 | This is the sandbox page where you will draft your initial Wikipedia contribution.
If you're starting a new article, you can develop it here until it's ready to go live. If you're working on improvements to an existing article, copy only one section at a time of the article to this sandbox to work on, and be sure to use an edit summary linking to the article you copied from. Do not copy over the entire article. You can find additional instructions here. Remember to save your work regularly using the "Publish page" button. (It just means 'save'; it will still be in the sandbox.) You can add bold formatting to your additions to differentiate them from existing content. |
Article Draft
Lead
LGBTQ+ representations in hip hop music has grown since its development in the 1970s. Although hip-hop has become increasingly tolerant over the years, the culture of the genre still perpetuates elements of transphobia, homophobia, and misogyny.
Article body
References
Powell, Elliott H. "Getting Freaky with Missy: Missy Elliott, Queer Hip Hop, and the Musical Aesthetics of Impropriety." Journal of Popular Music Studies 33, no. 3 (2021): 145-167.
Wilson, D. Mark. "Post-pomo hip-hop homos: Hip-hop art, gay rappers, and social change." Social Justice 34, no. 1 (107 (2007): 117-140.
Kruse, Adam J. "“Therapy was writing rhymes”: Hip-hop as resilient space for a queer rapper of color." Bulletin of the Council for Research in Music Education 207-208 (2016): 101-122.
Rodriguez, Nathian Shae. "Hip-hop’s authentic masculinity: A quare reading of Fox’s Empire." Television & New Media 19, no. 3 (2018): 225-240.
McCune Jr, Jeffrey Q. "“Out” in the club: The down low, hip-hop, and the architexture of black masculinity." Text and Performance Quarterly 28, no. 3 (2008): 298-314.
| This is the sandbox page where you will draft your initial Wikipedia contribution.
If you're starting a new article, you can develop it here until it's ready to go live. If you're working on improvements to an existing article, copy only one section at a time of the article to this sandbox to work on, and be sure to use an edit summary linking to the article you copied from. Do not copy over the entire article. You can find additional instructions here. Remember to save your work regularly using the "Publish page" button. (It just means 'save'; it will still be in the sandbox.) You can add bold formatting to your additions to differentiate them from existing content. |
Article Draft
Lead
LGBTQ+ representations in hip hop music has grown since its development in the 1970s. Although hip-hop has become increasingly tolerant over the years, the culture of the genre still perpetuates elements of transphobia, homophobia, and misogyny.
Article body
References
Powell, Elliott H. "Getting Freaky with Missy: Missy Elliott, Queer Hip Hop, and the Musical Aesthetics of Impropriety." Journal of Popular Music Studies 33, no. 3 (2021): 145-167.
Wilson, D. Mark. "Post-pomo hip-hop homos: Hip-hop art, gay rappers, and social change." Social Justice 34, no. 1 (107 (2007): 117-140.
Kruse, Adam J. "“Therapy was writing rhymes”: Hip-hop as resilient space for a queer rapper of color." Bulletin of the Council for Research in Music Education 207-208 (2016): 101-122.
Rodriguez, Nathian Shae. "Hip-hop’s authentic masculinity: A quare reading of Fox’s Empire." Television & New Media 19, no. 3 (2018): 225-240.
McCune Jr, Jeffrey Q. "“Out” in the club: The down low, hip-hop, and the architexture of black masculinity." Text and Performance Quarterly 28, no. 3 (2008): 298-314.