You can help expand this article with text translated from
the corresponding article in French. (January 2022) Click [show] for important translation instructions.
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He studied law, and after his military service, he started his career as the manager of an aluminium smelter. In the 1890s, he managed the
Vélodrome de la Seine at
Levallois-Perret and the
Vélodrome Buffalo, events that were an integral part of Parisian life, being regularly attended by personalities such as
Toulouse-Lautrec.[2] He reputedly introduced the bell to signify the last lap of a race.[3]
^Who Was Who in the Theatre:1912–1976, p.197 vol.1 A-C;compiled from editions published annually by John Parker – 1976 edition by Gale Research
ISBN0-8103-0406-6 (UK)
ISBN0-273-01313-0
You can help expand this article with text translated from
the corresponding article in French. (January 2022) Click [show] for important translation instructions.
Machine translation, like
DeepL or
Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia.
Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
You must provide
copyright attribution in the
edit summary accompanying your translation by providing an
interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing French Wikipedia article at [[:fr:Tristan Bernard]]; see its history for attribution.
You may also add the template {{Translated|fr|Tristan Bernard}} to the
talk page.
He studied law, and after his military service, he started his career as the manager of an aluminium smelter. In the 1890s, he managed the
Vélodrome de la Seine at
Levallois-Perret and the
Vélodrome Buffalo, events that were an integral part of Parisian life, being regularly attended by personalities such as
Toulouse-Lautrec.[2] He reputedly introduced the bell to signify the last lap of a race.[3]
^Who Was Who in the Theatre:1912–1976, p.197 vol.1 A-C;compiled from editions published annually by John Parker – 1976 edition by Gale Research
ISBN0-8103-0406-6 (UK)
ISBN0-273-01313-0