A reed trio, also known as a trio dâanches, is a mixed chamber ensemble consisting of three reed instruments: oboe, clarinet and bassoon. Either term can also refer to a musical composition for this ensemble.
The origins of the reed trio are more recent than the wind quintet: while the latter arose early in the nineteenth century, the first known composition for reed trio, a work by French composer Ange FlĂ©gier, was not written until 1897. [1] The reed trio ranks second only to the wind quintet among woodwind chamber ensembles in terms of popularity and quantity of original repertoire. [2] The reed trio genre became more firmly established in the late 1920s by bassoonist Fernand Oubradous, oboist Myrtile Morel and clarinetist Pierre LefĂšbvre, who together comprised the Trio dâAnches de Paris. [3] [4] Much of the original repertoire for the reed trio was written for Oubradousâ ensemble as well as the contemporaneous Trio dâAnches RenĂ© Daraux (RenĂ© Daraux, oboe; Fernand Gossens, clarinet; Ange Maugendre, bassoon). Professional reed trios that have produced commercial recordings include the Saarland Radio Wind Trio, Ensemble Trielen, Trio LĂ©zard, the Cavell Trio, Trio dâAnches de Cologne, Trio dâAnches Hamburg, Trois Bois, Trio d'Anches de Monte-Carlo, Zagreb Wind Trio and Ocotillo Winds.
Several French composers are responsible for contributing some of the first works for reed trio and have written standards that are part of the Oiseau-Lyre Wind Trio Collection. This collection consists of seven compositions by Darius Milhaud, Jacques Ibert, Georges Auric, and Henry Barraud. These works came as a response to the formation of the well-received Trio dâanches de Paris in the 1930s. [5] Louise Hanson-Dyer collaborated with the Trio d'anches de Paris to publish and record the music with her company Ăditions de lâOiseau-Lyre.
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A reed trio, also known as a trio dâanches, is a mixed chamber ensemble consisting of three reed instruments: oboe, clarinet and bassoon. Either term can also refer to a musical composition for this ensemble.
The origins of the reed trio are more recent than the wind quintet: while the latter arose early in the nineteenth century, the first known composition for reed trio, a work by French composer Ange FlĂ©gier, was not written until 1897. [1] The reed trio ranks second only to the wind quintet among woodwind chamber ensembles in terms of popularity and quantity of original repertoire. [2] The reed trio genre became more firmly established in the late 1920s by bassoonist Fernand Oubradous, oboist Myrtile Morel and clarinetist Pierre LefĂšbvre, who together comprised the Trio dâAnches de Paris. [3] [4] Much of the original repertoire for the reed trio was written for Oubradousâ ensemble as well as the contemporaneous Trio dâAnches RenĂ© Daraux (RenĂ© Daraux, oboe; Fernand Gossens, clarinet; Ange Maugendre, bassoon). Professional reed trios that have produced commercial recordings include the Saarland Radio Wind Trio, Ensemble Trielen, Trio LĂ©zard, the Cavell Trio, Trio dâAnches de Cologne, Trio dâAnches Hamburg, Trois Bois, Trio d'Anches de Monte-Carlo, Zagreb Wind Trio and Ocotillo Winds.
Several French composers are responsible for contributing some of the first works for reed trio and have written standards that are part of the Oiseau-Lyre Wind Trio Collection. This collection consists of seven compositions by Darius Milhaud, Jacques Ibert, Georges Auric, and Henry Barraud. These works came as a response to the formation of the well-received Trio dâanches de Paris in the 1930s. [5] Louise Hanson-Dyer collaborated with the Trio d'anches de Paris to publish and record the music with her company Ăditions de lâOiseau-Lyre.
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