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Author | Virginia Hamilton |
---|---|
Illustrator | Leo and Diane Dillon |
Language | English |
Subject | Children's literature, Slavery in the United States, Folklore |
Published | 1985 |
Publisher | Knopf, Distributed by Random House |
Publication place | United States |
Media type | Print (hardback & paperback) |
Pages | 178 |
ISBN | 9780394869254 |
OCLC | 975841967 |
The People Could Fly: American Black Folktales is a 1985 collection of twenty-four folktales retold by Virginia Hamilton and illustrated by Leo and Diane Dillon. They encompass animal tales (including tricksters), fairy tales, supernatural tales, and tales of the enslaved Africans (including slave narratives).
A review by the School Library Journal stated, "The well-known author here retells 24 black American folk tales in sure storytelling voice. ... All are beautifully readable," and concluded: "With the added attraction of 40 bordered full- and half-page illustrations by the Dillons wonderfully expressive paintings reproduced in black and white this collection should be snapped up." [4]
The New York Times review by Ishmael Reed called The People Could Fly "extraordinary and wonderful", commended Hamilton for writing "these tales in the Black English of the slave storytellers" and found it "Handsomely illustrated". [5]
The People Could Fly has also been reviewed by Publishers Weekly, [6] Booklist, [7] Common Sense Media, [8]
It has been used in study. [9] [10] [11]
The book inspired the title of the 2021 Metropolitan Museum of Art exhibition, Before Yesterday We Could Fly. [12]
The People Could Fly has received a number of awards, including:
This widely lauded anthology boasts stunning black-and-white artwork and stirringly told stories
A representative collection of 24 black folktales, dramatically retold with spirit and poetry and illustrated by the Dillons with vigor and beauty.
Virginia Hamilton aptly captures the longing and the loss, the hope and the hurt, that carried these stories (often passed on orally) through the generations. The black-and-white drawings that illustrate some selections are rendered in a unique style.
![]() | |
Author | Virginia Hamilton |
---|---|
Illustrator | Leo and Diane Dillon |
Language | English |
Subject | Children's literature, Slavery in the United States, Folklore |
Published | 1985 |
Publisher | Knopf, Distributed by Random House |
Publication place | United States |
Media type | Print (hardback & paperback) |
Pages | 178 |
ISBN | 9780394869254 |
OCLC | 975841967 |
The People Could Fly: American Black Folktales is a 1985 collection of twenty-four folktales retold by Virginia Hamilton and illustrated by Leo and Diane Dillon. They encompass animal tales (including tricksters), fairy tales, supernatural tales, and tales of the enslaved Africans (including slave narratives).
A review by the School Library Journal stated, "The well-known author here retells 24 black American folk tales in sure storytelling voice. ... All are beautifully readable," and concluded: "With the added attraction of 40 bordered full- and half-page illustrations by the Dillons wonderfully expressive paintings reproduced in black and white this collection should be snapped up." [4]
The New York Times review by Ishmael Reed called The People Could Fly "extraordinary and wonderful", commended Hamilton for writing "these tales in the Black English of the slave storytellers" and found it "Handsomely illustrated". [5]
The People Could Fly has also been reviewed by Publishers Weekly, [6] Booklist, [7] Common Sense Media, [8]
It has been used in study. [9] [10] [11]
The book inspired the title of the 2021 Metropolitan Museum of Art exhibition, Before Yesterday We Could Fly. [12]
The People Could Fly has received a number of awards, including:
This widely lauded anthology boasts stunning black-and-white artwork and stirringly told stories
A representative collection of 24 black folktales, dramatically retold with spirit and poetry and illustrated by the Dillons with vigor and beauty.
Virginia Hamilton aptly captures the longing and the loss, the hope and the hurt, that carried these stories (often passed on orally) through the generations. The black-and-white drawings that illustrate some selections are rendered in a unique style.