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The Second Line Culture


The name Second Line is, an urban social tradition for the African-American youth of New Orleans. Being a “Second Liner” is something that the youth look forward to. It is full of energy and you’re right behind the band as they strut down the narrow streets. Strutting and dance with your umbrella in hand to the beat of “Street Parade.” Just name any African-American so-called jazz “ great,” who came out of the great music city, and he/she has paid their dues to the Second Line. "The Second Line is a symbol of New Orleans,” said Zohar Israel, who’s a native, its excitement and tradition. African Americans affliction, a gift to New Orleans. To understand the Second Line, you must research the historical background of the Jazz Funeral. The term Jazz Funeral can be very confusing; it's a contradiction. How can anyone experience the excitement of this great art form and at the same time lay your loved one to rest? Realizing the term is foreign and can be difficult to understand, but, nevertheless The Second line is part of New Orleans rich culture. American heritage came from New Orleans, Louisiana, by way of the African Americans who immigrated to our country in chains. African American slaves in New Orleans are quite different than their contemporaries in the rest of the country because they preserve the customs even though being held captive by cruel masters and a tolerant injustice. Fame New Orleans Artist Bill Summers, said, "Second Line is a celebration of life and death through music, dance and social clubs. The social clubs of the African American communities here help to educate and protect the health of its members. It is heavily influenced by African traditions. My series of films will break this tradition down in finite detail. Music and art are amongst the great natural resources of New Orleans and we intend to barrel, refine and present it ourselves." “One can sway down the streets moving to the rhythms of jazz brass band. The music bellows out of the brass instruments, reflecting on days gone when our ancestors got excess to the military bands instruments” Zohar said, “from my youth remembering calling out to our neighbor's to come join The Second Line parade, explaining that is New Orleans, the music and it’s all part of our sub-culture. The spirits of this city is the cradle of African-American, its America’s music.”

	The Second Line is just a reminder to those who are still living that even in death it is time to rejoice.  As the band begins to play, that's when Second Line begins to formulate. The waving the handkerchiefs carried symbolize grief and sobbing over the loss of loved ones and the umbrellas for protection from the sun. Today the Second Line is not limited to funerals, the Second Line has become a part of modern day New Orleans because they love to party and have a good time rain or shine. If you have never experienced New Orleans or The second Line, you need to head on down and have some fun.









Cited Work

[1]Cite error: There are <ref> tags on this page without content in them (see the help page). Clark, Willie. "Mardi Gras Digest..."The News & Business Journal of the Carnival Industry!". N.p., n.d. Web. 30 Jun. 2010 http://www.mardigrasdigest.com/

Coclanis, Angelo. "Jazz Funeral: A Living Tradition: Southern Cultures; Summer 2005; 11,2; Research Library. Page 86. Print. http://www.proquest.com/

"Fraternal Orders and Mutual Aid Associations." Encyclopedia of African-American Culture and History. 5 vols. Macmillan, 1996. Reproduced in History Resource Center. Farmington Hills, MI: Gale. http://galenet.galegroup.com/servlet/HistRC/

Hanks, Eric. "A Song for His Father: William Pajaud and the Jazz Funeral Tradition." International Review of African American Art. Vol. 17 No. 2 2000: 2-14. SIRS Renaissance. Web. 30 Jun 2010.

"Slavery and the Making of America" 2010. Web 30 Jun. 2010. http://pbs.org/wnet/slavery/timeline/1866.html

Summer, Bill; Israel, Zohar. “The Summers Multi Ethnic Institute of Arts Project” Interview 12 November 2014.

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Hello, Rashid The Jazz Aficionado. It has been over six months since you last edited your Articles for Creation draft article submission, " sandbox".

In accordance with our policy that Articles for Creation is not for the indefinite hosting of material deemed unsuitable for the encyclopedia mainspace, the draft has been nominated for deletion. If you plan on working on it further, or editing it to address the issues raised if it was declined, simply edit the submission and remove the {{db-afc}} or {{db-g13}} code.

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Thanks for your submission to Wikipedia, and happy editing. 1989 ( talk) 23:34, 1 January 2017 (UTC) reply

  1. ^ Berry, Jason. "Good Grief: new Orleans Jazz Funerals." Louisiana Cultural Vistas Winter 2001- 02: 52-65. SIRS Renaissance, Web. 30 Jun 2010
From Wikipedia, the free encyclopedia

The Second Line Culture


The name Second Line is, an urban social tradition for the African-American youth of New Orleans. Being a “Second Liner” is something that the youth look forward to. It is full of energy and you’re right behind the band as they strut down the narrow streets. Strutting and dance with your umbrella in hand to the beat of “Street Parade.” Just name any African-American so-called jazz “ great,” who came out of the great music city, and he/she has paid their dues to the Second Line. "The Second Line is a symbol of New Orleans,” said Zohar Israel, who’s a native, its excitement and tradition. African Americans affliction, a gift to New Orleans. To understand the Second Line, you must research the historical background of the Jazz Funeral. The term Jazz Funeral can be very confusing; it's a contradiction. How can anyone experience the excitement of this great art form and at the same time lay your loved one to rest? Realizing the term is foreign and can be difficult to understand, but, nevertheless The Second line is part of New Orleans rich culture. American heritage came from New Orleans, Louisiana, by way of the African Americans who immigrated to our country in chains. African American slaves in New Orleans are quite different than their contemporaries in the rest of the country because they preserve the customs even though being held captive by cruel masters and a tolerant injustice. Fame New Orleans Artist Bill Summers, said, "Second Line is a celebration of life and death through music, dance and social clubs. The social clubs of the African American communities here help to educate and protect the health of its members. It is heavily influenced by African traditions. My series of films will break this tradition down in finite detail. Music and art are amongst the great natural resources of New Orleans and we intend to barrel, refine and present it ourselves." “One can sway down the streets moving to the rhythms of jazz brass band. The music bellows out of the brass instruments, reflecting on days gone when our ancestors got excess to the military bands instruments” Zohar said, “from my youth remembering calling out to our neighbor's to come join The Second Line parade, explaining that is New Orleans, the music and it’s all part of our sub-culture. The spirits of this city is the cradle of African-American, its America’s music.”

	The Second Line is just a reminder to those who are still living that even in death it is time to rejoice.  As the band begins to play, that's when Second Line begins to formulate. The waving the handkerchiefs carried symbolize grief and sobbing over the loss of loved ones and the umbrellas for protection from the sun. Today the Second Line is not limited to funerals, the Second Line has become a part of modern day New Orleans because they love to party and have a good time rain or shine. If you have never experienced New Orleans or The second Line, you need to head on down and have some fun.









Cited Work

[1]Cite error: There are <ref> tags on this page without content in them (see the help page). Clark, Willie. "Mardi Gras Digest..."The News & Business Journal of the Carnival Industry!". N.p., n.d. Web. 30 Jun. 2010 http://www.mardigrasdigest.com/

Coclanis, Angelo. "Jazz Funeral: A Living Tradition: Southern Cultures; Summer 2005; 11,2; Research Library. Page 86. Print. http://www.proquest.com/

"Fraternal Orders and Mutual Aid Associations." Encyclopedia of African-American Culture and History. 5 vols. Macmillan, 1996. Reproduced in History Resource Center. Farmington Hills, MI: Gale. http://galenet.galegroup.com/servlet/HistRC/

Hanks, Eric. "A Song for His Father: William Pajaud and the Jazz Funeral Tradition." International Review of African American Art. Vol. 17 No. 2 2000: 2-14. SIRS Renaissance. Web. 30 Jun 2010.

"Slavery and the Making of America" 2010. Web 30 Jun. 2010. http://pbs.org/wnet/slavery/timeline/1866.html

Summer, Bill; Israel, Zohar. “The Summers Multi Ethnic Institute of Arts Project” Interview 12 November 2014.

Rashid The Jazz Aficionado, you are invited on a Wikipedia Adventure!

The
Adventure
The Wikipedia Adventure guide

Hi Rashid The Jazz Aficionado!! You're invited: learn how to edit Wikipedia in under an hour. I hope to see you there! Ocaasi

This message was delivered by HostBot ( talk) 17:31, 31 October 2015 (UTC) reply

April 2016

Hello, and welcome to Wikipedia. This is a message letting you know that one or more of your recent edits to Fan (person) has been undone by an automated computer program called ClueBot NG.

Thank you. ClueBot NG ( talk) 16:17, 22 April 2016 (UTC) reply

Your submission at Articles for creation: sandbox (April 22)

Your recent article submission to Articles for Creation has been reviewed! Unfortunately, it has not been accepted at this time. The reason left by Wiae was: Please check the submission for any additional comments left by the reviewer. You are encouraged to edit the submission to address the issues raised and resubmit when they have been resolved.
/wiae  /tlk 17:45, 22 April 2016 (UTC) reply


Teahouse logo
Hello! Rashid The Jazz Aficionado, I noticed your article was declined at Articles for Creation, and that can be disappointing. If you are wondering why your article submission was declined, please post a question at the Articles for creation help desk. If you have any other questions about your editing experience, we'd love to help you at the Teahouse, a friendly space on Wikipedia where experienced editors lend a hand to help new editors like yourself! See you there! /wiae  /tlk 17:45, 22 April 2016 (UTC) reply

Hello, Rashid The Jazz Aficionado. It has been over six months since you last edited your Articles for Creation draft article submission, " sandbox".

In accordance with our policy that Articles for Creation is not for the indefinite hosting of material deemed unsuitable for the encyclopedia mainspace, the draft has been nominated for deletion. If you plan on working on it further, or editing it to address the issues raised if it was declined, simply edit the submission and remove the {{db-afc}} or {{db-g13}} code.

If your submission has already been deleted by the time you get there, and you wish to retrieve it, you can request its undeletion by following the instructions at this link. An administrator will, in most cases, restore the submission so you can continue to work on it.

Thanks for your submission to Wikipedia, and happy editing. 1989 ( talk) 23:34, 1 January 2017 (UTC) reply

  1. ^ Berry, Jason. "Good Grief: new Orleans Jazz Funerals." Louisiana Cultural Vistas Winter 2001- 02: 52-65. SIRS Renaissance, Web. 30 Jun 2010

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