For the Anglo-American physicist and author, see
Thomas Fink.
Thomas Fink
Born
Thomas Fink
1954 (age 69–70)
Known for
poetry, literary criticism
Thomas Fink (born 1954) is a
poet and
literary critic.[1] He is the author of eleven books of poetry, two books of criticism, and a literature anthology, and he has co-edited two critical anthologies. He was featured in the 2007 edition of Scribner’s The Best American Poetry.[2] Fink is a professor of English at
City University of New York—LaGuardia.[1][3]
Works
Books of Poetry
A Pageant for Every Addiction. Marsh Hawk Press. 2020
Hedge Fund Certainty Meritage Press and I. e. Press. 2019.
Reading the Difficulties: Dialogues with Contemporary American Innovative Poetry. University of Alabama Press. 2014.
"Burning Interiors": David Shapiro's Poetry and Poetics. Fairleigh Dickinson University Press. 2007.
"A Different Sense of Power": Problems of Community in Late Twentieth-Century U.S. Poetry. Fairleigh Dickinson University Press. 2001.
Literature around the Globe. Kendall/Hunt. 1994.
The Poetry of David Shapiro. Fairleigh Dickinson University Press. 1993.
Further reading
Bernstein, Charles (2011). Objectivist Blues: Scoring Speech in Second Wave Modernist Poetry and Lyrics. Attack of the Difficult Poems. U of Chicago Press.
Tabios, Eileen (2007). Ay, Nako! Thomas Fink's Visual Poetry: The Hay(na)ku Paintings. Silences: The Autobiography of Loss. Blue Lion Books.
James Roderick Burns. Review of No Appointment Necessary. Book/Mark (Winter 2008): 5-6. Print.
Patricia Carlin. “Patricia Carlin Presents a Poem by Thomas Fink.” Best American Poetry Blog. 15 Nov. 2009. Web.
Barry Dordick. “After Taxes by Thomas Fink.” Galatea Resurrects 1 (Mar. 2006) Web.
Freedman, Lewis. “This Collision of Multiplicity and Singularity: A Review of Thomas Fink’s ‘Yinglish Strophes 1-19.”
Jacket 2 (2012). Web.
Noah Eli Gordon. Review of After Taxes. Xantippe 3 (2005): 109-114. Print.
Steven Karl. Review of Clarity and Other Poems. Galatea Resurrects 12 (May 2009) Web.
Kimmelman, Burt. "Let 'em eat kitsch: A Review of Thomas Fink's 'Joyride.'" Jacket 2 (2014). Web.
Louis McKee. “Number Forty-Eight.” American Book Review 26.6 (September/October 2005): 25, 31. Print.
Stephen Paul Miller. “Periodizing Ashbery and His Influence.” The Tribe of John: Ashbery and Contemporary Poetry. Ed. Susan M. Schultz. *Tuscaloosa: University of Alabama Press, 1995: 146-7. Print.
Daniel Morris. Review of Gossip. Confrontation. 82/83 (Spring/Summer 2003): 327-9. Print.
Susan Smith Nash. “On Thomas Fink’s Peace Conference.” Press 1. 5.3 (Jan.-Apr. 2012). Web.
Tim Peterson. Review of No Appointment Necessary. Galatea Resurrects 6 (May 2007) Web.
Shivaji Sengupta. “Absence, Presence, and Meaning: Thomas Fink’s After Taxes.”
Jacket 26 (Oct. 2004) Web.[4]
Carole Stone. “Review of Thomas Fink’s After Taxes.” Moria Poetry Journal. 7.3 & 4(Winter/Spring 2005) Web.
For the Anglo-American physicist and author, see
Thomas Fink.
Thomas Fink
Born
Thomas Fink
1954 (age 69–70)
Known for
poetry, literary criticism
Thomas Fink (born 1954) is a
poet and
literary critic.[1] He is the author of eleven books of poetry, two books of criticism, and a literature anthology, and he has co-edited two critical anthologies. He was featured in the 2007 edition of Scribner’s The Best American Poetry.[2] Fink is a professor of English at
City University of New York—LaGuardia.[1][3]
Works
Books of Poetry
A Pageant for Every Addiction. Marsh Hawk Press. 2020
Hedge Fund Certainty Meritage Press and I. e. Press. 2019.
Reading the Difficulties: Dialogues with Contemporary American Innovative Poetry. University of Alabama Press. 2014.
"Burning Interiors": David Shapiro's Poetry and Poetics. Fairleigh Dickinson University Press. 2007.
"A Different Sense of Power": Problems of Community in Late Twentieth-Century U.S. Poetry. Fairleigh Dickinson University Press. 2001.
Literature around the Globe. Kendall/Hunt. 1994.
The Poetry of David Shapiro. Fairleigh Dickinson University Press. 1993.
Further reading
Bernstein, Charles (2011). Objectivist Blues: Scoring Speech in Second Wave Modernist Poetry and Lyrics. Attack of the Difficult Poems. U of Chicago Press.
Tabios, Eileen (2007). Ay, Nako! Thomas Fink's Visual Poetry: The Hay(na)ku Paintings. Silences: The Autobiography of Loss. Blue Lion Books.
James Roderick Burns. Review of No Appointment Necessary. Book/Mark (Winter 2008): 5-6. Print.
Patricia Carlin. “Patricia Carlin Presents a Poem by Thomas Fink.” Best American Poetry Blog. 15 Nov. 2009. Web.
Barry Dordick. “After Taxes by Thomas Fink.” Galatea Resurrects 1 (Mar. 2006) Web.
Freedman, Lewis. “This Collision of Multiplicity and Singularity: A Review of Thomas Fink’s ‘Yinglish Strophes 1-19.”
Jacket 2 (2012). Web.
Noah Eli Gordon. Review of After Taxes. Xantippe 3 (2005): 109-114. Print.
Steven Karl. Review of Clarity and Other Poems. Galatea Resurrects 12 (May 2009) Web.
Kimmelman, Burt. "Let 'em eat kitsch: A Review of Thomas Fink's 'Joyride.'" Jacket 2 (2014). Web.
Louis McKee. “Number Forty-Eight.” American Book Review 26.6 (September/October 2005): 25, 31. Print.
Stephen Paul Miller. “Periodizing Ashbery and His Influence.” The Tribe of John: Ashbery and Contemporary Poetry. Ed. Susan M. Schultz. *Tuscaloosa: University of Alabama Press, 1995: 146-7. Print.
Daniel Morris. Review of Gossip. Confrontation. 82/83 (Spring/Summer 2003): 327-9. Print.
Susan Smith Nash. “On Thomas Fink’s Peace Conference.” Press 1. 5.3 (Jan.-Apr. 2012). Web.
Tim Peterson. Review of No Appointment Necessary. Galatea Resurrects 6 (May 2007) Web.
Shivaji Sengupta. “Absence, Presence, and Meaning: Thomas Fink’s After Taxes.”
Jacket 26 (Oct. 2004) Web.[4]
Carole Stone. “Review of Thomas Fink’s After Taxes.” Moria Poetry Journal. 7.3 & 4(Winter/Spring 2005) Web.