The New Sound of the Venezuelan Gozadera | ||||
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Studio album by | ||||
Released | March 24, 1998 | |||
Genre | Funk, Dance, Disco, Latin | |||
Label | Luaka Bop [1] | |||
Producer | Andres Levin [2] | |||
Los Amigos Invisibles chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
Robert Christgau | C+ [4] |
Los Angeles Times | ![]() ![]() ![]() ![]() |
The New Sound of the Venezuelan Gozadera is an album by the Venezuelan band Los Amigos Invisibles, released in 1998. [6] [7]
The Sun Sentinel called the album "dance music as self-referentially playful and goofy as anything the B-52s have ever recorded." [8] Robert Christgau thought that "as members of the international brotherhood of bored middle-class collegians, their specialty is crappy music with a concept." [4]
The Washington Post concluded that "in addition to strolling bass, percolating congas, squawking sax and cooing female back-up vocals, the group incorporates hip-hop tricks into such tracks as 'No Me Pagan'." [9] The Los Angeles Times determined that "sex and American funk are this Venezuelan sextet's obsessions, and they are fused in a cheeky U.S. debut album filled with wacky disco references and quasi-pornographic lyrics." [5]
The New Sound of the Venezuelan Gozadera | ||||
---|---|---|---|---|
![]() | ||||
Studio album by | ||||
Released | March 24, 1998 | |||
Genre | Funk, Dance, Disco, Latin | |||
Label | Luaka Bop [1] | |||
Producer | Andres Levin [2] | |||
Los Amigos Invisibles chronology | ||||
|
Review scores | |
---|---|
Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
Robert Christgau | C+ [4] |
Los Angeles Times | ![]() ![]() ![]() ![]() |
The New Sound of the Venezuelan Gozadera is an album by the Venezuelan band Los Amigos Invisibles, released in 1998. [6] [7]
The Sun Sentinel called the album "dance music as self-referentially playful and goofy as anything the B-52s have ever recorded." [8] Robert Christgau thought that "as members of the international brotherhood of bored middle-class collegians, their specialty is crappy music with a concept." [4]
The Washington Post concluded that "in addition to strolling bass, percolating congas, squawking sax and cooing female back-up vocals, the group incorporates hip-hop tricks into such tracks as 'No Me Pagan'." [9] The Los Angeles Times determined that "sex and American funk are this Venezuelan sextet's obsessions, and they are fused in a cheeky U.S. debut album filled with wacky disco references and quasi-pornographic lyrics." [5]