The Two Faces of Fear | |
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![]() Spanish film poster | |
Directed by | Tulio Demicheli |
Screenplay by |
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Starring | |
Cinematography | Manuel Rojas [1] |
Edited by | Angel Serrano [1] |
Music by | Franco Micalizzi [1] |
Production companies |
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Release date |
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The Two Faces of Fear ( Italian: I Due Volti della Paura) is a film directed by Tulio Demicheli. The film is an Italian and Spanish co-production between the Rome based company B.R.C. and Tecisa a Madrid based company. [1]
The Two Faces of Fear was distributed in Spain on 24 March 1972. [2] It grossed a contemporary value of 81,001.29 Euro with admissions of 396,942 in Spain. [2]
From contemporary reviews, David McGillivray reviewed an 88 minute dubbed version in the Monthly Film Bulletin. [1] McGillivray stated that "Apart from one taut and reasonably well played sequence in which a woman-convinced that her husband is about to murder her on the operating table-pleads for understanding as she succumbs to the anaesthetic, this routine and underdeveloped thriller consists of little more than bits of badly tied wrapping." [1] McGillivray also stated that the film had "expressionless dubbing". [1]
The Two Faces of Fear | |
---|---|
![]() Spanish film poster | |
Directed by | Tulio Demicheli |
Screenplay by |
|
Starring | |
Cinematography | Manuel Rojas [1] |
Edited by | Angel Serrano [1] |
Music by | Franco Micalizzi [1] |
Production companies |
|
Release date |
|
Countries |
|
The Two Faces of Fear ( Italian: I Due Volti della Paura) is a film directed by Tulio Demicheli. The film is an Italian and Spanish co-production between the Rome based company B.R.C. and Tecisa a Madrid based company. [1]
The Two Faces of Fear was distributed in Spain on 24 March 1972. [2] It grossed a contemporary value of 81,001.29 Euro with admissions of 396,942 in Spain. [2]
From contemporary reviews, David McGillivray reviewed an 88 minute dubbed version in the Monthly Film Bulletin. [1] McGillivray stated that "Apart from one taut and reasonably well played sequence in which a woman-convinced that her husband is about to murder her on the operating table-pleads for understanding as she succumbs to the anaesthetic, this routine and underdeveloped thriller consists of little more than bits of badly tied wrapping." [1] McGillivray also stated that the film had "expressionless dubbing". [1]