| Simonewharton/Sandbox10 | |
|---|---|
| Material | Oil on canvas |
| Size | 25.0 x 35.2 cm |
| Created | before 1935 |
| Present location | Art Gallery of Ontario |
| Identification | 71/87 |
Piazza d'Italia is in the collection of the
Art Gallery of Ontario located in
Toronto,
Ontario,
Canada.
Piazza d'Italia (before 1935) is a painting by the avant-garde painter Giorgio de Chirico (1888-1978) who is often seen as the predecessor of Surrealism. The painting's fantastic location and dream-like ambience in combination with photo-realist technique are clearly part of the surrealist discourse of artists such as Salvador Dali, Renée Magritte, and Yves Tanguy. [1] Piazza d'Italia is easily recognizable as a de Chirico because of its carefully executed, drafts-man like Renaissance architecture with ideal classical proportions and perfection. Much of de Chirico's work can be identified by this odd combination of a precise architectural classicism with modern, haunting renderings of the subconscious mind. [2]
This work was a gift of Gift of Sam and Ayala Zacks in 1970. it was acquired by the Zacks in 1952 in Rome.
| Simonewharton/Sandbox10 | |
|---|---|
| Material | Oil on canvas |
| Size | 25.0 x 35.2 cm |
| Created | before 1935 |
| Present location | Art Gallery of Ontario |
| Identification | 71/87 |
Piazza d'Italia is in the collection of the
Art Gallery of Ontario located in
Toronto,
Ontario,
Canada.
Piazza d'Italia (before 1935) is a painting by the avant-garde painter Giorgio de Chirico (1888-1978) who is often seen as the predecessor of Surrealism. The painting's fantastic location and dream-like ambience in combination with photo-realist technique are clearly part of the surrealist discourse of artists such as Salvador Dali, Renée Magritte, and Yves Tanguy. [1] Piazza d'Italia is easily recognizable as a de Chirico because of its carefully executed, drafts-man like Renaissance architecture with ideal classical proportions and perfection. Much of de Chirico's work can be identified by this odd combination of a precise architectural classicism with modern, haunting renderings of the subconscious mind. [2]
This work was a gift of Gift of Sam and Ayala Zacks in 1970. it was acquired by the Zacks in 1952 in Rome.