Anton Smit | |
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Born | Boksburg, South Africa | August 2, 1954
Nationality | South African |
Known for | Sculpture |
Notable work | "The Age of Grace" |
Anton Smit (born August 2, 1954) is a South African sculptor recognized for his wide-ranging body of work. This includes towering human figures, nudes, heads, masks, hands, angels, floating and stretching figures, and abstract works, most of which are made from steel, metal, sand casting, fiberglass, and bronze.
Born in Boksburg, South Africa, Smit grew up in a family where his father was a police officer and his mother, a teacher. He was surrounded by the raw realities of South Africa which later found expression in his art.
Smit's art career spans several decades. His works have garnered international attention, attracting the likes of statesmen and esteemed art collectors. One of his career highlights includes "The Age of Grace," [1]an eight-foot-high bronze sculpture showcased at the Grand Central Station in New York City. This piece celebrated South African Heritage and received significant recognition, even making it to the front cover of The New York Times.
Smit is known for his ability to translate complex human emotions and experiences into physical forms. He asserts that "Art is not to render the visible but to render visible." His pieces provide a narrative, often reflective of his own life experiences and struggles.
Smit splits his time between his studios in Strand, Cape Town, and Bronkhorstspruit Dam. He maintains a dedicated workforce of 14 people who he describes as "like family." His work style is intensive and focused, spending the first three months of the year in Strand and the remainder at Bronkhorstspruit Dam.
Smit's work has been showcased extensively in a variety of exhibitions [2] since 1971, both locally and internationally. Some of his key exhibitions include:
Anton Smit's sculptures have left a significant imprint in the world of art. His unique approach to capturing the human experience in physical form has inspired many, and his works continue to be celebrated in exhibitions and collections globally.
Anton Smit | |
---|---|
Born | Boksburg, South Africa | August 2, 1954
Nationality | South African |
Known for | Sculpture |
Notable work | "The Age of Grace" |
Anton Smit (born August 2, 1954) is a South African sculptor recognized for his wide-ranging body of work. This includes towering human figures, nudes, heads, masks, hands, angels, floating and stretching figures, and abstract works, most of which are made from steel, metal, sand casting, fiberglass, and bronze.
Born in Boksburg, South Africa, Smit grew up in a family where his father was a police officer and his mother, a teacher. He was surrounded by the raw realities of South Africa which later found expression in his art.
Smit's art career spans several decades. His works have garnered international attention, attracting the likes of statesmen and esteemed art collectors. One of his career highlights includes "The Age of Grace," [1]an eight-foot-high bronze sculpture showcased at the Grand Central Station in New York City. This piece celebrated South African Heritage and received significant recognition, even making it to the front cover of The New York Times.
Smit is known for his ability to translate complex human emotions and experiences into physical forms. He asserts that "Art is not to render the visible but to render visible." His pieces provide a narrative, often reflective of his own life experiences and struggles.
Smit splits his time between his studios in Strand, Cape Town, and Bronkhorstspruit Dam. He maintains a dedicated workforce of 14 people who he describes as "like family." His work style is intensive and focused, spending the first three months of the year in Strand and the remainder at Bronkhorstspruit Dam.
Smit's work has been showcased extensively in a variety of exhibitions [2] since 1971, both locally and internationally. Some of his key exhibitions include:
Anton Smit's sculptures have left a significant imprint in the world of art. His unique approach to capturing the human experience in physical form has inspired many, and his works continue to be celebrated in exhibitions and collections globally.