![]() Dust-jacket from the first edition. | |
Author | Michael Moorcock |
---|---|
Language | English |
Series | Pyat Quartet |
Genre | Literary Fiction |
Publisher | Secker & Warburg |
Publication date | 1984 |
Publication place | United Kingdom |
Media type | Print ( hardback) |
Pages | 602 pp |
ISBN | 0-436-28460-X |
OCLC | 59237630 |
Preceded by | Byzantium Endures |
Followed by | Jerusalem Commands |
The Laughter of Carthage is a historical fiction novel by English author Michael Moorcock published by Secker & Warburg in 1984. It is the second in the Pyat Quartet tetralogy, preceded by Byzantium Endures and followed by Jerusalem Commands. [1] It was written in tandem, one during the day, and one at night, with the second novel in the Von Bek series, The City in the Autumn Stars. [2]
Kirkus Reviews criticized the novel, saying: "...though Moorcock may want all the ugly rhetoric to be read as the ravings of a self-deluding liar and knave, the ironies--e.g., Pyat's own secret Jewishness--aren't as clear here as they were in Byzantium Endures. So this 600-page novel, for all its scene-by-scene skill, soon becomes a cold, tedious exercise--short on genuine character or charm, basically shapeless, faintly unpleasant". [3]
![]() Dust-jacket from the first edition. | |
Author | Michael Moorcock |
---|---|
Language | English |
Series | Pyat Quartet |
Genre | Literary Fiction |
Publisher | Secker & Warburg |
Publication date | 1984 |
Publication place | United Kingdom |
Media type | Print ( hardback) |
Pages | 602 pp |
ISBN | 0-436-28460-X |
OCLC | 59237630 |
Preceded by | Byzantium Endures |
Followed by | Jerusalem Commands |
The Laughter of Carthage is a historical fiction novel by English author Michael Moorcock published by Secker & Warburg in 1984. It is the second in the Pyat Quartet tetralogy, preceded by Byzantium Endures and followed by Jerusalem Commands. [1] It was written in tandem, one during the day, and one at night, with the second novel in the Von Bek series, The City in the Autumn Stars. [2]
Kirkus Reviews criticized the novel, saying: "...though Moorcock may want all the ugly rhetoric to be read as the ravings of a self-deluding liar and knave, the ironies--e.g., Pyat's own secret Jewishness--aren't as clear here as they were in Byzantium Endures. So this 600-page novel, for all its scene-by-scene skill, soon becomes a cold, tedious exercise--short on genuine character or charm, basically shapeless, faintly unpleasant". [3]