Trombone for Lovers | ||||
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Studio album by | ||||
Released | 2013 | |||
Studio | Club House; Kaleidoscope Sound; NYC Labor Chorus's Rehearsal Space; Potterville International Sound; Studio IRG | |||
Genre | Jazz | |||
Length | 1:00:39 | |||
Label |
Sunnyside SSC 1369 | |||
Producer | Ivan Rubenstein-Gillis, Roswell Rudd | |||
Roswell Rudd chronology | ||||
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Trombone for Lovers is an album by trombonist Roswell Rudd featuring Rudd playing well-known tunes in a broad range of ensemble contexts, with varying personnel. It was recorded at various locations, and was released by Sunnyside Records in 2013. [1] [2]
Review scores | |
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Source | Rating |
PopMatters | ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
In a review for PopMatters, Brent Faulkner wrote: "Track after track, Rudd's musicianship and sharpness impresses, making Trombone for Lovers shine radiantly." [3]
David Whiteis of Jazz Times stated: "Rudd's timbral and emotional range is as diverse as ever, and his gnarled imprecations keep pop ballads... and novelty-tinged offerings... from getting too cute." [4]
Writing for Latin Jazz Net, Raul Da Gama described the album as "a look at timeless standards, by which he has made them timeless again, re-creating them completely with all their ageless beauty, making them ripple through the flesh and the bone; through body and soul, touching the very nerve endings of the body with notes that are charged with emotion in every muted growl and angular human smear." [5]
Tom Hull commented: "With the 'Joe Hill' suite at the end, this could have been called Trombone for the Masses: I don't mind the rapper there but the NYC Labor Choir takes some getting used to even though I feel like saluting the political point. Everything else is just superb." [6]
Jeff Simon of The Buffalo News remarked: "Here is one of the goofiest jazz discs you'll encounter in a while. All of Rudd's muting – with plungers and otherwise – can't disguise the cognitive dissonance of his use of the trombone as yearning instrument of love." [7]
" Joe Hill" ( Alfred Hayes, Earl Robinson): four versions:
Trombone for Lovers | ||||
---|---|---|---|---|
![]() | ||||
Studio album by | ||||
Released | 2013 | |||
Studio | Club House; Kaleidoscope Sound; NYC Labor Chorus's Rehearsal Space; Potterville International Sound; Studio IRG | |||
Genre | Jazz | |||
Length | 1:00:39 | |||
Label |
Sunnyside SSC 1369 | |||
Producer | Ivan Rubenstein-Gillis, Roswell Rudd | |||
Roswell Rudd chronology | ||||
|
Trombone for Lovers is an album by trombonist Roswell Rudd featuring Rudd playing well-known tunes in a broad range of ensemble contexts, with varying personnel. It was recorded at various locations, and was released by Sunnyside Records in 2013. [1] [2]
Review scores | |
---|---|
Source | Rating |
PopMatters | ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
In a review for PopMatters, Brent Faulkner wrote: "Track after track, Rudd's musicianship and sharpness impresses, making Trombone for Lovers shine radiantly." [3]
David Whiteis of Jazz Times stated: "Rudd's timbral and emotional range is as diverse as ever, and his gnarled imprecations keep pop ballads... and novelty-tinged offerings... from getting too cute." [4]
Writing for Latin Jazz Net, Raul Da Gama described the album as "a look at timeless standards, by which he has made them timeless again, re-creating them completely with all their ageless beauty, making them ripple through the flesh and the bone; through body and soul, touching the very nerve endings of the body with notes that are charged with emotion in every muted growl and angular human smear." [5]
Tom Hull commented: "With the 'Joe Hill' suite at the end, this could have been called Trombone for the Masses: I don't mind the rapper there but the NYC Labor Choir takes some getting used to even though I feel like saluting the political point. Everything else is just superb." [6]
Jeff Simon of The Buffalo News remarked: "Here is one of the goofiest jazz discs you'll encounter in a while. All of Rudd's muting – with plungers and otherwise – can't disguise the cognitive dissonance of his use of the trombone as yearning instrument of love." [7]
" Joe Hill" ( Alfred Hayes, Earl Robinson): four versions: