Hey people grading me! The things I'm adding to the Lotte Reiniger article start BELOW THIS LINE!!
Biography
Reiniger wrote instructions on how to construct her "trick-table" in her book, Shadow puppets, shadow theatres, and shadow films. [1]
Prince Achmed boasts backgrounds by Walter Türck, special effects by Walter Ruttmann and Berthold Bartosch. [2] (edits to current article, plus citation)
[3](Additional citation for her leftist politics)
After a period of seclusion after her husband's death in 1963, renewed interest in her work resulted in Reiniger's return to Germany. She later visited the United States, and began making films again soon after. She made three more films, the last of which, Die vier Jahreszeiten, was completed the year before she died. [4]
Died in Dettenhausen, Germany, 1981. [2] (added citation here)
Art Style
The Adventures of Prince Achmed specifically adapts fantastic elements to take advantage of animation to show things that could not be shown in reality. [2] Reiniger considered animation's separation from the laws of the material plane to be one of the greatest strengths of the medium. [5] [6]
Reiniger's work bears distinct aesthetic similarities that of German expressionists, such as Wegener, Wiene, and Murnau. [5]
Filmography
- 1934 -- Das ghestohlene Herz (German name for The Stolen Heart)
- 1935 -- Die Jagd nach dem Glück (Hunt for Luck)
- 1935 -- Der scheintote Chinese (The Seemingly Dead Chinese) (corrected year) [7]
- 1980 -- Die vier Jahreszeiten (The Four Seasons)
References
-
^ Lotte., Reiniger, (1975, ©1970).
Shadow puppets, shadow theatres, and shadow films. Boston: Plays, Inc.
ISBN
0823801985.
OCLC
1934547.
{{ cite book}}: Check date values in:|date=( help)CS1 maint: extra punctuation ( link) CS1 maint: multiple names: authors list ( link) - ^
a
b
c
Practicing modernity : female creativity in the Weimar Republic. Schönfeld, Christiane., Finnan, Carmel, 1958-. Würzburg: Königshausen & Neumann. 2006.
ISBN
3826032411.
OCLC
71336738.
{{ cite book}}: CS1 maint: others ( link) -
^ Moritz, William (Animation Journal 5:1 (Fall 1996). 40-51.). "Some Critical Perspectives on Lotte Reiniger". Animation Journal. 5:1: 40–51.
{{ cite journal}}: Check date values in:|date=( help) -
^ Stephen., Cavalier, (2011).
The world history of animation. Berkeley, CA: University of California Press.
ISBN
9780520261129.
OCLC
668191570.
{{ cite book}}: CS1 maint: extra punctuation ( link) CS1 maint: multiple names: authors list ( link) - ^
a
b Donald., Crafton, (1993).
Before Mickey : the animated film, 1898-1928 (University of Chicago Press ed ed.). Chicago: University of Chicago Press.
ISBN
0226116670.
OCLC
28547443.
{{ cite book}}:|edition=has extra text ( help)CS1 maint: extra punctuation ( link) CS1 maint: multiple names: authors list ( link) -
^
The promise of cinema : German film theory, 1907--1933. Kaes, Anton,, Baer, Nicholas, 1985-, Cowan, Michael J., 1971-. Oakland.
ISBN
0520962435.
OCLC
938890898.
{{ cite book}}: CS1 maint: others ( link) - ^ Giesen, Rolf (2012). Animation Under the Swastika. Jefferson, NC: McFarland & Company, Inc. p. 200. ISBN 978-0-7864-4640-7.
Bibliography
Cavalier, Steven. The world history of animation // Animation. Berkeley : University of California Press, 2011. ISBN 9780520261129
Crafton, Donald. Before Mickey : the animated film, 1898-1928. Cambridge, Mass. : MIT Press, 1982. ISBN 0262030837
Giesen, Rolf (2012). Animation Under the Swastika. Jefferson, NC: McFarland & Company, Inc. p. 200. ISBN 978-0-7864-4640-7.
Kaes, Anton. (2016). The promise of cinema : German film theory, 1907-1933. Oakland, California : University of California Press. ISBN 0-520-96243-5
Moritz, William. “Some Critical Perspectives on Lotte Reiniger.” Animation Journal 5:1 (Fall 1996). 40-51.
Reiniger, Lotte. Shadow puppets, shadow theatres, and shadow films. Boston : Plays, inc., 1975
Schönfeld, Christiane. (2006). Practicing modernity : female creativity in the Weimar Republic. Würzburg : Königshausen & Neumann. ISBN 3826032411
Hey people grading me! Things I'm adding to the Lotte Reiniger article END HERE. This does not include this line.
Everything below here is reference for myself or some other stuff. Don't worry about it!
Bless up and have a great day.
~hlqu16
Furniss, Maureen. (2009). Animation Art and Industry. Bloomington, IN : John Libbey Publishing.
Strobel, Christel & Hans. Lotte Reininger: Materialien zu ihren Marchen und Musikfilmen. Atlas Film + AV, 1988
Hey people grading me! The things I'm adding to the Lotte Reiniger article start BELOW THIS LINE!!
Biography
Reiniger wrote instructions on how to construct her "trick-table" in her book, Shadow puppets, shadow theatres, and shadow films. [1]
Prince Achmed boasts backgrounds by Walter Türck, special effects by Walter Ruttmann and Berthold Bartosch. [2] (edits to current article, plus citation)
[3](Additional citation for her leftist politics)
After a period of seclusion after her husband's death in 1963, renewed interest in her work resulted in Reiniger's return to Germany. She later visited the United States, and began making films again soon after. She made three more films, the last of which, Die vier Jahreszeiten, was completed the year before she died. [4]
Died in Dettenhausen, Germany, 1981. [2] (added citation here)
Art Style
The Adventures of Prince Achmed specifically adapts fantastic elements to take advantage of animation to show things that could not be shown in reality. [2] Reiniger considered animation's separation from the laws of the material plane to be one of the greatest strengths of the medium. [5] [6]
Reiniger's work bears distinct aesthetic similarities that of German expressionists, such as Wegener, Wiene, and Murnau. [5]
Filmography
- 1934 -- Das ghestohlene Herz (German name for The Stolen Heart)
- 1935 -- Die Jagd nach dem Glück (Hunt for Luck)
- 1935 -- Der scheintote Chinese (The Seemingly Dead Chinese) (corrected year) [7]
- 1980 -- Die vier Jahreszeiten (The Four Seasons)
References
-
^ Lotte., Reiniger, (1975, ©1970).
Shadow puppets, shadow theatres, and shadow films. Boston: Plays, Inc.
ISBN
0823801985.
OCLC
1934547.
{{ cite book}}: Check date values in:|date=( help)CS1 maint: extra punctuation ( link) CS1 maint: multiple names: authors list ( link) - ^
a
b
c
Practicing modernity : female creativity in the Weimar Republic. Schönfeld, Christiane., Finnan, Carmel, 1958-. Würzburg: Königshausen & Neumann. 2006.
ISBN
3826032411.
OCLC
71336738.
{{ cite book}}: CS1 maint: others ( link) -
^ Moritz, William (Animation Journal 5:1 (Fall 1996). 40-51.). "Some Critical Perspectives on Lotte Reiniger". Animation Journal. 5:1: 40–51.
{{ cite journal}}: Check date values in:|date=( help) -
^ Stephen., Cavalier, (2011).
The world history of animation. Berkeley, CA: University of California Press.
ISBN
9780520261129.
OCLC
668191570.
{{ cite book}}: CS1 maint: extra punctuation ( link) CS1 maint: multiple names: authors list ( link) - ^
a
b Donald., Crafton, (1993).
Before Mickey : the animated film, 1898-1928 (University of Chicago Press ed ed.). Chicago: University of Chicago Press.
ISBN
0226116670.
OCLC
28547443.
{{ cite book}}:|edition=has extra text ( help)CS1 maint: extra punctuation ( link) CS1 maint: multiple names: authors list ( link) -
^
The promise of cinema : German film theory, 1907--1933. Kaes, Anton,, Baer, Nicholas, 1985-, Cowan, Michael J., 1971-. Oakland.
ISBN
0520962435.
OCLC
938890898.
{{ cite book}}: CS1 maint: others ( link) - ^ Giesen, Rolf (2012). Animation Under the Swastika. Jefferson, NC: McFarland & Company, Inc. p. 200. ISBN 978-0-7864-4640-7.
Bibliography
Cavalier, Steven. The world history of animation // Animation. Berkeley : University of California Press, 2011. ISBN 9780520261129
Crafton, Donald. Before Mickey : the animated film, 1898-1928. Cambridge, Mass. : MIT Press, 1982. ISBN 0262030837
Giesen, Rolf (2012). Animation Under the Swastika. Jefferson, NC: McFarland & Company, Inc. p. 200. ISBN 978-0-7864-4640-7.
Kaes, Anton. (2016). The promise of cinema : German film theory, 1907-1933. Oakland, California : University of California Press. ISBN 0-520-96243-5
Moritz, William. “Some Critical Perspectives on Lotte Reiniger.” Animation Journal 5:1 (Fall 1996). 40-51.
Reiniger, Lotte. Shadow puppets, shadow theatres, and shadow films. Boston : Plays, inc., 1975
Schönfeld, Christiane. (2006). Practicing modernity : female creativity in the Weimar Republic. Würzburg : Königshausen & Neumann. ISBN 3826032411
Hey people grading me! Things I'm adding to the Lotte Reiniger article END HERE. This does not include this line.
Everything below here is reference for myself or some other stuff. Don't worry about it!
Bless up and have a great day.
~hlqu16
Furniss, Maureen. (2009). Animation Art and Industry. Bloomington, IN : John Libbey Publishing.
Strobel, Christel & Hans. Lotte Reininger: Materialien zu ihren Marchen und Musikfilmen. Atlas Film + AV, 1988