The Redwood Session | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 1996 | |||
Recorded | June 18, 1995 at The Spirit Room in Rossie, New York | |||
Genre | Jazz | |||
Length | 59:05 | |||
Label | CIMP CIMP 101 | |||
Producer | Robert D, Rusch | |||
Evan Parker chronology | ||||
|
The Redwood Session is an album by saxophonist Evan Parker with bassist Barry Guy and drummer Paul Lytton recorded in 1995 which was the first release on the CIMP label. [1] [2]
Review scores | |
---|---|
Source | Rating |
AllMusic | [3] |
The Penguin Guide to Jazz Recordings | [4] |
AllMusic reviewer Scott Yanow stated "Those listeners with very open ears should find this set of interest". [3]
The authors of the Penguin Guide to Jazz Recordings called the performances "non-vintage Parker/Guy/Lytton, fine in their way but lacking the intellectual command of previous discs." [4]
In JazzTimes, Bill Shoemaker called the album "a well-engineered case in point that Parker's trio with bassist Barry Guy and drummer Paul Lytton is the premier improvised music ensemble of the '90s," and wrote: "The resulting listening experience is analogous to watching time-elapsed photography, an exciting compression of physical reality". [5]
All compositions by Evan Parker, Barry Guy and Paul Lytton
The Redwood Session | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 1996 | |||
Recorded | June 18, 1995 at The Spirit Room in Rossie, New York | |||
Genre | Jazz | |||
Length | 59:05 | |||
Label | CIMP CIMP 101 | |||
Producer | Robert D, Rusch | |||
Evan Parker chronology | ||||
|
The Redwood Session is an album by saxophonist Evan Parker with bassist Barry Guy and drummer Paul Lytton recorded in 1995 which was the first release on the CIMP label. [1] [2]
Review scores | |
---|---|
Source | Rating |
AllMusic | [3] |
The Penguin Guide to Jazz Recordings | [4] |
AllMusic reviewer Scott Yanow stated "Those listeners with very open ears should find this set of interest". [3]
The authors of the Penguin Guide to Jazz Recordings called the performances "non-vintage Parker/Guy/Lytton, fine in their way but lacking the intellectual command of previous discs." [4]
In JazzTimes, Bill Shoemaker called the album "a well-engineered case in point that Parker's trio with bassist Barry Guy and drummer Paul Lytton is the premier improvised music ensemble of the '90s," and wrote: "The resulting listening experience is analogous to watching time-elapsed photography, an exciting compression of physical reality". [5]
All compositions by Evan Parker, Barry Guy and Paul Lytton