Bill Cole | |
---|---|
![]() Bill Cole (right) performing with
Warren Smith in October 2005 in
Takoma Park, Maryland | |
Background information | |
Birth name | William Shadrack Cole |
Born | 1937 (age 86–87) Pittsburgh, Pennsylvania |
Genres |
|
Occupation(s) |
|
Instrument(s) | |
Years active | 1974 – present |
Labels | Boxholder Records (de) |
Spouse | Linda Joy Punchatz (maiden)
(
m. 1967, divorced)Sarah Elizabeth Sully (maiden)
(after 1982) |
Academic background | |
Alma mater | 1967:
University of Pittsburgh,
BA 1970:
University of Pittsburgh,
BA 1974:
Wesleyan University,
PhD (with highest honors) 1987: Dartmouth College, Honorary
MA |
Influences | |
Academic work | |
Institutions | Professor of Music,
Amherst College, 1972–1974 Professor of Music,
Dartmouth University, 1974–1990 Professor of African American Studies,
Syracuse University, 2005–2010
|
Website |
billcole |
1968: | Hank Levy was hired in 1968 to take over jazz studies at Towson University. Levy rapidly built the program to a level of international rank. | ||||||
| |||||||
|
Re: William Shadrack Cole, PhD.
Laura Ingraham, while an undergraduate at Dartmouth and editor of the Dartmouth Review, sent an undercover reporter into a LGBTQ university organization to report on who was attending, according to Business Insider. [2] Magistrate Jerome Niedermeier stated that the [Dartmouth] Review makes no secret of its opposition to many blacks present at Dartmouth. [2]
In 2006, Cole was
{{
cite journal}}
: CS1 maint: postscript (
link)
ISSN
1077-3711 (publication; print)
ISSN
2326-6023 (publication; online),
OCLC
5545902865 (article).While studying for his PhD at Wesleyan University, cole studied with multi-instrumentalist Clifford Thornton.
{{
cite AV media}}
: CS1 maint: date format (
link)
OCLC
83574876,
1050447884.May - Jun 2019 The “Big Questions” series responses revolve around gratitude, healthy introspection, and appreciation for the thoughtful influences of our alma mater and each other. The latest installment focuses on an interest sparked at Dartmouth that has become a core part of one’s life.
Anthony Desir responded, "Music—and in the strangest way. Jazz teacher Bill Cole announced to his rabble of disciples that if I ever dared to take his class he would fail me just to make a point. When I found that out, I signed up for his next class right away. The weird part: Despite our disdain for each other, I actually learned something about music, not just jazz, but all forms of music. Today I can listen, distinguish, and enjoy almost any kind of music, from classic and country to rock and jazz. I have to thank the challenge from Bill Cole for that."
{{
cite AV media}}
: CS1 maint: location (
link)
OCLC
44521889.
The performance was dedicated to Wilber Morris, bassist who died August 8, 2002. [6]
Douglas Dunn, New York choreographer, staged a performance of "The Living Lives Not Among the Dead. Why Seek It There?" at for Danspace Project at St. Marks Church in the East Village, Manhattan, May 26, 2005.
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(
help)The effect of political correctness on students is shown by the enactment of various restrictive speech codes as well as by the pressure put on students by the university, student special interest groups, and faculty to conform to a certain ideological viewpoint. A recent incident at Dartmouth demonstrates that political correctness can be enforced through other means than by enacting restrictive speech codes. In February 1988, The Dartmouth Review, a conservative weekly newspaper, published a highly critical review of William S. Cole's course noting his use of foul language in class and his reference to students as honkies. [8] Four members of the Review approached Cole, a black professor, at the conclusion of his music class to invite him to respond to the review of his class. The confrontation turned into a shouting and pushing match between the professor and Review members. After breaking the flash attachment off a photographer's camera, Cole then ordered the students to leave. Black students charged that the article and classroom incident were racially motivated; the Review insisted that they were simply criticizing a professor's teaching ability. Dartmouth filed charges against the students the next day for harassment, invasion of privacy, and disorderly conduct. No university action was taken against Cole.
A university panel found four students –
Quilhot was suspended until the fall of 1988; Sutter and Baldwin for a year longer. The suspensions were upheld on appeal to the dean. The Review charged Dartmouth with censorship and reverse discrimination. A New Hampshire state judge ordered Dartmouth to reinstate two of the students on the ground that a member of the disciplinary panel was shown to be substantially biased and prejudiced against the students. [11] A federal court later dismissed the student's suit against the University. [12]
Later the next semester, Cole's wife Sarah Sully, a French professor at Dartmouth, asked her students to write, in French, their opinions regarding the dispute between Cole and the Review. [14] Most of the class knew that Sully was Cole's wife and tailored their response in the exam to conform to her partisan opinion. Singh, at 58. One student who was unaware of the connection wrote an essay in support of the Review's position. The student received a "D" on the exam, despite his excellent French, because he refused to condemn the Review. [14] Sully declared that she could not "in good conscience reward an 'A' to someone who is writing racist remarks, no matter how well it is said." [15] The student appealed the grade and the department chairman held Sully's grading of the student to be inappropriate.
{{
cite news}}
: CS1 maint: postscript (
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Cole gave his person opinion on Coltrane: "Wherein, then, lies the magic of this man's music? The answer, from my point of view is that it dealt with human problems in human terms for human beings in a human world. If there is 'turmoil' in his music, it includes the turmoil in the hearts and minds of ordinary men and women. It includes the turmoil and violence of the times through which Trane lived. But the magic in Trane’s music also must derive from the 'peace which passeth all understanding' that was in this man’s heart." [16]
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LCCN
87-68083.
OCLC
15794589 (all editions).
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ISSN
0010-7468,
LCCN
62-52046,
ISBN
0-8103-1901-2,
OCLC
24564692 (all editions) (article).
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ISSN
0009-5982 (publication);
EBSCOhost
19750071 – via
EBSCO's Academic Search Complete (subscription required) (article);
OCLC
425330710 (article).
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cite news}}
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OCLC
1076392313.
{{
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: CS1 maint: numeric names: authors list (
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ISSN
0747-0088 (publication),
OCLC
5556350127 (article).
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ISSN
1058-1634,
OCLC
5792457264.
{{
cite journal}}
: CS1 maint: numeric names: authors list (
link)
ISSN
0022-2984 (publication),
OCLC
425261194,
7376969997 (article).
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link) CS1 maint: numeric names: authors list (
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ISBN
0814713009,
9780814713006,
ISBN
0814713017,
9780814713013,
OCLC
37397839 (all editions).
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ISSN
0035-791X (publication),
EBSCOhost
8910020298 (article).
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link) → Also accessible via
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"Link".
ISSN
0028-7822 (publication),
EBSCOhost
8903130017 (article),
OCLC
21129666 (article).
{{
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link)
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ISSN
0362-4331 (publication),
EBSCOhost
9611170975 (article).
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0009-1383 (publication),
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9302180734 (article).
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ERIC
ED364170,
OCLC
46629928 (all editions).
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link) CS1 maint: numeric names: authors list (
link)
ISBN
0-1909-1353-3,
978-0-1909-1353-3,
ISBN
0-1909-1354-1,
978-0-1909-1354-0,
ISBN
0-1909-1357-6,
978-0-1909-1357-1,
OCLC
1099533572 (all editions).
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ProQuest
307068306.
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19007739 (all editions).
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ISSN
0527-3021 (publication),
OCLC
3643237,
40431356,
214924034 (publication).
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0048-6906,
OCLC
818916200 (all editions).
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OCLC
31820304.
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1077-9892 (publication),
OCLC
29810096 (all editions) (publication).{{
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0028-7822 (publication),
EBSCOhost
8903130017 (article),
OCLC
21129666 (article).{{
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link)
LCCN
93--36391 (1994),
ISBN
0-306-80554-5 (1994),
OCLC
639868618 (all editions) (1974 ed.),
OCLC
28848744 (all editions) (1994 ed.).
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ISBN
978-0-8223-4281-6,
OCLC
1226706442 (all editions).
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{{
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ISSN
0747-0088 (publication),
OCLC
5556350127 (article).
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OCLC
873184083 (all editions).
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OCLC
1078026911 (all editions) (publication).
Part One
In April 1983, The Dartmouth Review – an arch-conservative publication
[1] not affiliated with Dartmouth College but operated by students – published an antagonistic article that harshly ridiculed Cole, personally and professionally.
Laura Ingraham, then a student, was the author of one of the articles.
[2]
[3]
[4]
[2] Andrew Pickens III was editor-in-chief of the Review in April.
[5]
Cole filed the suit in Burlington's U.S. District Court
Rev. Richard Allen Hyde (born 1951), a Dartmouth College chaplain since 1978, filed a $3-million libel suite, claiming that the Review libeled him in articles concerning his professional and personal life.
The suit was filed January 22, 1985, in Grafton County Superior Court, and alleged that the Review published "several articles containing false, misleading and inflammatory information about (his) personal and professional life."
Editor Laura Ingraham said the suit is based on a series of articles, one involving a satirical column on left-leaning Dartmouth faculty titled the "Dartmouth Liberation Front." [10] "That was in the context of a satire and absolutely defensible on that ground," she said. [11] Hyde's suit named the Review and two former editors, Dinesh D'Souza of Princeton, N.J., and Andrew Lee Pickens III (born 1962) ( Phillips Exeter '80; Dartmouth '84; UCLA '90 JD) of Fairfield, Ohio.
The suit was settled. The Review published an apology. Among other things, the Review had published that Hyde defended a group that advocated sex with adolescents. [12] [13]
Thirty years earlier, in September 1951, Buckley published God and Man at Yale, which, in the words of McGeorge Bundy, "[was] a savage attack on that institution as a hotbed of ' atheism' and ' collectivism.'
In the early years of the
Cold War, as universities expelled scholars with ties to the Communist Party, it became an article of faith among conservatives that the only targets of an ideological purge were people like themselves. As academician Julian Nemeth, PhD, put it:
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ISSN
0021-8758 (print publication);
ISSN
1469-5154 (online publication);
EBSCOhost
143005199 (abstract);
ProQuest
2396259334 (abstract);
OCLC
7935895851,
8584574764 (article).{{
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OCLC
851443691 (publication).
{{
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ISSN
0895-4852,
OCLC
1052127436,
5656560422 (article).
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ISSN
0028-0038 (publication),
EBSCOhost
12624551 (article).
{{
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link)
ISSN
0028-0038 (publication),
EBSCOhost
12231458 (article).
{{
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ISSN
0028-0038 (publication),
EBSCOhost
12561757 (article).
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ISSN
0028-0038 (publication),
EBSCOhost
12231987 (article).
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ISSN
0028-0038 (publication),
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12222606 (article).
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0028-0038 (publication),
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11567392 (article).
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0028-0038 (publication),
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12485652 (article).
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0028-0038 (publication),
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27251754 (article).{{
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LCCN
sn857330,
ISSN
0883-721X,
ProQuest
371428065 (Ethnic NewsWatch database),
OCLC
5218030 (all editions).{{
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268383417 (US Newsstream ddb),
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10504184 (all editions).{{
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Bill Cole | |
---|---|
![]() Bill Cole (right) performing with
Warren Smith in October 2005 in
Takoma Park, Maryland | |
Background information | |
Birth name | William Shadrack Cole |
Born | 1937 (age 86–87) Pittsburgh, Pennsylvania |
Genres |
|
Occupation(s) |
|
Instrument(s) | |
Years active | 1974 – present |
Labels | Boxholder Records (de) |
Spouse | Linda Joy Punchatz (maiden)
(
m. 1967, divorced)Sarah Elizabeth Sully (maiden)
(after 1982) |
Academic background | |
Alma mater | 1967:
University of Pittsburgh,
BA 1970:
University of Pittsburgh,
BA 1974:
Wesleyan University,
PhD (with highest honors) 1987: Dartmouth College, Honorary
MA |
Influences | |
Academic work | |
Institutions | Professor of Music,
Amherst College, 1972–1974 Professor of Music,
Dartmouth University, 1974–1990 Professor of African American Studies,
Syracuse University, 2005–2010
|
Website |
billcole |
1968: | Hank Levy was hired in 1968 to take over jazz studies at Towson University. Levy rapidly built the program to a level of international rank. | ||||||
| |||||||
|
Re: William Shadrack Cole, PhD.
Laura Ingraham, while an undergraduate at Dartmouth and editor of the Dartmouth Review, sent an undercover reporter into a LGBTQ university organization to report on who was attending, according to Business Insider. [2] Magistrate Jerome Niedermeier stated that the [Dartmouth] Review makes no secret of its opposition to many blacks present at Dartmouth. [2]
In 2006, Cole was
{{
cite journal}}
: CS1 maint: postscript (
link)
ISSN
1077-3711 (publication; print)
ISSN
2326-6023 (publication; online),
OCLC
5545902865 (article).While studying for his PhD at Wesleyan University, cole studied with multi-instrumentalist Clifford Thornton.
{{
cite AV media}}
: CS1 maint: date format (
link)
OCLC
83574876,
1050447884.May - Jun 2019 The “Big Questions” series responses revolve around gratitude, healthy introspection, and appreciation for the thoughtful influences of our alma mater and each other. The latest installment focuses on an interest sparked at Dartmouth that has become a core part of one’s life.
Anthony Desir responded, "Music—and in the strangest way. Jazz teacher Bill Cole announced to his rabble of disciples that if I ever dared to take his class he would fail me just to make a point. When I found that out, I signed up for his next class right away. The weird part: Despite our disdain for each other, I actually learned something about music, not just jazz, but all forms of music. Today I can listen, distinguish, and enjoy almost any kind of music, from classic and country to rock and jazz. I have to thank the challenge from Bill Cole for that."
{{
cite AV media}}
: CS1 maint: location (
link)
OCLC
44521889.
The performance was dedicated to Wilber Morris, bassist who died August 8, 2002. [6]
Douglas Dunn, New York choreographer, staged a performance of "The Living Lives Not Among the Dead. Why Seek It There?" at for Danspace Project at St. Marks Church in the East Village, Manhattan, May 26, 2005.
{{
citation}}
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citation}}
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{{
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: Cite has empty unknown parameters: |lay-date=
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, and |lay-source=
(
help)The effect of political correctness on students is shown by the enactment of various restrictive speech codes as well as by the pressure put on students by the university, student special interest groups, and faculty to conform to a certain ideological viewpoint. A recent incident at Dartmouth demonstrates that political correctness can be enforced through other means than by enacting restrictive speech codes. In February 1988, The Dartmouth Review, a conservative weekly newspaper, published a highly critical review of William S. Cole's course noting his use of foul language in class and his reference to students as honkies. [8] Four members of the Review approached Cole, a black professor, at the conclusion of his music class to invite him to respond to the review of his class. The confrontation turned into a shouting and pushing match between the professor and Review members. After breaking the flash attachment off a photographer's camera, Cole then ordered the students to leave. Black students charged that the article and classroom incident were racially motivated; the Review insisted that they were simply criticizing a professor's teaching ability. Dartmouth filed charges against the students the next day for harassment, invasion of privacy, and disorderly conduct. No university action was taken against Cole.
A university panel found four students –
Quilhot was suspended until the fall of 1988; Sutter and Baldwin for a year longer. The suspensions were upheld on appeal to the dean. The Review charged Dartmouth with censorship and reverse discrimination. A New Hampshire state judge ordered Dartmouth to reinstate two of the students on the ground that a member of the disciplinary panel was shown to be substantially biased and prejudiced against the students. [11] A federal court later dismissed the student's suit against the University. [12]
Later the next semester, Cole's wife Sarah Sully, a French professor at Dartmouth, asked her students to write, in French, their opinions regarding the dispute between Cole and the Review. [14] Most of the class knew that Sully was Cole's wife and tailored their response in the exam to conform to her partisan opinion. Singh, at 58. One student who was unaware of the connection wrote an essay in support of the Review's position. The student received a "D" on the exam, despite his excellent French, because he refused to condemn the Review. [14] Sully declared that she could not "in good conscience reward an 'A' to someone who is writing racist remarks, no matter how well it is said." [15] The student appealed the grade and the department chairman held Sully's grading of the student to be inappropriate.
{{
cite news}}
: CS1 maint: postscript (
link)
Cole gave his person opinion on Coltrane: "Wherein, then, lies the magic of this man's music? The answer, from my point of view is that it dealt with human problems in human terms for human beings in a human world. If there is 'turmoil' in his music, it includes the turmoil in the hearts and minds of ordinary men and women. It includes the turmoil and violence of the times through which Trane lived. But the magic in Trane’s music also must derive from the 'peace which passeth all understanding' that was in this man’s heart." [16]
{{
cite journal}}
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LCCN
87-68083.
OCLC
15794589 (all editions).
{{
cite book}}
: External link in |last1=
(
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link)
ISSN
0010-7468,
LCCN
62-52046,
ISBN
0-8103-1901-2,
OCLC
24564692 (all editions) (article).
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ISSN
0009-5982 (publication);
EBSCOhost
19750071 – via
EBSCO's Academic Search Complete (subscription required) (article);
OCLC
425330710 (article).
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1076392313.
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ISSN
0747-0088 (publication),
OCLC
5556350127 (article).
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1058-1634,
OCLC
5792457264.
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ISSN
0022-2984 (publication),
OCLC
425261194,
7376969997 (article).
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ISBN
0814713009,
9780814713006,
ISBN
0814713017,
9780814713013,
OCLC
37397839 (all editions).
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0035-791X (publication),
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8910020298 (article).
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ISSN
0028-7822 (publication),
EBSCOhost
8903130017 (article),
OCLC
21129666 (article).
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0362-4331 (publication),
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9611170975 (article).
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0009-1383 (publication),
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9302180734 (article).
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ERIC
ED364170,
OCLC
46629928 (all editions).
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ISBN
0-1909-1353-3,
978-0-1909-1353-3,
ISBN
0-1909-1354-1,
978-0-1909-1354-0,
ISBN
0-1909-1357-6,
978-0-1909-1357-1,
OCLC
1099533572 (all editions).
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ProQuest
307068306.
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19007739 (all editions).
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0527-3021 (publication),
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3643237,
40431356,
214924034 (publication).
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0048-6906,
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818916200 (all editions).
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31820304.
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1077-9892 (publication),
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29810096 (all editions) (publication).{{
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0028-7822 (publication),
EBSCOhost
8903130017 (article),
OCLC
21129666 (article).{{
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LCCN
93--36391 (1994),
ISBN
0-306-80554-5 (1994),
OCLC
639868618 (all editions) (1974 ed.),
OCLC
28848744 (all editions) (1994 ed.).
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ISBN
978-0-8223-4281-6,
OCLC
1226706442 (all editions).
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ISSN
0747-0088 (publication),
OCLC
5556350127 (article).
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OCLC
873184083 (all editions).
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OCLC
1078026911 (all editions) (publication).
Part One
In April 1983, The Dartmouth Review – an arch-conservative publication
[1] not affiliated with Dartmouth College but operated by students – published an antagonistic article that harshly ridiculed Cole, personally and professionally.
Laura Ingraham, then a student, was the author of one of the articles.
[2]
[3]
[4]
[2] Andrew Pickens III was editor-in-chief of the Review in April.
[5]
Cole filed the suit in Burlington's U.S. District Court
Rev. Richard Allen Hyde (born 1951), a Dartmouth College chaplain since 1978, filed a $3-million libel suite, claiming that the Review libeled him in articles concerning his professional and personal life.
The suit was filed January 22, 1985, in Grafton County Superior Court, and alleged that the Review published "several articles containing false, misleading and inflammatory information about (his) personal and professional life."
Editor Laura Ingraham said the suit is based on a series of articles, one involving a satirical column on left-leaning Dartmouth faculty titled the "Dartmouth Liberation Front." [10] "That was in the context of a satire and absolutely defensible on that ground," she said. [11] Hyde's suit named the Review and two former editors, Dinesh D'Souza of Princeton, N.J., and Andrew Lee Pickens III (born 1962) ( Phillips Exeter '80; Dartmouth '84; UCLA '90 JD) of Fairfield, Ohio.
The suit was settled. The Review published an apology. Among other things, the Review had published that Hyde defended a group that advocated sex with adolescents. [12] [13]
Thirty years earlier, in September 1951, Buckley published God and Man at Yale, which, in the words of McGeorge Bundy, "[was] a savage attack on that institution as a hotbed of ' atheism' and ' collectivism.'
In the early years of the
Cold War, as universities expelled scholars with ties to the Communist Party, it became an article of faith among conservatives that the only targets of an ideological purge were people like themselves. As academician Julian Nemeth, PhD, put it:
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ISSN
0021-8758 (print publication);
ISSN
1469-5154 (online publication);
EBSCOhost
143005199 (abstract);
ProQuest
2396259334 (abstract);
OCLC
7935895851,
8584574764 (article).{{
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OCLC
851443691 (publication).
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ISSN
0895-4852,
OCLC
1052127436,
5656560422 (article).
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0028-0038 (publication),
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12624551 (article).
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0028-0038 (publication),
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12231458 (article).
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0028-0038 (publication),
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12561757 (article).
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0028-0038 (publication),
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12231987 (article).
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0028-0038 (publication),
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12222606 (article).
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0028-0038 (publication),
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0028-0038 (publication),
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12485652 (article).
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0028-0038 (publication),
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27251754 (article).{{
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LCCN
sn857330,
ISSN
0883-721X,
ProQuest
371428065 (Ethnic NewsWatch database),
OCLC
5218030 (all editions).{{
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268383417 (US Newsstream ddb),
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10504184 (all editions).{{
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