Durak | Dügâh |
---|---|
Güçlü | Neva |
Yeden | Rast |
Seyir | Ascending |
Lower Çeşni | Uşşak tetrachord |
Higher Çeşni | Buselik pentachord |
Uşşak is the implementation of the
Bayati scale in
Turkish makam music. It is in
53 Tone Equal Temperament.
Components | Note Name | Western Note | Steps to following note | Cents from Durak note | Function | |
---|---|---|---|---|---|---|
Uşşak tetrachord | Dügâh | A | K (8) | 0 | Durak | |
Segâh | B
![]() |
S (5) | 181.13 | |||
Çargah | C | T (9) | 294.33 | |||
Neva | D | T (9) | 498.11 | Güçlü | ||
Buselik pentachord | ||||||
Hüseynî | E | B (4) | 701.89 | |||
Acem | F | T (9) | 792.45 | |||
Gerdaniye | G | T (9) | 996.226 | |||
Muhayyer | A | - | 1200.00 | Tiz Durak |
Since the makam is based on 53-TET, it is impossible to directly tie it to 12-TET Western scales. However, using the 48-TET model, while worse than many other models in approximation, [2] allows for such comparisons. [Note 1]
The approximation of Rast ascending within 48-TET would be: [Note 2]
Durak | Dügâh |
---|---|
Güçlü | Neva |
Yeden | Rast |
Seyir | Ascending |
Lower Çeşni | Uşşak tetrachord |
Higher Çeşni | Buselik pentachord |
Uşşak is the implementation of the
Bayati scale in
Turkish makam music. It is in
53 Tone Equal Temperament.
Components | Note Name | Western Note | Steps to following note | Cents from Durak note | Function | |
---|---|---|---|---|---|---|
Uşşak tetrachord | Dügâh | A | K (8) | 0 | Durak | |
Segâh | B
![]() |
S (5) | 181.13 | |||
Çargah | C | T (9) | 294.33 | |||
Neva | D | T (9) | 498.11 | Güçlü | ||
Buselik pentachord | ||||||
Hüseynî | E | B (4) | 701.89 | |||
Acem | F | T (9) | 792.45 | |||
Gerdaniye | G | T (9) | 996.226 | |||
Muhayyer | A | - | 1200.00 | Tiz Durak |
Since the makam is based on 53-TET, it is impossible to directly tie it to 12-TET Western scales. However, using the 48-TET model, while worse than many other models in approximation, [2] allows for such comparisons. [Note 1]
The approximation of Rast ascending within 48-TET would be: [Note 2]