Americanah is a 2013 novel by the Nigerian author Chimamanda Ngozi Adichie, for which Adichie won the 2013 National Book Critics Circle Fiction award. Americanah tells the story of a young Nigerian woman, Ifemelu, who immigrates to the United States to attend university. The novel traces Ifemelu's life in both countries, threaded by her love story with high school classmate Obinze. It was Adichie's third novel, published on May 14, 2013 by Alfred A. Knopf. A television miniseries, starring and produced by Lupita Nyong'o, is currently in development.
As teenagers in a Lagos secondary school, Ifemelu and Obinze fall in love. Nigeria at the time is under military dictatorship, and people are seeking to leave the country. Ifemelu departs for the United States to study. Through her experiences in relationships and studies, she struggles with the experience of racism in American culture, and the many varieties of racial distinctions. Upon coming to America, Ifemelu discovered for the first time what it means to be a "Black Person". [1] Obinze, son of a professor, had hoped to join her in the US but he is denied a visa after 9/11. He goes to London, eventually becoming an undocumented immigrant after his visa expires. [2] [3]
Years later, Obinze returns to Nigeria and becomes a wealthy man as a property developer in the newly democratic country. Ifemelu gains success in the United States, where she becomes known for her blog about race in America, entitled "Raceteenth or Various Observations About American Blacks (Those Formerly Known as Negroes) by a Non-American Black". [3] When Ifemelu returns to Nigeria, the two consider the viability of reviving a relationship in light of their diverging experiences during their many years apart.
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Americanah focuses on the changes that Ifemelu experiences as she becomes Americanized after living in America for so long. As a Nigerian, she sees firsthand the true life experiences that take place living in the land which Nigerians view as 'heaven on earth'. According to an article by BBC News, "To many Nigerians, America is the Promised Land. A land where clear waters gush and trees flourish with fresh dollar notes, where bees lose their sting and pigs fly. A land where lame feet are cured and blind eyes are opened, where African accents shed their dense tones and become shrill nasal emissions filled with "R"s and "wanna" and "gonna"." [4]
Americanization is one of the biggest themes in Americanah. In the context of the novel, America itself is a symbol of hope, wealth, social and economic mobility, and, ultimately, disappointment, as Ifemelu learns that the American Dream is a lie and that the advantages she enjoys there often come at a great price. Her Americanization is slow but distinct, and she gradually picks up the slang, adapts to her surroundings (for better or worse), and adopts American politics. Her views on gender and race change because of this, and her blog is devoted to exploring the issue of race as a non-American black in America. She's called Americanah when she returns to Nigeria, having picked up a blunt, American way of speaking and of addressing problems. She resists this label, but it's obvious to the reader that Ifemelu's years in America have changed her.
According to Idowu Faith, “no valid statement can be made on Americanah without deconstructing the term “Americanah” which, more or less, reveals the thesis of the narrative as well as the preoccupation of Adichie in the text.” In Nigerian parlance, the term “Americanah” is an identity term that is premised on a person’s previous experience of living in America. In an interview, Adichie defines Americanah as a Nigerian word that can describe any of those who have been to the US and return American affectations; pretend not to understand their mother tongues any longer; refuse to eat Nigerian food or make constant reference to their life in America.
From this understanding, it is clear that Ifemelu’s decision to return home without worrying about being identified as an “Americanah”, establishes the fact that Adichie is proposing and charting a path for a new kind of migration story whose quintessence is return migration.
Adichie does an excellent job in telling the story of Ifemelu, a Nigerian-American who struggles with being both of the cultural identities that she has now been expected to adopt. The style of writing Adichie uses creates a sense of connection and the erasure of isolation for the Nigerian-American reader because Ifemelu becomes someone that he/she can relate to shares the same feelings and this concept brings out the aspect of reality in Adichie's book. Serena Guarracino writes in her blog article, "With its interweaving of creative writing and opinion making, novel and blog, Americanah comments on the public role of the writer and its viral exposure, offering a poignant example of the mutation of narrative forms in the information age." [5]
Adichie's explorations of sexual education and the perception of sex among youngsters in Nigeria plays a fundamental role in the bildungsroman journey of Ifemelu exploring her sexuality as an adolescent in a puritan post-colonial society.
While many of the migratory experiences in the novel work within migration theory, Adichie simultaneously transcends the borders of international migration theories by introducing a new factor that both influences migration and projects a new perspective on return migration. According to Dustmann and Weiss (2007:237), lack of economic opportunity and escape from natural disaster/persecution are two main reasons individuals migrate throughout history. While identifying the need to flee “choicelessness” as the main reason for much of the migration in the twenty-first century Nigerian setting of the novel, Adichie uses literary dimensions to shake up the foundations of theory. Consequently, the direction of this type of migration, how it affects the bonds of love, how it changes personalities and cultural views, and how it reinterprets identity become the novelist’s major theoretical engagements. In addition, Adichie is concerned with how migration debases and elevates, how it barters and fulfills and, most significantly, how it reinvents.
Critics praised the novel, especially noting its range across different societies and reflection of global tensions. Writing for The New York Times, Mike Peed said, "'Americanah' examines blackness in America, Nigeria and Britain, but it's also a steady-handed dissection of the universal human experience—a platitude made fresh by the accuracy of Adichie's observations." [3] Peed concluded, "'Americanah' is witheringly trenchant and hugely empathetic, both worldly and geographically precise, a novel that holds the discomfiting realities of our times fearlessly before us. It never feels false." [3] Reviewing the novel for The Washington Post, Emily Raboteau called Adichie "a hawkeyed observer of manners and distinctions in class," and said Adichie brings a "ruthless honesty about the ugly and beautiful sides of both" the United States and Nigeria. [6] In the Chicago Tribune, Laura Pearson wrote, "Sprawling, ambitious and gorgeously written, 'Americanah' covers race, identity, relationships, community, politics, privilege, language, hair, ethnocentrism, migration, intimacy, estrangement, blogging, books and Barack Obama. It covers three continents, spans decades, leaps gracefully, from chapter to chapter, to different cities and other lives...[Adichie] weaves them assuredly into a thoughtfully structured epic. The result is a timeless love story steeped in our times." [7]
Adichie's "Americanah," similar to Chinua Achebe's "Things Fall Apart" exemplifies a contrast between African and American literature. Ifemelu's life in Nigeria and America is shown to us through Adichie's use of flashback is an excellent way of showing the differences of Ifemelu and Obinze's life. In The Guardian, Elizabeth Day writes, "...Adichie really begins to flex her muscles as a novelist: the sense of dislocation felt by both characters in two countries with wholly different histories and class structures is expertly rendered. She has an extraordinary eye for the telling nuance of social interaction within a particular kind of liberal elite." [8]
The book was selected as one of the 10 Best Books of 2013 by the editors of the New York Times Book Review. [9] It won the 2013 National Book Critics Circle Award (Fiction), [10] and was shortlisted for the 2014 Baileys Women's Prize for Fiction [11] of the United Kingdom. The Chicago Tribune awarded Adichie its 2013 Heartland Award for Fiction, "recogniz[ing Americanah as] a novel that engages with important ideas about race, and does so with style, wit and insight." [12]
In March 2017, Americanah was picked as the winner for the "One Book, One New York" program, [13] [14] part of a community reading initiative encouraging all city residents to read the same book. [15]
Americanah spent 78 weeks on NPR's Paperback Best-Seller list. [16] Days after The New York Times named Americanah to its best books of 2013 list, Beyoncé also signaled her admiration of Adichie, sampling Adichie's TED Talk "We should all be feminists" on the song " ***Flawless"; sales of Americanah soared and as of December 23, 2013, the book climbed to the number 179 spot on Amazon.com's list of its 10,000 best-selling books. [17]
In 2014, it was announced that David Oyelowo and Lupita Nyong'o would star in a film adaptation of the novel, [18] to be produced by Brad Pitt and his production company Plan B. [19] In 2018, Nyong'o told The Hollywood Reporter that she was developing a television miniseries based on the book, which she would produce and star in. [20] It was announced on September 13, 2019, that HBO Max would air the miniseries in ten episodes. [21]
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Americanah is a 2013 novel by the Nigerian author Chimamanda Ngozi Adichie, for which Adichie won the 2013 National Book Critics Circle Fiction award. Americanah tells the story of a young Nigerian woman, Ifemelu, who immigrates to the United States to attend university. The novel traces Ifemelu's life in both countries, threaded by her love story with high school classmate Obinze. It was Adichie's third novel, published on May 14, 2013 by Alfred A. Knopf. A television miniseries, starring and produced by Lupita Nyong'o, is currently in development.
As teenagers in a Lagos secondary school, Ifemelu and Obinze fall in love. Nigeria at the time is under military dictatorship, and people are seeking to leave the country. Ifemelu departs for the United States to study. Through her experiences in relationships and studies, she struggles with the experience of racism in American culture, and the many varieties of racial distinctions. Upon coming to America, Ifemelu discovered for the first time what it means to be a "Black Person". [1] Obinze, son of a professor, had hoped to join her in the US but he is denied a visa after 9/11. He goes to London, eventually becoming an undocumented immigrant after his visa expires. [2] [3]
Years later, Obinze returns to Nigeria and becomes a wealthy man as a property developer in the newly democratic country. Ifemelu gains success in the United States, where she becomes known for her blog about race in America, entitled "Raceteenth or Various Observations About American Blacks (Those Formerly Known as Negroes) by a Non-American Black". [3] When Ifemelu returns to Nigeria, the two consider the viability of reviving a relationship in light of their diverging experiences during their many years apart.
![]() | This section possibly contains
original research. (January 2019) |
Americanah focuses on the changes that Ifemelu experiences as she becomes Americanized after living in America for so long. As a Nigerian, she sees firsthand the true life experiences that take place living in the land which Nigerians view as 'heaven on earth'. According to an article by BBC News, "To many Nigerians, America is the Promised Land. A land where clear waters gush and trees flourish with fresh dollar notes, where bees lose their sting and pigs fly. A land where lame feet are cured and blind eyes are opened, where African accents shed their dense tones and become shrill nasal emissions filled with "R"s and "wanna" and "gonna"." [4]
Americanization is one of the biggest themes in Americanah. In the context of the novel, America itself is a symbol of hope, wealth, social and economic mobility, and, ultimately, disappointment, as Ifemelu learns that the American Dream is a lie and that the advantages she enjoys there often come at a great price. Her Americanization is slow but distinct, and she gradually picks up the slang, adapts to her surroundings (for better or worse), and adopts American politics. Her views on gender and race change because of this, and her blog is devoted to exploring the issue of race as a non-American black in America. She's called Americanah when she returns to Nigeria, having picked up a blunt, American way of speaking and of addressing problems. She resists this label, but it's obvious to the reader that Ifemelu's years in America have changed her.
According to Idowu Faith, “no valid statement can be made on Americanah without deconstructing the term “Americanah” which, more or less, reveals the thesis of the narrative as well as the preoccupation of Adichie in the text.” In Nigerian parlance, the term “Americanah” is an identity term that is premised on a person’s previous experience of living in America. In an interview, Adichie defines Americanah as a Nigerian word that can describe any of those who have been to the US and return American affectations; pretend not to understand their mother tongues any longer; refuse to eat Nigerian food or make constant reference to their life in America.
From this understanding, it is clear that Ifemelu’s decision to return home without worrying about being identified as an “Americanah”, establishes the fact that Adichie is proposing and charting a path for a new kind of migration story whose quintessence is return migration.
Adichie does an excellent job in telling the story of Ifemelu, a Nigerian-American who struggles with being both of the cultural identities that she has now been expected to adopt. The style of writing Adichie uses creates a sense of connection and the erasure of isolation for the Nigerian-American reader because Ifemelu becomes someone that he/she can relate to shares the same feelings and this concept brings out the aspect of reality in Adichie's book. Serena Guarracino writes in her blog article, "With its interweaving of creative writing and opinion making, novel and blog, Americanah comments on the public role of the writer and its viral exposure, offering a poignant example of the mutation of narrative forms in the information age." [5]
Adichie's explorations of sexual education and the perception of sex among youngsters in Nigeria plays a fundamental role in the bildungsroman journey of Ifemelu exploring her sexuality as an adolescent in a puritan post-colonial society.
While many of the migratory experiences in the novel work within migration theory, Adichie simultaneously transcends the borders of international migration theories by introducing a new factor that both influences migration and projects a new perspective on return migration. According to Dustmann and Weiss (2007:237), lack of economic opportunity and escape from natural disaster/persecution are two main reasons individuals migrate throughout history. While identifying the need to flee “choicelessness” as the main reason for much of the migration in the twenty-first century Nigerian setting of the novel, Adichie uses literary dimensions to shake up the foundations of theory. Consequently, the direction of this type of migration, how it affects the bonds of love, how it changes personalities and cultural views, and how it reinterprets identity become the novelist’s major theoretical engagements. In addition, Adichie is concerned with how migration debases and elevates, how it barters and fulfills and, most significantly, how it reinvents.
Critics praised the novel, especially noting its range across different societies and reflection of global tensions. Writing for The New York Times, Mike Peed said, "'Americanah' examines blackness in America, Nigeria and Britain, but it's also a steady-handed dissection of the universal human experience—a platitude made fresh by the accuracy of Adichie's observations." [3] Peed concluded, "'Americanah' is witheringly trenchant and hugely empathetic, both worldly and geographically precise, a novel that holds the discomfiting realities of our times fearlessly before us. It never feels false." [3] Reviewing the novel for The Washington Post, Emily Raboteau called Adichie "a hawkeyed observer of manners and distinctions in class," and said Adichie brings a "ruthless honesty about the ugly and beautiful sides of both" the United States and Nigeria. [6] In the Chicago Tribune, Laura Pearson wrote, "Sprawling, ambitious and gorgeously written, 'Americanah' covers race, identity, relationships, community, politics, privilege, language, hair, ethnocentrism, migration, intimacy, estrangement, blogging, books and Barack Obama. It covers three continents, spans decades, leaps gracefully, from chapter to chapter, to different cities and other lives...[Adichie] weaves them assuredly into a thoughtfully structured epic. The result is a timeless love story steeped in our times." [7]
Adichie's "Americanah," similar to Chinua Achebe's "Things Fall Apart" exemplifies a contrast between African and American literature. Ifemelu's life in Nigeria and America is shown to us through Adichie's use of flashback is an excellent way of showing the differences of Ifemelu and Obinze's life. In The Guardian, Elizabeth Day writes, "...Adichie really begins to flex her muscles as a novelist: the sense of dislocation felt by both characters in two countries with wholly different histories and class structures is expertly rendered. She has an extraordinary eye for the telling nuance of social interaction within a particular kind of liberal elite." [8]
The book was selected as one of the 10 Best Books of 2013 by the editors of the New York Times Book Review. [9] It won the 2013 National Book Critics Circle Award (Fiction), [10] and was shortlisted for the 2014 Baileys Women's Prize for Fiction [11] of the United Kingdom. The Chicago Tribune awarded Adichie its 2013 Heartland Award for Fiction, "recogniz[ing Americanah as] a novel that engages with important ideas about race, and does so with style, wit and insight." [12]
In March 2017, Americanah was picked as the winner for the "One Book, One New York" program, [13] [14] part of a community reading initiative encouraging all city residents to read the same book. [15]
Americanah spent 78 weeks on NPR's Paperback Best-Seller list. [16] Days after The New York Times named Americanah to its best books of 2013 list, Beyoncé also signaled her admiration of Adichie, sampling Adichie's TED Talk "We should all be feminists" on the song " ***Flawless"; sales of Americanah soared and as of December 23, 2013, the book climbed to the number 179 spot on Amazon.com's list of its 10,000 best-selling books. [17]
In 2014, it was announced that David Oyelowo and Lupita Nyong'o would star in a film adaptation of the novel, [18] to be produced by Brad Pitt and his production company Plan B. [19] In 2018, Nyong'o told The Hollywood Reporter that she was developing a television miniseries based on the book, which she would produce and star in. [20] It was announced on September 13, 2019, that HBO Max would air the miniseries in ten episodes. [21]
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