The Seattle Times wrote that the band "create an intelligent (and radio-unfriendly) hybrid of conventional musical styles, sheer noise and structural deftness."[6]Pitchfork called The Pigeon Is the Most Popular Bird "one of the best noise-rock records of the 90s," writing that "the transitions from silly to searing highlight SFS' unpredictable and caustic approach."[7]
The Seattle Times wrote that the band "create an intelligent (and radio-unfriendly) hybrid of conventional musical styles, sheer noise and structural deftness."[6]Pitchfork called The Pigeon Is the Most Popular Bird "one of the best noise-rock records of the 90s," writing that "the transitions from silly to searing highlight SFS' unpredictable and caustic approach."[7]