Walk Me Home... is the debut
extended play by American singer
Benson Boone, released on July 29, 2022, through
Dan Reynolds' label Night Street and
Warner Records. It was preceded by four singles—the internationally charting "
Ghost Town" and "
In the Stars", as well as "Room for 2" and "Better Alone".[1]
Asher White of The Line of Best Fit was almost entirely negative, describing the EP as "a half-hour of plodding, cloying ballads, with few shifts in dynamics or tone. Its homogeneity is almost impressive, as is its commitment to sparse, Instagram-filter-production that isolates Boone's piano playing and voice". White found that Boone's "singular mode is a strained, impassioned belt that he'll pitch up to a falsetto when he needs to signify sensitivity" and called his pronunciation "almost parodically indie", while his music "seems meant for no one, too broad in its style to feasibly target a specific audience yet too impersonal to be for Boone himself". White concluded that unless Boone finds an "engaging producer", "he will be as lost as his album cover suggests".[2]
Walk Me Home... is the debut
extended play by American singer
Benson Boone, released on July 29, 2022, through
Dan Reynolds' label Night Street and
Warner Records. It was preceded by four singles—the internationally charting "
Ghost Town" and "
In the Stars", as well as "Room for 2" and "Better Alone".[1]
Asher White of The Line of Best Fit was almost entirely negative, describing the EP as "a half-hour of plodding, cloying ballads, with few shifts in dynamics or tone. Its homogeneity is almost impressive, as is its commitment to sparse, Instagram-filter-production that isolates Boone's piano playing and voice". White found that Boone's "singular mode is a strained, impassioned belt that he'll pitch up to a falsetto when he needs to signify sensitivity" and called his pronunciation "almost parodically indie", while his music "seems meant for no one, too broad in its style to feasibly target a specific audience yet too impersonal to be for Boone himself". White concluded that unless Boone finds an "engaging producer", "he will be as lost as his album cover suggests".[2]