1925)
- The Cat and the Canary (1927)
- The Last Performance (1927)
- Jazz Mad (1928)
- The Michigan Kid (1928)
- The Man Who Laughs (1928)
- Girl Overboard (1929)
- Love and the Devil (1929)
- All Quiet on the Western Front (1930)
- Courage (1930)
- General Crack (1930)
- Golden Dawn (1930)
- Paroled from the Big House (1938)
References
- ^ a b "The Musician and Playgoer". The Town Crier. Seattle. 1919-05-13. p. 13. Retrieved 2023-06-17.
- ^ Barrymore, Lionel (1942-08-13). "Walter Winchell on Broadway". Seattle Post-Intelligencer. Seattle. p. 6. Retrieved 2023-06-17.
External links
| International | |
|---|---|
| National | |
| Other | |
.jpg){kind=link}
  | This article about an American screenwriter born in the 1870s is a stub. You can help Wikipedia by expanding it. |
| This article includes a
list of references,
related reading, or
external links, but its sources remain unclear because it lacks
inline citations. (March 2013) |
Walter Anthony (February 13, 1872 in Stockton, California – May 1, 1945 in Hollywood, California) was a screenplay, titles, and documentary film writer. Before Walter started writing in films he was a dramatic and musical critic for The San Francisco Call[ citation needed], San Francisco Chronicle, and Seattle Post-Intelligencer. [1] At the time he came to work for the Post-Intelligencer in 1919, Seattle magazine The Town Crier described him as, "one of the few really authoritative critics of music and the drama in America." [1] Writing in 1942 in a guest column for Walter Winchell, Lionel Barrymore singled out Anthony among the "great stage critics." [2]
Selected filmography
- Foolish Wives (1922)
- Oliver Twist (1922)
- The Drivin' Fool (1923)
- A Boy of Flanders (1924)
- The Lightning Rider (1924)
- When a Man's a Man (1924)
- After Business Hours (1925)
- The Phantom of the Opera (1925)
- The Cat and the Canary (1927)
- The Last Performance (1927)
- Jazz Mad (1928)
- The Michigan Kid (1928)
- The Man Who Laughs (1928)
- Girl Overboard (1929)
- Love and the Devil (1929)
- All Quiet on the Western Front (1930)
- Courage (1930)
- General Crack (1930)
- Golden Dawn (1930)
- Paroled from the Big House (1938)
References
- ^ a b "The Musician and Playgoer". The Town Crier. Seattle. 1919-05-13. p. 13. Retrieved 2023-06-17.
- ^ Barrymore, Lionel (1942-08-13). "Walter Winchell on Broadway". Seattle Post-Intelligencer. Seattle. p. 6. Retrieved 2023-06-17.
External links
| International | |
|---|---|
| National | |
| Other | |
|
| This article about an American screenwriter born in the 1870s is a stub. You can help Wikipedia by expanding it. |