A reviewer at
NPR called it "virtually flawless",[10] and
MTV said it was "some of the most dazzling hip-hop this year".[11]
Several reviewers noted the inclusion of
Andean music elements, especially the
pan flute. NPR's reviewer said it was "refreshing" and noted Andean music has been "often done a disservice by "
world music" labels."[10] Of the flute, the MTV reviewer said "it's a bit challenging to extricate the instrument from its associations with corny new age compilations ... Tijoux is attempting a tough task to take back and breathe new life into music that has a rich heritage, but has been commercialized and marginalized into
schlock."[11]
The album's
instrumentation is completely done with in-studio recordings, often with traditional South American instruments. Unusually for modern hip-hop recording, there are no
samples used on the album.[14][13][1] One reviewer said that it contained elements of
folk music and
jazz.[14]
A reviewer at
NPR called it "virtually flawless",[10] and
MTV said it was "some of the most dazzling hip-hop this year".[11]
Several reviewers noted the inclusion of
Andean music elements, especially the
pan flute. NPR's reviewer said it was "refreshing" and noted Andean music has been "often done a disservice by "
world music" labels."[10] Of the flute, the MTV reviewer said "it's a bit challenging to extricate the instrument from its associations with corny new age compilations ... Tijoux is attempting a tough task to take back and breathe new life into music that has a rich heritage, but has been commercialized and marginalized into
schlock."[11]
The album's
instrumentation is completely done with in-studio recordings, often with traditional South American instruments. Unusually for modern hip-hop recording, there are no
samples used on the album.[14][13][1] One reviewer said that it contained elements of
folk music and
jazz.[14]