The Gates of Ivory is a 1991 novel by novelist Margaret Drabble. [1] The novel is the third in a series of novels, following The Radiant Way and A Natural Curiosity. The novel continues the stories of several middle aged intellectuals introduced in the last two novels. [2] The novel also introduces a new character, Stephen Cox who is loosely based on J.G. Farrell. [3]
Style
The novel includes metafiction reflecting on the choices Drabble made while writing the novel. [2] The novel also includes a bibliography referencing a number of works which provide background and connections for the rest of the novel. [4]
The novel's narratives that rotate between both the present and flashbacks narratives from each of the main characters. [2] The novel also introduces characters from The Needle's Eye. [2]
Reviews
New York Times reviewer Linda Simon was disappointed with the novel, writing "intellectually stimulating and, as we might expect from Ms. Drabble, very smart. But ideas do not make a novel. Characters do." [2] Publishers Weekly describes the novel as "command[ing] awe even as [Drabble's] subject matter rouses immeasurable stores of pity and terror." [5]
References
- ^ Sutherland, John (5 December 1991). "Drabble's Progress". London Review of Books. p. 18. ISSN 0260-9592. Retrieved 13 March 2016.
- ^ a b c d e Simon, Linda (10 May 1992). "Rambo, Rimbaud, Which Is Best?". The New York Times Books.
- ^ Prusse, Michael C. (2003). British and Irish Novelists Since 1960. Detroit, Michigan: Gale. ISBN 978-0-7876-6015-4.
- ^ Annan, Gabriele. "Numbers Game". The New York Review of Books. Retrieved 13 March 2016.
- ^ "Fiction Book Review: The Gates of Ivory by Margaret Drabble". PublishersWeekly.com. Retrieved 13 March 2016.
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The Gates of Ivory is a 1991 novel by novelist Margaret Drabble. [1] The novel is the third in a series of novels, following The Radiant Way and A Natural Curiosity. The novel continues the stories of several middle aged intellectuals introduced in the last two novels. [2] The novel also introduces a new character, Stephen Cox who is loosely based on J.G. Farrell. [3]
Style
The novel includes metafiction reflecting on the choices Drabble made while writing the novel. [2] The novel also includes a bibliography referencing a number of works which provide background and connections for the rest of the novel. [4]
The novel's narratives that rotate between both the present and flashbacks narratives from each of the main characters. [2] The novel also introduces characters from The Needle's Eye. [2]
Reviews
New York Times reviewer Linda Simon was disappointed with the novel, writing "intellectually stimulating and, as we might expect from Ms. Drabble, very smart. But ideas do not make a novel. Characters do." [2] Publishers Weekly describes the novel as "command[ing] awe even as [Drabble's] subject matter rouses immeasurable stores of pity and terror." [5]
References
- ^ Sutherland, John (5 December 1991). "Drabble's Progress". London Review of Books. p. 18. ISSN 0260-9592. Retrieved 13 March 2016.
- ^ a b c d e Simon, Linda (10 May 1992). "Rambo, Rimbaud, Which Is Best?". The New York Times Books.
- ^ Prusse, Michael C. (2003). British and Irish Novelists Since 1960. Detroit, Michigan: Gale. ISBN 978-0-7876-6015-4.
- ^ Annan, Gabriele. "Numbers Game". The New York Review of Books. Retrieved 13 March 2016.
- ^ "Fiction Book Review: The Gates of Ivory by Margaret Drabble". PublishersWeekly.com. Retrieved 13 March 2016.
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| This article about a 1990s novel is a stub. You can help Wikipedia by expanding it. See guidelines for writing about novels. Further suggestions might be found on the article's talk page. |
|
| This article about a postmodern novel is a stub. You can help Wikipedia by expanding it. See guidelines for writing about novels. Further suggestions might be found on the article's talk page. |