Author | John Scalzi |
---|---|
Country | United States |
Language | English |
Genre | Science fiction novella |
Publisher | Subterranean Press |
Publication date | 2009 |
Media type | Print ( Hardback & Paperback) |
Pages | 136 |
ISBN | 978-1-59606-299-3 |
The God Engines is a 2009 science fiction/ fantasy novella by John Scalzi. [1]
The story takes place in a universe where space travel is accomplished by chaining intelligent, human-like creatures called gods to a spacecraft and torturing them to drive the ship. The people are ruled by an organization called the Bishopry Militant, who worship a powerful being. Captain Ean Tephe is completely faithful to the Bishopry, but his faith comes under test when he is assigned a secret mission in which his ship's god seems to have a keen interest.
The God Engines was a finalist for the 2009 Nebula Award for Best Novella [2] and the 2010 Hugo Award for Best Novella. [3] Publishers Weekly called it "ferociously inventive, painfully vivid, dispassionately bleak and dreadfully memorable", and compared it to a collaboration between J. G. Ballard and H.P. Lovecraft. [4]
Author | John Scalzi |
---|---|
Country | United States |
Language | English |
Genre | Science fiction novella |
Publisher | Subterranean Press |
Publication date | 2009 |
Media type | Print ( Hardback & Paperback) |
Pages | 136 |
ISBN | 978-1-59606-299-3 |
The God Engines is a 2009 science fiction/ fantasy novella by John Scalzi. [1]
The story takes place in a universe where space travel is accomplished by chaining intelligent, human-like creatures called gods to a spacecraft and torturing them to drive the ship. The people are ruled by an organization called the Bishopry Militant, who worship a powerful being. Captain Ean Tephe is completely faithful to the Bishopry, but his faith comes under test when he is assigned a secret mission in which his ship's god seems to have a keen interest.
The God Engines was a finalist for the 2009 Nebula Award for Best Novella [2] and the 2010 Hugo Award for Best Novella. [3] Publishers Weekly called it "ferociously inventive, painfully vivid, dispassionately bleak and dreadfully memorable", and compared it to a collaboration between J. G. Ballard and H.P. Lovecraft. [4]