The Outhouse | |
---|---|
Directed by | Leslie Carvalho |
Starring | Priscilla Corner Ratan Thakore Grant |
Cinematography | S.Ramachandra |
Music by | Gerard Machado |
Release date |
|
Country | India |
Language | English |
The Outhouse is a 1997 Indian English-language family drama film directed by Leslie Carvalho and starring Priscilla Corner and Ratan Thakore Grant. [1] In 1998, the film competed in the International Film Festival of India and won the first Gollapudi Srinivas Award. [2] [3] [4]
The film marked the directorial debut of Carvalho, who did a course at the New York Film Academy. [5] The film was shot in thirteen days. [6]
A critic from The Hindu wrote that "'The Outhouse' is an example of what intelligent cinema ought to be. The note of authenticity, the sensitive handling of a theme as delicate as marital violence and the extraordinary eye for detail (which one saw so easily in Satyajit Ray’s work) place "The Outhouse" in a class by itself". [7] A critic from Deccan Herald opined that "The Outhouse`s accomplishment lies in its complex character portrayal of its heroine, Priscilla, and its finely observed details of the everyday, the commonplace, that other movies usually take for granted". [8]
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cite book}}
: |website=
ignored (
help)
{{
cite book}}
: |website=
ignored (
help)
The Outhouse | |
---|---|
Directed by | Leslie Carvalho |
Starring | Priscilla Corner Ratan Thakore Grant |
Cinematography | S.Ramachandra |
Music by | Gerard Machado |
Release date |
|
Country | India |
Language | English |
The Outhouse is a 1997 Indian English-language family drama film directed by Leslie Carvalho and starring Priscilla Corner and Ratan Thakore Grant. [1] In 1998, the film competed in the International Film Festival of India and won the first Gollapudi Srinivas Award. [2] [3] [4]
The film marked the directorial debut of Carvalho, who did a course at the New York Film Academy. [5] The film was shot in thirteen days. [6]
A critic from The Hindu wrote that "'The Outhouse' is an example of what intelligent cinema ought to be. The note of authenticity, the sensitive handling of a theme as delicate as marital violence and the extraordinary eye for detail (which one saw so easily in Satyajit Ray’s work) place "The Outhouse" in a class by itself". [7] A critic from Deccan Herald opined that "The Outhouse`s accomplishment lies in its complex character portrayal of its heroine, Priscilla, and its finely observed details of the everyday, the commonplace, that other movies usually take for granted". [8]
{{
cite book}}
: |website=
ignored (
help)
{{
cite book}}
: |website=
ignored (
help)